Nov 3, 2026

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AI art "melting crows" featuring #Crow and #OnePromptChallenge

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melting crows

嗯...其實我比較想要恐怖風格的那種,但試一試也無妨

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Ultimate One-Prompt Challenge!!!

#Crow

Published on Nov 3, 2026

snowfoxwen

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crow, crows, multiple crows, three crows, melting, dissolving bodies, liquefying flesh, viscous black dripping, glossy tar-like melt, iridescent black plumage, feathers, beak, talons, half-dissolved beak, drooping wing, wing slumped, partially collapsed, glossy puddle, spread of black liquid, black puddle, dripping, stringy saliva-like strands, from below, low angle, looking up, wide shot, ground level, night, moonless, cold blue-grey ambient, wet asphalt, smooth reflective ground, reflection, puddle reflection, indeterminate dark ground, silhouette rim light, backlight, high contrast, scattered black feathers, deforming, viscous, sparse composition, atmospheric perspective, ominous, quiet dread The view is from below, ground level, tilted up: three crows at different depths against an empty night sky, so each body reads as a shape cut out of the dark rather than an object sitting on a floor. In the near foreground, the largest crow is caught mid-collapse — its left leg has already given way so the hip has sagged onto the wet asphalt and the whole body leans left, one wing half-spread and drooping downward while the other is still folded high against its back; its beak is a half-melted stub, the upper mandible drooping forward and stretching into a long glassy strand that reaches almost to the ground, and the lower mandible has run down into the throat. The tail feathers nearest the puddle have softened into flat wet sheets that spread and merge with the pooling black beneath them, and the puddle itself has spread out from under the bird in an uneven glossy fan, thinner at the edges, beaded where it has crossed the seams of the asphalt and paused there. In the midground, a second crow has lost its shape the most: its body is a low slumped heap, wings flattened against the ground as if poured, head still lifted, its eye a single bright wet pinpoint catching the cold ambient light — and it is looking up toward the third crow. The third crow stands furthest back, still upright but beginning to sag, its chest feathers running into long downward streaks, both talons sunk into a softening black patch around its feet; its head is turned in profile toward the second bird. Every reflective surface doubles what it touches: the puddles hold inverted, darker, softer copies of the birds above them, and the light hits only the wet edges and the sky-facing curves of the plumage, so the blue-green iridescence breaks out in thin bands along the shoulders and skulls while every downward-facing plane stays a flat matte black. Scattered black feathers lie around the near bird, some still, some partially sunken into the melt. There is no moon and no visible source beyond the cold blue-grey wash of the night itself, which is brightest just above the horizon line behind the rear bird, putting the upright silhouette on a rim of light while the foreground stays dim. The palette is black, blue-grey and a single wet blue-green iridescence, nothing else admitted. The ground plane is cropped tight at the bottom edge so the near puddle runs off frame, and the sky occupies the upper two-thirds as empty negative space, making the three figures small and the darkness large. The composition stays sparse and quiet, the only movement the slow pull of a strand still in the act of dripping free of the near bird's beak. Quiet dread.

melting crows

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