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AI artwork featuring #Akane Kurokawa
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Akane Kurokawa

#Akane Kurokawa
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Fitentia Lombardy

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character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, tears, furrowed brows, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge skirt, long skirt, oversized dress, 1 man, tall man, ugly man, kidnapping, being carried, arm support, over-shoulder carry, from below, dutch angle, cowboy shot, looking at another, reaching out, outstretched arm, clenched teeth, struggle, dim grand hall, chandelier light, Shot from below at a tilted dutch angle: a tall, gaunt, ugly man fills the right half of the frame, and against his chest he hauls the girl off her feet in a rough over-shoulder carry, his thick forearm clamped across her back, her weight slumped forward over his shoulder so her enormous ruffled skirt hangs down behind him and her long gradient black-to-blue hair spills over his sleeve. His face, seen in three-quarter from below, is drawn long and coarse -- heavy sloping brow, big hooked nose, small deep-set eyes squinting down at her, wide crooked mouth pulled back in a grin with a couple of teeth showing -- and he is unhurried, one hand gripping her waist under the lace, the other planted flat on her shoulder blade. She is seen mostly from the waist up: her head is tipped toward the camera, cheek pressed near his collarbone, brows pinched up in the middle, blue eye and green eye both wet and shining, tears escaping sideways into her hair, a small open mouth, a hot blush smeared across both cheeks. Her hand stretches down and out toward the viewer with the colossal engagement ring heavy on it, the gigantic stone catching a spark of light, colossal bracelets rattling at her wrist, and the huge teardrop earrings swinging away from her jaw as she is turned. The dress is a rococo disaster: red and white satin and fur, a bodice plastered in layers of lace and sequined appliqué, bows stacked on bows from the neckline to the hem, absurd porcelain-figure ornaments and a tiny candy-striped cage strung on the skirt, glitters and sequins studding every fold so the fabric throws specks of light wherever it turns. A small tiara sits crooked in her bangs, and a diamond collar glints at her throat just under the lace. Her gaze goes past the man toward the viewer, and his gaze is pinned down on her face. Around them a dim grand hall, tall rococo mouldings and a marble floor falling away into shadow; a single chandelier high behind and above them is the only light source, so their faces are lit from above, the underside of her skirt and the space behind the man go black, and a huge soft shadow pools on the floor at his feet. Cool white light, warm red and gold from the dress and the gilding, deep brown shadow. Melodramatic, uneasy.
Show Parameters
Original Prompt
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,fur dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,diamond collar,1 man,ugly man,tall man,la mujer esta siendo secuestrada
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

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Tsubaki.3
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AI artwork
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character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, black hair, blue hair, multicolored hair, gradient hair, hair between eyes, swept bangs, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, fur trim, ridiculous ornaments, red and white dress, ugly man, tall man, kidnapping, grabbed wrist, pulling, from below, dutch angle, cowboy shot, depth of field, looking at viewer, terrified, clenched teeth, wide-eyed, Low dutch angle, camera tilted so the whole hall leans, boy's-eye view up from knee height: the tall man fills the right two-thirds of the frame as a looming wedge, and the girl is dragged off-balance toward camera-left. He is gaunt and ugly — long lopsided jaw, broken crooked nose, heavy brow shadowing deep-set small eyes, bad uneven teeth bared in a grin, greasy lank hair sticking to his forehead, stubble, stooped shoulders in a plain threadbare dark traveling coat with the collar turned up, sleeves too short on his long arms. His huge bony right hand clamps all the way around her left wrist and forearm, thumb pressed into the inside of the wrist, knuckles whitening, lifting her arm high; his left hand fists the lace at her shoulder, bunching the fabric and hauling her sideways so her weight tips onto the outside edge of her left foot, right foot skidding, right toe trailing, body arcing away from him in a long counter-curve. She is drawn taller and softer than him, thrown forward into the tilt: chin pulled back and down, brows drawn up in the middle, one tear cutting a clean line through the blush high on her cheek and dropping free of her jaw, lower lip trembling under clenched teeth, mouth open in a small soundless shape. Her gaze is locked up into his face, and his eyes are angled down at her, so the two eyelines meet across the gap. Her free right hand is flung out to the side with fingers splayed, the colossal engagement ring a fat blazing rock that catches the light. Her hair is the loudest thing in the frame: long, falling past her hips, a gradient running from near-black at the crown and bangs into deep blue at the lengths, with a blue-black layered fringe cut straight across the brow, longer strands between her eyes, and one heavy swept section across the left brow. Eyes mismatched — the left one blue, the right one green — with faint star-shaped highlights in the pupils. Colossal jeweled earrings hang from both ears, long as her neck, swinging out on their own momentum; colossal bracelets stack up both forearms and clatter against the diamond collar, a rigid band of packed white stones ringing her throat above the fur. The dress is a catastrophe of excess: red and white rococo, boned bodice crusted with sequins over glitter-shot fabric, white lace foaming in three tiers at the neckline and cuffs, ruffles stacked so thick the seams disappear, bows knotted at the shoulder, the waist, the hip and the back — too many to count — plus ridiculous ornaments: enamel medallions, paste jewels, a little gilt bird, dangling ribbons, all of it crowding the bodice. A band of pale fur wraps the neckline and the hem edges. The skirt is enormous, puffed and boned out on hidden supports into a huge bell wider than she is tall, sweeping a long arc out of the bottom of the frame, quilted white and red panels, white fur along the hem, lace and sequins and bows piled on every visible tier. A small tiara sits pushed forward on her crown, one point snagging a lock of hair. The setting is a dim baroque hall: parquet floor running away under the tilted horizon, a row of gilded pilasters and a tall window receding into soft shadow behind them, all of it blurred by shallow depth of field. A single cold shaft of window light drives in from the upper left, striking the left side of her face, igniting the sequins, the latex sheen of the glitter fabric and the facets of the ring and earrings, and leaving his face in half-shadow on the right, rimmed only along the nose and brow. Cold blue-grey shadows, hot red and white and gold on her — nothing else admitted. The fur hem drags a fresh skid-mark in the floor dust where her foot has slipped; her hair and the earrings still carry the momentum of the pull in the opposite direction to the drag. Grim, garish, and sad.
Fitentia Lombardy
#Akane Kurokawa
AI artwork
eb
character: kurokawa_akane 1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side, The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline. Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt. The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat
AI artwork
al
character: kurokawa_akane 1girl, 1oldwoman, 2girls, tall woman, gigantic woman, ugly old woman, kidnapping, (((carrying princess style))), long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, red and white dress, fur dress, sad expression, humiliated, not enjoying it, blush, tiara, diamond collar, colossal earrings, colossal bracelets, colossal engagement ring, woman frightening the girl, low angle, from below, dutch angle, scared expression, trembling, held up, carrying, arms supporting back and legs, ornate hall, from below, dramatic lighting, Shot from a low angle tilted into a slight dutch cant, so the two figures tower over the viewer and the hall's ceiling vaults out of frame. In the foreground the girl is hoisted off her feet: the old woman's forearms are locked under the girl's back and the crook of her knees, one huge hand spread across the girl's shoulder blades, the other gripping her calf just above the ankle. The girl's enormous chest pushes forward against the bodice as her spine arches back over the woman's arms, both of her hands clamped on the woman's forearm with white knuckles, one leg dangling with the huge puffy skirt collapsing downward in a heavy fall of fabric, sequins scattering the light. Her long black-and-blue gradient hair with straight bangs spills backward over the woman's arm in a slow weightless swing; blush burns across her cheeks, her blue-and-green eyes are wide and wet, brows pinched, mouth a small trembling line, gaze fixed down and away from the old woman's face. Behind her the old woman stands immense, dwarfing the girl by a full head and shoulders, ugly heavy-jawed face pushed close to the girl's ear, one eye squinting in cruel delight, lips peeled back in a toothy fright-making grin, gaze lasered onto the girl to drink in the fear. Her colossal earrings and bracelets catch hard glints, the diamond collar ringing her throat cold and bright. The girl wears a red-and-white rococo gown gone rotten with excess: lace frothing out of every seam, ruffles stacked in tiers, bows clustered so thickly they crowd the shoulders and waist, a fur collar molting over the neckline, glitter fabric and sequins firing light in all directions, ridiculous ornaments dangling from the bodice, the puffy skirt ballooning out in a colossal bell. A tiara skews on her head; a colossal engagement ring rides her finger. Light from a high fractured window strikes down and to the left, catching the sequins, the diamonds and the girl's wet eyes, leaving deep shadows under the woman's jaw and in the folds of the skirt. Palette locked to red, white, cold diamond silver and the girl's blue-black hair, everything steeped in the hall's amber gloom. The woman's slow lift makes the girl's dangling foot skim the floor; the skirt trails a hand's breadth above the marble, its shadow a huge dark bloom beneath them. Quiet dread.
Aizeth Lomardi
#Real Person Fiction
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light, Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him. The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed. Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings. One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy

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