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それで、おれに勝ったつもりかああっ！？①

『吼えろペン』シリーズの炎尾燃先生と富士鷹ジュビロ先生。僕は島本和彦作品も藤田和日郎作品も大好きなんですが、二人の友人エピソード聞いてるだけで、思わずニヤニヤしてしまいますねw

#Short Hair #Sweat #Tracksuit #Black hair #Stubble #Grin #Smile #Sleeves pushed up #Open mouth #Black eyes #Shirt #Facial Hair #Holding #Indoors #Paper #Holding Paper #Fujitaka Jubiro #Hoero Pen #2 Boys

Published on Nov 3, 2026

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2boys, (((headgear))), (((red tracksuit))), (((messy black hair))), holding g-pen, sweat, shouting, determined expression, intense eyes, open mouth, dynamic pose, leaning forward, facing each other, eye contact, muscular male, large build, broad shoulders, slicked-back long hair, stubble, unshaved beard, round red clown ball on nose tip, (((鼻の先にピエロのような丸い赤い球が付いている))), fierce sharp eyes, wicked grin, (((菱形模様（ダイヤ柄）の服))), diamond-patterned clothing, argyle pattern, hot-blooded manga artist outfit, manuscript paper, (((熱血、狂気と愛が同居した表情))), bust-up, close-up, eye-level, speed lines, burning manga workroom, flames, sweat drops, 1980s manga style, retro anime style Straight-on eye-level bust-up framing from a low, slightly thrust-up angle, cropping both men at the chest and gathering their faces near the centre of the frame so every flicker of their expressions is legible. On the left, the first man leans in across the gap with his shoulders thrown forward and his spine curved into an aggressive diagonal, weight on his planted right foot, chin thrust up and out; (((headgear))) sits across his brow above (((messy black hair))) whose strands break loose and whip upward in the heat draft; he wears a (((red tracksuit))) — the zip open at the collar, the fabric bunched into hard folds at the elbow and knee creases — and his right hand is raised in a fist that drives a G-pen down toward the other man in a stabbing gesture, knuckles pale around the barrel, the nib catching a hot orange spark of light, while his other arm cuts away behind his hip; his brows are locked down, eyes wide and blazing straight into the other man's face, mouth fully open mid-shout with a thread of spittle and a heavy bead of sweat sliding from his temple down the side of his jaw to hang at his chin. On the right, the second man is an immovable wall of a figure, taller and broader, taking up more of the frame and tilted slightly back at the shoulders as though absorbing the shout; his slicked-back long hair is swept tight to the skull and falls behind his collar in a heavy tail, stubble roughens his jaw and cheeks, and at the very tip of his nose hangs a (((鼻の先にピエロのような丸い赤い球が付いている))) glossy red ball, a comic absurdity on a fully serious face; his eyes are narrow and hot with reflected firelight, and his mouth is pulled into a wide wicked grin with the teeth bared, an expression where (((熱血、狂気と愛が同居した表情))) shows through the snarl, one brow cocked and a thin sheen of sweat on his forehead. He holds manuscript paper up between them in one broad hand, the page buckled by his grip and edge-lit, and in the other hand a G-pen angled back toward the first man, the two nibs nearly meeting in the space between their chests. He wears (((菱形模様（ダイヤ柄）の服))), a diamond-patterned argyle garment in dark teal and burnt orange across his massive shoulders, sleeves shoved to the forearm, collar open. Their gazes lock dead centre, each man staring into the other's eyes rather than at the pens, and the air between them is thick with heat, both heads pushed toward the middle of the frame. Behind and around them a manga workroom burns with orange and red light: stacked manuscript pages, ink bottles and pen racks silhouetted against a wall of flame, ash flakes drifting upward, and the light comes from the fire low and behind them, rimming their hair, shoulders and cheekbones in hot gold while their fronts fall into deep shadow broken only by the glow reflecting off the glowing lamps and the sweat on their skin. Heavy black focus lines radiate from the centre of the frame outward, thickest at the edges and converging on the point where their eyes meet, drawn in hard inked strokes over the firelit figures. The palette is restricted to burning orange, crimson, deep black shadow and the single vivid red of the tracksuit and the clown ball, with the diamond pattern's teal and burnt orange as the only cool note. Rendering is a 1980s manga and retro anime fusion: gekiga weight in the hatching, the straining neck tendons and the inked musculature, cut with shonen-manga energy in the speed lines and the exaggerated open mouths, on a glossy highlight-heavy surface with bright clean colour and sparkles catching on sweat and flame. Sweltering, ferocious.

それで、おれに勝ったつもりかああっ！？①

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