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AI artwork featuring #Cthulhu Mythos
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Cthulhu Mythos

#Cthulhu Mythos
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character: kurokawa_akane 1girl, 1 monster, 2 subjects, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style dress, red and white dress, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, fur dress, puffy huge oversized long skirt, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, sad, blush, sighing, standing, 1 ugly gigantic monster, monster more gigantic than girl, ((carry princess)), head rest, head on chest, monster carrying girl, princess carry, from side, cowboy shot, profile, full body, dim hall, candlelight A side-on view, full length of both figures, the girl held level across the frame at chest height in a princess carry, her head tipped back and laid flat against the monster's chest, facing up out of frame. The monster fills the whole left and upper half of the image, a hunched mass of lopsided grey-brown hide taller than the hall, one enormous shoulder humped up past the top edge of the frame, its wart-clumped head craned down toward her from above the crop edge; the girl's white-striped red skirt spills over both of its forearms and hangs down past its elbow into the lower right corner, and its four sagging fingers cup across the underside of her skirt, the thumb clamped over the fur hem. She is rigidly upright where the arms hold her, but her neck has given way: her cheek is pressed flat on the slab of the monster's chest, one colossal earring hanging straight down against its hide, the other pressed under her jaw. Her lips are parted, and the sigh leaves as a thin line of breath fogging the sweat-gloss of the monster's hide just under her chin, a soft ragged patch of moisture the only warm thing on its surface. Her eyes are half-lidded, the star-shaped pupils dim, both cheeks hot with blush above the diamond collar; her lashes point up. The dress is an overload: a red and white rococo thing with lace stacked in three tiers at the cuffs, ruffles bulging so far they hide her wrists, bows of white satin knotted down the bodice and pinched between the skirt's pleats, sequin glitter scattered across the fur-trimmed capelet and catching a cold pinpoint off every scale, and the whole gaudy bulk of the skirt pooling and piling in the arms of the monster; the tiara is a little crooked, knocked back from where her head fell. The colossus's arm rings glitter along its wrist, the engagement stone a fat lump on the hand that grips her sleeve; the rings sit small against its knuckles. One enormous bare hall, stone floor below the monster's feet; light comes from a single source low and to the right, a cold grey glow that picks out the crinkle of the sequins, the shine on her cheek, and the wet line of fog on the monster's chest, while the giant's back and the left half of the hall sink into black. Palette of dirty grey-green, cold stone grey, and the screaming red-and-white of the dress. Quiet, tender, grotesque.
Show Parameters
Original Prompt
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,fur dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,diamond collar,1 monster,ugly monster,gigantic monster,monster more gigantic than girl,((carry princess)),la chica apoya su cabeza en el pecho del monstruo
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
fl
character: kurokawa_akane 1girl, 1 monster, 2 subjects, kurokawa akane, long hair, bangs, black and blue gradient hair, multicolored hair, blue eyes, green eyes, enormous breasts, sad, blush, sighing, closed eyes, downturned mouth, standing, carried princess-style, girl resting head on monster's breasts, rococo style dress, overly ornate dress, tacky dress, red and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, ugly monster, gigantic monster, monster bigger than the girl, carrying, holding, monster's arms under the girl's back and knees, from below, wide shot, dutch angle, dark background The camera sits low and tilted, looking up from about hip height at a slight dutch angle, so the monster's mass fills the upper two thirds of the frame while the girl rides across the lower half like a jewel on a shelf. The monster is a hunched colossus of gray-green and mud-brown hide, its broad flat snout pushed forward, one small wet eye set deep under a heavy brow, tusks crowding a lipless mouth, shoulders knotted with warts and coarse bristles; a faint oily sheen slides over those shoulders where the up-light grazes them. One enormous arm passes under the girl's back and the other under her knees, and her weight sinks into those forearms, compressing the fur trim of her skirt against the hide; the monster's chin is tipped down, its gaze dropped onto the crown of her head, watching her. The girl's head falls sideways against the monster's chest, tilting until her cheek rests against the coarse bristled slope of its breast, and her long black-to-blue gradient bangs spill across her closed eyes as she sighs, a thin stream of breath escaping her parted lips and stirring the edge of a lace ruffle near her throat. Blush stains both cheeks. Her enormous breasts push up against the fur-trimmed bodice edge, straining a lattice of red and white ribbon and crushing a row of oversized bows beneath. The dress is a catastrophe of ornament: rococo scrollwork of gold piping over glitter fabric that throws back hard sequin sparks, tier on tier of lace, ruffles stacked on ruffles, ridiculous glittering fruit-and-flower ornaments pinned at the hip and shoulder, and a skirt so puffed and huge it swallows her lower body and drapes down over the monster's arm in a broadening fall of red and white, its sequined surface catching the light in tiny hard points. The tiara sits crooked in her hair; colossal earrings hang heavy enough to pull her earlobes down, a diamond collar rings her throat and scatters light in jagged spangles, colossal bracelets slide on her wrists, and on one finger a colossal engagement ring rides like a paperweight. Her arms hang loosely, hands not gripping anything, one dangling past the fur edge of the skirt. Light comes from a single low, hot source below and in front of the pair — a furnace glow off-frame that up-lights the undersides of the monster's jaw and forearms and the girl's chin, cheek and skirt hem, and leaves everything above their shoulders falling into a deep unlit dark; the sequins only sparkle where they face this single light, and the cast shadows of the monster's arms run up the girl's dress and drop away behind them. The palette is held to the red and white of the dress, the black-to-blue gradient of her hair, and the monster's muddied green, gray and brown, with gold a thin third accent, all sitting in a wide black surround. Quietly absurd, gently miserable.
Fitentia Lombardy
AI artwork
sg
character: kurokawa_akane 1girl, 2girls, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, sad, colossal bracelets, tiara, blush, sighing, standing, facing viewer, slave collar, chain, ((1 female monster)), ugly female monster, kissing, height difference, yuri, monster girl, from below, close-up, dutch angle, profile, leaning forward, eyes closed, parted lips, hands clasped, arm support, long sleeves, gradient background to black Low dutch angle from just under waist height, tilted so the ornate skirt spills diagonally across the frame and the two figures tower into the upper corners. On the right stands the girl: long black hair melting into blue at the ends in a smooth vertical gradient, straight bangs to the brow, and under those bangs her eyes are mismatched — the right iris blue, the left green — both downcast and half-lidded, wet at the lower rim, cheeks heavily flushed. She stands square to the viewer, weight on her left leg, right knee slack, one hand pressed flat to her collarbone just above the slave collar's riveted metal band, and she is caught mid-sigh: shoulders dropped, ribcage fallen, mouth barely open, a small breath-cloud of cold air escaping. Her enormous chest strains the dress's boned bodice, the red and white silk of the front panel pulling taut while the lace at the neckline stands away from her skin. The dress is monumentally, absurdly overbuilt: tier on tier of white lace, ruffles stacked so thick they cast their own small shadows, bows crowding every seam until the shoulders and hip line are buried, sequins and glitter fabric scattered across the red and white panels so that each one catches the single light and throws a pinprick. Her skirt is enormously wide and long, an oversized bell of red and white that buckles outward under its own weight and pools in folds at the floor; the back of it will not fully clear the ceiling of the frame. A spiked tiara sits slightly crooked on her head. Nested in each ear is a disc of a colossal earring dragging the lobe down; a colossal engagement ring weighs her left hand toward the floor and colossal bracelets stack so thick up her right forearm that the sleeve is pushed back above them. A chain drops from the ring on the slave collar and goes taut, angling left, up into the other figure's grip. On the left, leaning down into the frame from above the girl's shoulder height, is the ((1 female monster)): a hulking, ugly female monster, head bigger than the girl's whole chest, mottled grey-green skin loose over a blunt brow, one eye set high, the other low, a squat flat nose and a wide undershot jaw with a couple of crooked tusks. She is ugly and unglamorous — coarse hair knotted at the nape, thick neck, no finery — and she leans so far forward that her mouth closes on the girl's mouth in a kiss: the girl's lips parted under the pressure, the monster's jaw clamped over them, one huge hand cupping the back of the girl's skull with four fingers buried in the black-blue hair. The monster's other fist holds the chain wrapped twice around the knuckles, chain links pulled into a hard straight line between the fist and the girl's throat. The monster's high-set eye is closed, the low-set one open and angled down at the girl's face. The girl does not lean in. Her spine stays upright, her head tipped back only as far as the monster's cupping hand forces it, and her freed right hand hangs limp at her side, fingers loose. Her gaze goes nowhere — lids shut except for a sliver, the blue and the green almost gone. Light: one hard, cold source from the upper left, just off-frame, striking the sequined panels and the tiara and leaving the monster's back and the lower folds of the skirt in spoiled shadow; the sequins make small hard specular points only on the planes facing that source, and the shadow side of the skirt drops to deep maroon and black. Palette confines itself to red, white, cold silver and the monster's grey-green against a near-black gradient backdrop. Everything in frame is fabric, jewel or skin in compression — the chain is the only straight line. Quiet, gaudy misery.
Shylpfiette greyrat
AI artwork
al
2girls, 1girl, 1monster, female monster, ugly monster, monster girl, black hair, long hair, blunt bangs, straight hair, sky blue eyes, flat chest, petite, short stature, loli, small frame, tiara, colossal engagement ring, oversized gemstone ring, ornate tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, sad, crying, tears, crying with eyes open, trembling lips, docile posture, arms held out in front, arms extended forward, facing viewer, front view, hug from behind, monster grabbing her belly, hand on stomach, kiss on cheek, monster kissing cheek, height difference, close embrace, baroque, inside a church, church interior, dramatic high contrast lighting, opulent textures, heavy ornamentation, from front, full body, dutch angle, looking at viewer, half-closed eyes, blush, sweat, heavy atmosphere Front view, the girl faces the viewer dead-on while a tall ugly female monster stands pressed flush against her back, the monster's thick arms wrapped around her waist so both broad hands splay and sink into the soft fabric of her belly, the monster's heavy head bowed low over her right shoulder with its wide wet mouth pressed to her cheek. The girl is tiny inside the monster's bulk, her short stature swallowed by the embrace: black long hair with blunt bangs falling straight down past her thin shoulders, strands pushed out of place by the monster's chin, sky blue eyes wide open and brimming, two clean tear tracks cutting silver down her flushed cheeks, brows drawn up at the inner corners, mouth trembling in a small sad curve. Her flat chest is pressed back into the monster's body; her arms are held out docilely in front of her, elbows soft, small hands limp and open at chest height, fingers slack, the enormous engagement ring heavy on her ring finger so her hand tips down under its weight, its huge faceted stone catching the light in a hard white star. On her head a tiara sits slightly askew, pushed by the monster's cheek. The dress is a catastrophe of baroque excess in pink and white: a bodice crusted with lace tiers, ruffle upon ruffle, bows clustered so densely at the waist and shoulders the fabric can barely be seen, sequin-and-glitter fabric sparkling in scattered pinpoints wherever the light strikes, ridiculous ornaments -- lacquered rosettes, beaded cabochons, ribbon roses -- leaning off the trim at every angle, and a huge puffy skirt ballooning outward and down to the floor in layered pink-and-white ruffles, its hem spread wide across the stone. The monster is hunched and grotesque, mottled greyish-green thick hide, coarse patchy hair, one drooping heavy-lidded eye, snaggle teeth, a long sagging jaw, hunched shoulders folding around the girl; its bare huge hands dimple her skirt's fabric at the belly. The monster's one visible eye looks down at her cheek; her wet eyes look straight out at the viewer. They stand centered in the nave of a baroque church: towering gilded columns and stacked cornices receding behind them, a marble floor of inlaid pink and grey, tall windows high up, dust in the air. Light falls from the tall windows in a hard shaft from upper left, striking the glitter fabric so it scatters sparkles, rimming the monster's hunched shoulder, while the depth of the nave behind them drops into deep shadow; the huge ring throws one small bright caustic fleck onto the monster's knuckle. Palette held to pink, white, gold, cold stone grey and the monster's mottled green. Heavy ornamentation, dramatic high contrast light, opulent textures. Quiet dread.
Aizeth Lomardi
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen

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