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Tigre disfrazada de catrina
En día de muertos... una tigresa con vestido se aparece en la oscuridad y se dirige a la iglesia. ¿Que tratara esa felina?
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- Original Prompt
- tigre de kemono friends con tetas grandes disfrazada de catrina
- Mode
- flash
- Size
- 768 x 1280
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Model & LoRA used
Similar Images
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p9
character: agnes_tachyon_(umamusume)
1girl, solo, agnes_tachyon_(umamusume), brown hair, short hair, medium hair, ahoge, hair between eyes, red eyes, horse ears, animal ears, horse tail, tail, looking up, from below, three-quarter view, standing on one leg, arms up, outstretched arm, head tilt, light smile, one eye closed, nightdress, catrina costume, dia de los muertos, long sleeves, sleeves past wrists, bare shoulders, bare legs, flower decoration, flower on hair, marigold, marigold petals, papel picado, sugar skull, candle, candlelight, orange and deep purple palette, night, catrina makeup, skull face paint
From a low angle in three-quarter view the girl rises on her right toes, her left leg lifted and bent back so the bare calf and thigh clear the hem, both arms flung upward and outward as if she has just spun to a stop; the nightdress is a long-sleeved white lace gown with wide sleeves that swallow her hands past the wrists, the shoulders cut away so both bare shoulders and collarbones catch the candle glow, and over it she wears a catrina costume: a fitted black bodice embroidered with white bone stitching along the ribs, a tiered skirt with a scalloped hem riding above the knee. Her brown short hair with the stray ahoge and the center fringe is tucked back on the left side by a cluster of orange marigolds and small purple cempasúchil blooms, her horse ears swiveling above the petals, and her horse tail sweeps out and curls behind the flaring skirt; her face carries catrina skull makeup, a white base with dark eye sockets and stitched mouth lines, one red eye shut in a wink while the other gazes up past the upper edge of the frame toward the hanging lanterns, a faint closed-lip smile on the painted mouth. The ground is dark stone scattered with loose marigold petals, and the background is a night ofrenda street: tiered altars stacked with candles, sugar skulls, fruit and marigold garlands, papel picado banners strung overhead whose cut panels flutter, all sinking into a warm orange and deep purple haze. The candles are the only light source, low and warm from below and to her left, catching the tops of her bare shoulders, the lace cuffs and the marigolds in her hair while the undersides of her jaw, skirt and feet stay in soft violet shadow, and every petal on the stone throws a short flickering cast shadow; the papel picado panels glow translucent where the candlelight passes through them. Quiet, ceremonial joy.
player94
breadwinner
Colored Skin Undead Skeleton
joel alonso martinez lara
me
1girl, solo, medium hair, dark-blonde hair, bedhead, heart ahoge, brown eyes, star-shaped pupils, :3, glasses, black choker, brass heart pendant, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, thick lips, puffy lips, mole on nose, sugar skull face paint, long eyelashes, marigold hair ornament, colorful Mexican dress, long ruffled skirt, dancing, mid-twirl, arms up, from below, dutch angle, looking at viewer, night, candlelight, dia de los muertos festival background, backlighting, soft light, cinematic lighting, depth of field, long exposure, vibrant colors, intricate colors, high contrast, detailed skin, photorealism, surrealism,
Shot from a low dutch angle, tilted a few degrees off plumb so the whole frame leans with her spin: a single girl caught mid-twirl in a night street transformed for the Day of the Dead, the camera low enough that the candlelit festival rises behind her shoulders and she towers over the lens. Her weight rides on the ball of her left foot, right leg swept across and lifted slightly off the ground, the long ruffled skirt flaring out in a bell so the hem lifts and the layered ruffles catch the light one tier at a time; both arms are flung up and outward, wrists loose, the movement carrying through her shoulders. Her back arches and her exaggerated hourglass silhouette twists, wide hips leading the turn, massive breasts straining the embroidered bodice of the colorful Mexican dress so the neckline pulls and the fabric gathers and gaps at the front; thick thighs and creamy skin visible through the skirt's swirl, the dress dense with pink, magenta, orange and turquoise floral embroidery and bone-white stitching. Her head tilts to the viewer with a playful open :3 mouth, thick puffy lips puckered into the shape, the mole on her nose catching the light; long eyelashes frame brown eyes whose star-shaped pupils gleam, half-lidded in a teasing look straight at the lens. Sugar skull face paint sits crisp over her skin: white base, black stitched seams, a violet eye socket flourish, small marigold-orange petal dabs on the brow and cheeks, teeth lines traced across the lips. The glasses ride slightly low on her nose from the twirl; the marigold hair ornament blooms at one temple, its ruffled petals half-buried in her dark-blonde medium-length bedhead, strands lifting and swinging outward with the spin, and at her crown the heart-shaped ahoge whips to one side. The black choker hugs her throat, the brass heart pendant swung out on its short chain by the rotation, its polished face throwing a tiny hot glint.
Behind her the festival street recedes into bokeh: strings of cut-paper banners overhead, altars of stacked marigolds, tall votive candles clustered on steps and ledges, warm flames multiplying into small soft orbs of out-of-focus light. Every candle flame is a real source, backlighting her: warm amber rim light outlines her hair, shoulders, the flare of the skirt and the raised edge of each arm, while her front falls into rich, softly lifted shadow lit only by the bounce from the street and the candle pool below her. Long-exposure light trails smear between the candles behind her, thin warm arcs and ghosting where the crowd's movement and the swaying lanterns blur; shallow depth of field keeps her face, glasses, pendant and the face paint crisp while everything behind softens into color. Palette: candle amber, marigold orange, hot pink and turquoise embroidery, deep indigo-black night, creamy skin, with the paint's white and violet as the only cool accents on her face. The skirt is the revealer: each ruffle tier brightens as it swings out of shadow and dims as it drops back, so the spin itself is visible in the changing bands of light. Cute, carnival-warm, quietly enchanting.
Mister E
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