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AI art "夢(ゆめ)" featuring #zetaCollab
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夢(ゆめ)

朱音の友だち オリジナルキャラ

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
Avatar image of 朱音

朱音

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1girl, solo, junior high school student, school girl, medium hair, black hair, straight hair, hair falling past the shoulders, black eyes, smiling, happy expression, open-mouth smile, cheerful, looking at viewer, front view, sitting, sitting on a wooden chair, sitting at a square wooden table, reading, holding open book, book on table, both hands on the book, white shirt, short sleeves rolled to the elbow, blue necktie, black pleated skirt, school library, bookshelves, books, shelves of books, warm interior, anime style, detailed, high resolution A front view, camera at seated eye level but dropped slightly and pushed in to a cowboy-shot crop so the girl fills the frame from the crown of her head to her knees, the table's near edge crossing the bottom of the image. She sits square to the lens on a plain wooden chair, spine settled against the backrest, weight shifted onto her right hip so her shoulders tilt a few degrees off level, both shoes planted under the chair with the left heel lifted. Her black hair is straight, medium length, tucked behind the ear on the right and swinging loose at the left cheek; it sways a touch forward as she leans in. Her black eyes are aimed straight at the viewer, lashes lifted, brows raised in the middle, and her mouth is open in a wide happy smile that pushes her cheeks up and shows her upper teeth. Both forearms rest on the square wooden tabletop, and both hands hold the open book flat on the table, thumbs pressed into the gutter, fingertips curled around the outer edges of the pages, the book's spine creased downward into the wood. The book is open midway, pages slightly fanned, and her gaze comes up off the page to the lens instead of down at the text. She wears a white button-down shirt with the collar open and the blue necktie knotted small and neat under it, sleeves turned back at the elbow, and a black pleated skirt spread across the chair seat with its pleats falling in knife folds. Behind her, wooden bookshelves run the full width of the background at chest height and above, stacked with books of mismatched spines, a few of them tipped and leaning; a farther shelf row sits soft and out of focus, and a library window out of frame to the left is the light source, warm daylight raking across the tabletop from the left, brightening the left side of her face and the left pages of the book, dropping the right side of her jaw and the bookshelf fronts into soft shadow, with a short shadow under the book's raised right page. Palette of warm honey wood, cream paper, black hair and skirt, white shirt and one clean blue accent in the necktie. Books shelved in matched registers, dust in the light shaft. Warm and cheerful.
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Original Prompt
1girl, junior high school student, school girl, medium hair, black hair, black eyes, smiling, happy expression, looking at viewer, front view, sitting on a wooden chair, sitting at a square wooden table, reading a book, holding an open book on the table, high school uniform, white shirt, blue necktie, pleated skirt, black skirt, school library background, bookshelves, books, masterwork, ultra high resolution, anime style
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.97k

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a
1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread — that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes — half-lidded under a lifted brow — look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin
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1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread — that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes — half-lidded under a lifted brow — look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin
AI artwork
a
1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread — that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes — half-lidded under a lifted brow — look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin

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