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AI art "Girl Car Dress" featuring #zetaCollab
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Girl Car Dress

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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Madis&Tõnis Tuulik

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Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Mia stands upright again on the hood of the red BMW E36, seen in low three-quarter front view from ground level, her body angled toward the camera. The bottle is set down on the metal beside her, empty. Her pink dress is drenched and plastered to her body, translucent enough to clearly show the white lace bra and matching white lace panties underneath, the wet fabric clinging to every curve and crease, the deep plunging neckline heavy and hanging open over her chest. Water still runs in thin rivulets down her arms and drips from her hem, her shoulders and collarbone beaded. Her blonde bob is dark and wet, pushed back off her face. Both her hands are on herself — sliding slowly up her own wet sides from her hips, over her ribs, palms flat, the soaked dress pulling and shifting under her hands, water squeezing out at the edges of her fingers. Her chin is lifted, green eyes looking down at the camera with a slow, teasing, heavy-lidded gaze, lips parted in a satisfied smirk. Details to hold: the soaked fabric transparent enough to read the white lace beneath, the wet dress pulled tight and shiny where her hands slide, water squeezed between her fingers and running down her wrists, the deep shadowed line of her cleavage under the wet neckline, her damp hair pushed back, the grey-brown mud smears and wet streaks across the hood beneath and around her feet, water pooled in the heel dents, the sharp points of the stilettos. The red BMW E36 is in good condition: glossy deep red paint now streaked with water, grey mud, and long dark runnels, clean bright chrome trim beaded with water, clear glass behind her. Dim garage: bare concrete floor with light grit, cinder-block walls, tools in shadow. Warm tungsten pendant bulb overhead dropping amber light across her soaked body and the wet hood, cool blue light from under the roller door rimming her profile. Steam-fine mist in the air. Camera: low three-quarter front angle from ground level, full-body shot, shallow depth of field with her hands and face sharp. Visual focus is her hands sliding over her wet curves, the lace visible through the soaked dress, and the muddied hood under her feet. Subtle film grain.
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Original Prompt
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Mia stands upright again on the hood of the red BMW E36, seen in low three-quarter front view from ground level, her body angled toward the camera. The bottle is set down on the metal beside her, empty. Her pink dress is drenched and plastered to her body, translucent enough to clearly show the white lace bra and matching white lace panties underneath, the wet fabric clinging to every curve and crease, the deep plunging neckline heavy and hanging open over her chest. Water still runs in thin rivulets down her arms and drips from her hem, her shoulders and collarbone beaded. Her blonde bob is dark and wet, pushed back off her face. Both her hands are on herself — sliding slowly up her own wet sides from her hips, over her ribs, palms flat, the soaked dress pulling and shifting under her hands, water squeezing out at the edges of her fingers. Her chin is lifted, green eyes looking down at the camera with a slow, teasing, heavy-lidded gaze, lips parted in a satisfied smirk. Details to hold: the soaked fabric transparent enough to read the white lace beneath, the wet dress pulled tight and shiny where her hands slide, water squeezed between her fingers and running down her wrists, the deep shadowed line of her cleavage under the wet neckline, her damp hair pushed back, the grey-brown mud smears and wet streaks across the hood beneath and around her feet, water pooled in the heel dents, the sharp points of the stilettos. The red BMW E36 is in good condition: glossy deep red paint now streaked with water, grey mud, and long dark runnels, clean bright chrome trim beaded with water, clear glass behind her. Dim garage: bare concrete floor with light grit, cinder-block walls, tools in shadow. Warm tungsten pendant bulb overhead dropping amber light across her soaked body and the wet hood, cool blue light from under the roller door rimming her profile. Steam-fine mist in the air. Camera: low three-quarter front angle from ground level, full-body shot, shallow depth of field with her hands and face sharp. Visual focus is her hands sliding over her wet curves, the lace visible through the soaked dress, and the muddied hood under her feet. Subtle film grain.
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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