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ぽみ (闇人零式)

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ぽみ (闇人零式)

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1girl, solo, front view, upper body, light-purple hair, light-purple eyes, half-up braided hairstyle, light-purple gothic dress, high ruffled collar, black lace trim, synthetic cubism, collage elements, bold geometric patterns, flat planes of color, mixed media, sharp angles, abstracted subject, simultaneous multiple-perspective face, rich colorful palette, geometric fragmentation, interlocking shapes, pasted-paper edges, palette-knife planes, looking at viewer, faint closed-lip smile, head tilted slightly, one shoulder raised A single girl shown from the front, framed at the upper body, the head and shoulders filling most of a vertical canvas. Her face is broken into interlocking flat planes and shown from more than one angle at once: a near-profile wedge at the left cheek cut hard against a straight-on eye block, the two light-purple eyes set at slightly different heights and widths so the face reads as seen from two viewpoints simultaneously, one eye larger and more frontal, the other compressed into a narrow almond pasted on a side-facing plane. Her expression splits the same way: the right half of the mouth curls up in a faint closed-lip smile while the left corner stays flat and cool, one brow arched high on a pale plane, the lower lid of the left eye lowered a touch. Every plane holds its colour flat, bounded by a hard dark contour, no blending. Her light-purple hair is built from overlapping cut-paper shapes, pale lilac, cool mauve and a deeper violet in the shadow planes, swept back from the forehead in angular slabs that lock together like folded card. The half-up braid runs along the upper left of her skull as a stair-step of quadrilateral segments, each one a slightly different tone of light purple, tapering behind her ear and hanging forward past her cheek after a loose purple ribbon; stray sharpened wisps jut out at the crown. The rest of the hair drops behind her shoulders in broad faceted locks that break the outer silhouette into straight cut edges. The light-purple gothic dress fills the lower half of the frame: a high ruffled collar of pale lilac planes fanning up around her jaw, each ruffle a separate stiff lobe with a dark rim, and beneath it the bodice resolved into interlocking violet and mauve polygons. Black lace trim runs along the collar edge and the neckline as a row of dark half-round notches, and one shoulder is cut away to show the braid's ribbon against bare skin. A pasted collage fragment of printed lavender-and-black lace sits slightly proud of the painted surface at the collarbone, its torn white edge visible, casting a thin real shadow down onto the canvas beneath it; a sliver of newsprint and a rectangle of dull gold paper are glued into the dress's shadow planes with visible scissor-cut corners lifted a fraction off the board. The ground behind her is a shallow relief of muted ochre, dusty rose and pale teal planes fitted edge to edge, with a curved guitar-like arc and a striped vertical band lending shallow depth without becoming a room. The only light is a raking, low-angle illumination from the upper left, which throws hard cast shadows to the right of every pasted shape -- the collage patches, the ruffles, the braid's ribbon -- so the picture's depth comes from the real thickness of the glued paper rather than from modelling; the painted planes themselves stay flat and unshaded. The palette is disciplined and rich: light purple in three registers (pale lilac, mauve, deep violet) across hair, eyes and dress, black at the contours and lace, tempered by ochre, dusty rose, pale teal and a single scrap of gold. Texture is a matte primed board with visible bristle drag in the ochre passages and dry-brush edges on the darkest contours. Bold, fractured, effortlessly cool.
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Original Prompt
1girl:front view,upper body,light-purple hair, light-purple eyes, half-up braided hairstyle, light-purple gothic dress Synthetic Cubist style, the manner of Pablo Picasso, collage-like elements, bold geometric patterns, flat planes of color, mixed media, sharp angles, abstracted subjects, simultaneous expression from multiple perspectives, rich and colorful, geometric fragmentation, surfaces composed of planes, interlocking shapes
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of ぽみ (闇人零式)
solo, 1girl, upper body, portrait, long straight purple hair, purple eyes, navy gothic dress, high collar, lace trim, synthetic cubism, collage-like elements, bold geometric patterns, flat color planes, mixed media, sharp angles, abstracted subject matter, multiple viewpoints, rich colors, geometric fragmentation, faceted surfaces, interlocking shapes, looking at viewer, neutral expression, bare ears, hair unadorned, large head-to-frame ratio, head turned in profile and three-quarter at once The picture is built from a bust seen simultaneously from profile, three-quarter and slightly from below, so the girl's head is drawn twice in a single interlocking mass: a purple profile with the nose in a crisp wedge on the left, and a purple three-quarter face with both eyes on the right, the two planes butted together along one hard angular seam that runs from crown to jaw. Her long straight purple hair does not fall in strands but in flat vertical slabs, some deep violet, some lavender, some pale lilac, each cut as an acute trapezoid and stacked in overlapping registers so the hair reads as combed, segmented and straight at the same time; one slab swings out to the right and is cropped by the frame edge. The purple eyes are drawn as faceted almond shapes, one shown frontally with a circular pupil, one in profile as a narrow dark sliver, both ringed by a hard graphic lashline. Her navy gothic dress occupies the lower two-thirds: a high navy collar cut as a sharp chevron under the chin, the bodice broken into interlocking navy, indigo and black planes with a lace-trimmed edge drawn as a row of alternating notched triangles, and one tatted lace cuff at the throat rendered as a small dense pattern of white-inked arcs pasted over the paint. All edges of the figure are sharp and drawn, not softened. The ground is a collage: torn and cut paper fragments in ochre, cobalt, vermilion and turquoise, glued in overlapping diagonal bands with visible deckled fibers and a faint shadow under each edge, one fragment drawn as music staves, one as a woven check that sets up the bold geometric patterns, all of them laid flat with no attempt at perspective behind her. Around the head, interlocking shapes lock like puzzle pieces: a brick red wedge behind the profile, a mustard triangle under the jaw, a teal quadrant behind the hair slab. Palette is disciplined and rich: navy, indigo and black in the dress; violet through lavender in hair and iris; ochre, cobalt, vermilion, turquoise and cream in the collage ground, with a single warm orange plane tucked under the chin to make the skin vibrate against the dark collar. Nothing here is lit by a real lamp: value contrast alone carries form, each flat plane sits at one value and the darkest blacks gather in the collar, the lashline and the seam between the two faces, so the picture is constructed, not modelled. She looks straight out at the viewer from the frontal eye, chin slightly lifted in the profile side, mouth a short horizontal stroke set between the two views: a cool, self-possessed stare. The whole surface is faceted, cut-and-pasted, hard and forward, geometric and confident.
ぽみ (闇人零式)

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