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ぽみ (闇人零式)

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1girl, solo, low twin-tails, long gray hair, brown eyes, off-shoulder gray knit dress, knit texture, smile, cute, open mouth, chibi, super deformed, floating, floating in air, arms out, legs trailing, looking at viewer, city, cityscape, skyscraper, skyscrapers in background, pop culture, kawaii decorations, hearts, stars, sparkles, synthetic cubist style, collage, bold geometric patterns, flat planes of color, mixed media, sharp angles, geometric fragmentation, interlocking shapes, abstracted, rich colors, from below, dutch angle, wide shot Seen from below at a tilted dutch angle, a chibi-proportioned girl hangs suspended well above a city street, her small body tilted diagonally across the frame with her head toward the upper left and her feet trailing toward the lower right. Low twin-tails of flat gray planes fall from ties at the nape of her neck, each tail broken into faceted, angular segments that drift upward as if lifted by the same anti-gravity that holds her aloft. Her brown eyes are rendered as crisp cut-paper circles with a single highlight triangle; her mouth is open in a bright, genuine smile, the grin split visually by a vertical plane so two angles of the same happy expression read at once. The off-shoulder gray knit dress is shown as overlapping geometric patches of matte mid-gray with darker gray chevrons suggesting stitch texture, the neckline a bold flat black arc that slides down one shoulder, her bare shoulders and collarbone built from smooth, pale interlocking shapes. Her right arm is flung upward and outward, hand splayed; her left arm bends across her torso, fingertips brushing the knit edge. Feet and lower legs vanish into a fan of sharp triangular shapes, as though her body were being reconstructed into the geometry of the city itself. The city rises around and far beneath her: a cluster of skyscrapers constructed entirely from flat planes of color, each tower a stack of offset rectangles, trapezoids and diagonal wedges, with window grids reduced to rows of small alternating dark and bright squares. One dominant tower fills the upper-right background with a hard vertical edge that slices the frame; smaller buildings interlock behind it at shifting angles, their faces painted in rich teal, coral, cadmium yellow, magenta and cobalt, all meeting in crisp collage edges. Between the buildings, pasted collage fragments float as kawaii decorations: cut-out hearts, four-pointed stars and sparkle bursts in bright pink and lemon yellow, a few rounded sticker-like shapes and dots of pop-culture color scattered like confetti; a couple of thin geometric banners hang between towers with illegible abstract lettering reduced to striped blocks. The girl's twin-tails and the hem of her dress overlap the nearest collage elements, establishing her in front of the midground and well clear of the distant towers, so the depth order reads foreground: floating girl, midground: pasted hearts and stars, background: cubist skyscrapers. Light arrives from the upper left as a single hard, cool-white source, cutting every plane into a lit face and a shadow face with no soft gradient between them; the shadow sides of her face, dress and tails fall in flat planes of deeper gray and violet, and the towers throw long geometric shadows across one another's faces. A few paper edges curl slightly at the corners of the kawaii cut-outs, catching a thin rim of that same upper-left light. Rich and colorful palette throughout, dominated by teal, coral, yellow and magenta against the girl's cool gray hair and knit; sharp angles and geometric fragmentation organize every surface into planes. Joyful, buoyant.
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Original Prompt
1girl:left,low twin-tails, gray hair, and brown eyes, wearing an off-shoulder gray knit dress.cute,smile,SD style,floating, city,pop culture,kawaii decorations, skyscraper, Synthetic Cubist style, the manner of Pablo Picasso, collage-like elements, bold geometric patterns, flat planes of color, mixed media, sharp angles, abstracted subjects, simultaneous expression from multiple perspectives, rich and colorful, geometric fragmentation, surfaces composed of planes, interlocking shapes
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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1girl, solo, hyper close-up, eye focus, close-up on face, extreme close-up on eyes, gray hair, wolf cut, shaggy layered gray hair, choppy bangs, brown eyes, large brown iris detail, thick lashes, single off-shoulder gothic mini-dress, one bare shoulder exposed, black velvet bodice with lace trim, synthetic cubism, collage-like elements, bold geometric patterns, flat planes of color, mixed media, sharp angles, abstracted subject, simultaneous multiple perspectives, rich colorful palette, geometric fragmentation, interlocking shapes, looking at viewer, head tilted, one eye unobstructed wide and luminous, the other eye refracted into three stacked profile shards, angular jawline rebuilt as a polygon, neck cut into overlapping planes, shoulder line broken into a stepped ridge of shapes, dutch angle, from above, angled slightly to the side, abstract background of interlocking flat color planes, high contrast, cubist fragmentation of facial features An extreme hyper close-up crops everything away but the girl's eyes and the mask of her face, shot from slightly above and tilted off level in a dutch angle, so the head fills the entire frame edge to edge and the collar of the dress just grazes the lower margin. Her gray wolf-cut hair is built as a mane of rigid triangular shards and interlocking diagonal planes of pale silver, ash and cool slate, layered short at the crown and falling to a jagged fringe of straight choppy bangs across the brow, each strand translated into a sharp-angled wedge of flat color with no soft blend. Her eyes are the subject and the whole image is composed to serve them: each is drawn with a big detailed brown iris, layered lashes and a hard white highlight, and each sits inside its own facet, so the left eye is seen straight on while the right eye and the bridge of the nose are simultaneously rendered in small overlapping side views and stacked profile slices, the profile of her nose and lips floating as a detached interlocking shape beside the frontal eye. Brows are flat black paper-cut bars, one tilted up more than the other with a faint arch of skeptical attention. One bare shoulder is exposed where the dress's single off-shoulder neckline slides off, that shoulder painted as a clean glowing plane catching the light; the other shoulder is occluded by the frame edge and the angular fall of hair. The black velvet bodice appears at the bottom edge as sharp black planes with lace trim resolved into a repeating zigzag of white triangular notches. Skin is not modeled but built: warm ochre, salmon and cream planes abut each other along crisp angular seams, and the shading of the cheek is a hard-edged rust polygon. A collage logic runs through the surface — newsprint-printed paper texture, torn-edge cream, a scrap of patterned blue, an opaque block of cadmium red pasted over one temple, all with visible cut edges and a shallow pasted-down shadow so the layering reads as physical. The palette is rich and colorful despite the gray hair: silver, ash and charcoal for the wolf cut, deep saturated browns and amber in the irises, warm ochre and salmon in the skin planes, black velvet and white lace at the collar, with vivid red, cobalt and teal geometric shards breaking through the interlocking background planes. The background is a simple abstract mosaic of flat interlocking color shapes pressed almost flat against her face, blurred only in that it carries no subject at all, so nothing competes with the gaze; the only light is a hard planar light from the upper left that lays a bright white facet across the left brow and iris and throws a cut-out shadow polygon falling from the nose plane down across the cheek. Her chin is tipped down and her eyes come up under the shaggy fringe to meet the viewer directly, lashes heavy, holding the look. Bold, fractured, unblinking.
ぽみ (闇人零式)

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