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AI art "Goth Racer"
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Goth Racer

Avatar image of Dermot

Dermot

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A full body shot at eye level, divided into three vertical panes by black-and-silver chequered pit boards with lace edges, featuring the same voluptuous woman in her 30s with warm honey-brown skin, large gold eyes, and long glossy copper red hair across three distinct scenes. In the left pane, she lies on a mechanic's creeper in a bright morning garage, wearing a fitted black race suit with lace trim, a studded choker, and a sleek ponytail, holding a wrench on her stomach with a cool, sidelong smile. In the middle pane, she sits on a rain-slicked pit wall at night in three-quarter view, wearing a black corset and unzipped race suit tied at the hips, gripping a helmet with both gloved hands and a daring grin. In the right pane, she crouches on a black race car's wing, wearing a cropped leather moto top and fishnet tights, shaking a champagne bottle that sprays in a glittering arc with a sultry smile. Each scene features a jet-black car with orchid and bat livery. The visual style is a painterly European adventure-comic with rich linework and textured colors, blending dramatic morning rim light, neon-lit rain, and soft grey skylight.
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Original Prompt
A full body shot framed head to toe at eye level, wide enough to take in all three figures. The image shows the same woman three times side by side, left to right, in three panes, each its own scene. She is a woman in her 30s, the lead driver of the Black Orchid racing team, readying her car before qualifying. The image has a goth-racing vibe of black race suits trimmed with lace, studded chokers worn with racing gloves, a jet-black car with a livery of black orchids and silver bats, plum lips and fishnet by the pit lights at night, and the mood moves from focused, cool and quietly thrilled on the left to playful, triumphant and sultry on the right. She is spectacular, a woman with a curvy, voluptuous build: average height, with soft, rounded shoulders, a soft, full figure, a defined waist, full, wide hips and full, soft thighs, and enormous, heavy breasts. Her skin is a warm honey brown, and her face is glamorous and warm, with a soft, rounded oval shape, full cheekbones, large, upswept gold eyes with thick dark lashes, softly arched brows, a short, straight nose and a wide, full, lush mouth. Her long hair is a glossy copper red. The setting is three scenes side by side: on the far left, the Black Orchid team garage at a racing circuit on a clear morning, a spotless grey epoxy floor, a jet-black race car with a livery of black orchids and silver bats raised on stands, its wheels off and stacked tyres in warmers beside it, black tool chests with silver handles, a wall of black lace-patterned panels behind the car, and tall windows at the back of the garage looking onto the bright pit lane and the empty grid; in the middle, the pit wall of a floodlit racing circuit at night in the rain, the wall of black steel and mesh lined with timing screens glowing green and violet, rain sheeting through the floodlights, the jet-black orchid-liveried car roaring past on the wet track in a blur of spray, pit crews in black waterproofs, puddles reflecting the lights, and the grandstands rising into the dark; and on the far right, the Black Orchid team garage on an overcast afternoon after qualifying, the jet-black car with its orchid and bat livery parked on the polished floor with its engine cover off, a pole-position trophy of black glass on a tool chest, champagne bottles in a silver ice bucket, crew helmets lined up on a rack, spare tyres stacked in black covers along the wall, and a long skylight in the roof full of flat grey cloud. The whole scene is fully detailed. Two tall black-and-silver chequered pit boards edged with black lace run from the top of the picture to the bottom, splitting the image into three panes, one scene in each. The first, on the far left, facing the viewer, she lies on her back on a mechanic's creeper beside the raised car, one knee bent and a wrench resting on her stomach, her head turned toward the viewer with a sidelong smile. Her expression is focused and cool, a small, private smile. Her hair is in a low, sleek ponytail bound with a black velvet ribbon. She wears a fitted black race suit with silver piping and black lace trim at the collar and cuffs, zipped up to her collarbone and close round her full curves, black racing gloves, black racing boots, a studded black velvet choker and a small silver crucifix stud in one ear. Her makeup is a smoky bronze lid and a deep plum lip. The second, in the middle, in three-quarter view, facing the viewer, she sits on the pit wall with her legs dangling over the edge and her helmet in her lap, both gloved hands wrapped round it, her chin lifted into the rain. Her expression is bold and defiant, a wide, daring grin. Her hair is loose and rain-darkened, pushed back from her face. She wears a black race suit unzipped and peeled to the waist, its sleeves knotted at her hips, over a black satin and lace corset top held closed by a single straining silver clasp, its edge slipping low on her full breasts, with black racing gloves, black racing boots and a studded black choker, leaving her shoulders, her arms and the upper curves of her breasts bare. Her makeup is a black wing and a black-cherry lip. The third, on the far right, in three-quarter view, facing the viewer, she crouches low on the car's front wing with her knees apart and one hand braced on the bodywork, shaking the champagne bottle in the other so it sprays in a glittering arc. Her expression is playful and triumphant, a wide, sultry smile. Her hair is loose in big, tousled copper waves. She wears a tiny cropped black leather moto top with silver zips and short sleeves, ending high on her ribs, high-cut black leather shorts with a studded belt, black fishnet tights, black racing gloves, black racing boots and a black lace choker, so that her midriff, her waist and her full thighs through the fishnet are bare. Her makeup is a glittering bronze lid and a glossy plum lip. Each pane has its own light. On the far left, window light as a rim light: the bright morning light through the tall windows at the back of the garage traces a crisp, clean edge round her copper ponytail, her shoulders and the silver piping of her suit, while the soft overhead fill lights her face. Black and silver dominate, with copper red, plum and pit-lane white as the accents. In the middle, artificial light as a backlight: the circuit floodlights behind her blaze through the falling rain, outlining her copper hair, her bare shoulders and the satin corset in a bright halo and turning the raindrops into silver streaks, while the glow of the timing screens lights her face. Black and rain silver dominate, with copper red, violet and timing-screen green as the accents. On the far right, window light from above: the long skylight pours a soft grey daylight straight down onto her, gleaming on her copper waves, the black leather and the curves of her bare skin, the polished floor and the car's black bodywork catching a long reflection of the sky. Black and storm grey dominate, with copper red, silver and plum as the accents. Painterly European adventure-comic style: rich, confident linework with warm, textured painted colour carrying the whole scene, visible brushwork in the skies and stonework, a palette of black, silver, copper red, violet, plum and storm grey, and a lush, storybook-adventure finish with a classic bande dessinée feel.
Mode
standard
Size
1536 x 864

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.97k

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