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- Original Prompt
- キュアプリズムの手足を大の字に広げて、両腕と両脚と胴体と首を大量の半四角のホッチキスで壁に固定されるヒロピンイラスト描いて
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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純斗
character: cure_prism
spread eagle, 1girl, solo, pinned to wall, arms spread wide, legs spread wide, arms pinned to wall, legs pinned to wall, torso pinned to wall, neck pinned to wall, large amount of U-shaped staples, staples pinning clothes and hair to the wall, long pink hair, pink braid, hair ribbon, white ribbon, bow, pink bow, white bow, green eyes, white dress, aqua ribbon at the collar, ascot, elbow gloves, white gloves, frills, earrings, strained expression, gritted teeth, tears at eye corners, furrowed brow, arched back, taut neck, stretched fingers, open hands, splayed toes, from below, dutch angle, cowboy shot, dramatic lighting, high contrast
The camera looks up from below at a steep dutch angle, tilted a few degrees off vertical so the wall runs as a receding plane and the girl hangs across it in a wide X of limbs — her arms flung out and up to either side, her legs stretched wide and down, her back flat against the cold wall, one band of shadow falling from her chin clear across her collarbone. The wall is bare, matte, pale grey concrete, and the only light is a hard white wash falling from the upper left so her cast shadow bulges out behind her right hip and into the corner. Cure Prism's long pink hair is unbound down the wall, one braid swung to her right and trapped to the concrete by a staple through its tail, her white ribbon and pink bow crushed flat where a pin bites through the bow's loop. Her green eyes are wide and wet at the corners, brows pinched up in the middle, teeth bared in a grimace as her head is forced back by the steel bracket at her throat, lips pulled off her gums by strain — she is looking up and to the side, out past the frame, chest hitching. Both arms are stretched out straight, shoulders wrenched open and white gloves taut at the knuckles; each splayed hand has its palm turned out and its fingers spread wide, a staple driven through the web of each palm and more biting through the glove cuffs and elbow hems. Her legs are kicked out in a wide V, both feet off the ground, toes splayed in her boots; staples nail through the white dress's skirt hem and pin the fabric to the wall so the skirt hangs in stiff folds, one staple through each ankle and two more through each shin, the aqua collar ribbon and ascot flattened under a bracket at the throat and the frills of the dress and the earrings crushed against the concrete. A thick field of U-shaped staples, hundreds of them, marches down the wall in rough lines — through wrists, forearms, upper arms at the elbows, the sides of the torso, the waist, the thighs and the calves — each one a bright steel bracket with its two legs bitten into the concrete and its crown standing proud, catching a hard white glint and throwing long thin shadows down the wall. Where the staples bite into the concrete, faint grey dust spills out and falls in slow threads; her skin stretches tight around every piercing point, the flesh raised in a small welt, and the wall's shadow gapes wider at each bracket. Palette is the wall's cold grey, the white of her dress and gloves, the blunt steel of the staples, and the hot pink of her hair and bow as the only saturated note. Cold daylight, no warmth, heavy shadow at the corners; tense, quietly desperate.
純斗
純斗
character: cure_prism
spread eagle, arms spread wide, legs spread wide, pinned to wall, immobilized, 1girl, solo, long pink hair, green eyes, hair ribbon, white ribbon, braid, pink bow, white bow, aqua ribbon, white dress, elbow gloves, white gloves, frills, ascot, earrings, staple pins, staple through wrist, staple through forearm, staple through ankle, staple through calf, staple through torso, staple through neck, staples driven through clothing into plaster, stretching upward, head tilted back, clenched teeth, pained grimace, furrowed brow, wide eyes, sweat drop, staring up at own pinned wrist, from below, full body, dutch angle, concrete wall, close-up on hands and staples, harsh single overhead light, clinical cold palette, heroine in distress, tense dread
The camera sits low and off-axis, tilted a few degrees so the concrete wall recedes in a slow diagonal and the girl's body reads as a taut X against it. Seen from below, she hangs spread-eagle and not quite symmetrical: her arms are stretched up and out from the shoulders, palms turned outward, the white elbow gloves wrinkled where each cuff bites into the wrist; her legs are pulled wide apart at hip height, toes pointed down and outward, the frilled hem of the white dress crushed flat where the fabric meets plaster. Weight sags from the shoulders and hips rather than the feet—nothing of her is bearing on the floor, and the soles hover a hand's width above it. Gray metal staple pins are driven in dense lines: across the backs of both hands and along both forearms, in bands around both calves and the ankles, in a scattered cluster over the torso that pins the dress tight to the wall, and a close-set row at the base of the neck with the chin forced up above it. The fabric puckers into tiny dents at each staple, and short shadows drop straight down from every pinhead, marking the wall as the only thing holding her. Her long pink hair has come loose from the braid and fans out against the concrete where the shoulders are pinned; a pink bow and a white ribbon hang tilted from the strained strands. She is not looking at the viewer—her green eyes are rolled up toward the staple through her left wrist, brows drawn, teeth bared in a grimace, a bead of sweat tracking down her temple, the white ascot pulled crooked at her throat. One overhead lamp is the only light: it rakes down the wall so the tops of every staple catch a silver flare, the undersides of her chin, gloves and skirt fall into hard shadow, and beyond the pale cone the corridor dissolves into black. Palette is confined to cold concrete gray, the harsh white of the dress and gloves, the warm pink of hair and bow, and the repeating pinprick silver of the staples—nothing else admitted. The mood is clinical, airless, tense dread.
純斗
純斗
character: cure_prism
1girl, solo, cure_prism, long pink hair, braid, pink hair ribbon, white ribbon bow, hair bow, green eyes, white dress, frills, elbow gloves, white gloves, aqua ascot ribbon, earrings, spread eagle, arms up, legs spread, x-shaped pose, pinned to wall, against wall, staples, staple through clothing, neck fixed, torso pinned, restrained, immobile, from below, looking down, strained expression, half-closed eyes, gritted teeth, parted lips, sweat, trembling, motionless, heroine in peril, wall background
Shot from below and slightly to the side, looking up at a figure fixed flat against a bare concrete wall that fills the entire frame; the camera tilts so the wall recedes in perspective and the outstretched limbs are foreshortened toward the lens. One girl hangs in a wide X against the wall: long pink hair falling free with a single side braid hanging straight down past her shoulder, its tip swinging slightly, a pink ribbon bow and a white ribbon bow sitting in her hair; green eyes looking down toward the viewer with tight, held breath, brows drawn, lips parted, a sheen of sweat at the temple and collarbone. She wears a white dress with frilled hem and skirt, white elbow gloves reaching past the elbow, a pale aqua ascot ribbon at her throat, small earrings at both ears. Both arms are flung up and out, palms open flat to the wall, fingers splayed and stiff; both legs spread wide and slightly bent at the knees, feet turned out, the whole body pulled taut into the 大の字 shape, weight hanging from the shoulders and hips. Many half-rectangular metal staples — U-shaped loops wider than a hand — are driven through the wall and close over her: pairs straddling each glove and forearm, pairs bent across the fabric of each sleeve and the skirt near each hip, a wide loop curving over the bodice and collar to hold the torso, and one curved loop around the base of her neck, the metal biting the frills and pulling them into small creases where it crosses. The staples sit slightly proud of the concrete, their outer legs sunk into the wall, each casting a short hard shadow down and to the left; a faint crack radiates from the wall around each anchor point and a little plaster dust has fallen along the base of the wall below her gloves. A single cold overhead light rakes down the concrete, catching the upper edges of each metal loop and leaving the underside of her chin, the inner folds of skirt and hair, and the seams of the wall in shadow; the concrete texture reads as coarse, mottled grey with the grid of form-tie holes, while her white dress and pink hair stay the only warm, clean values in the frame. Cool, pale palette of concrete grey, white, and pink, pressed and claustrophobic.
純斗
純斗
character: cure_prism
1girl, solo, cure_prism, pink_hair, long_hair, braid, hair_ribbon, white_ribbon, pink_bow, white_bow, bow, green_eyes, white_dress, dress, frills, elbow_gloves, white_gloves, aqua_ribbon, ascot, earrings, spread_arms, spread_legs, arms_up, dai-no-ji pose, bound_to_wall, restrained, bound_arms, bound_legs, bound_torso, bound_neck, neck_restraint, many_thin_restraints, semi-rectangular_strips, wall, from_below, dutch_angle, foreshortening, head_tilt, clenched_teeth, half-closed_eyes, sweat, trembling, strained_expression, arched_back, toes_curled, looking_up, barefoot, stone_wall, dim_lighting, blue_palette, heroine_in_peril, tense, captive,
Seen from a low dutch angle, the camera close to the floor and tilted so the vertical joints of the stone wall lean off-axis, a lone young woman in a white frilled dress hangs spread-eagle on the wall. Her body forms a wide X: both arms flung up and out to the corners, white-gloved elbows straight, bare hands open with fingers splayed flat against the cold stone; both legs spread wide, bare feet pressed sole-first to the wall, heels lifted and toes curling as they strain for purchase. Long pink braid swings forward over her left shoulder, sliding free of the wall, its white and pink ribbon bows jolting with every small tremor; loose strands of pink hair stick to her damp cheek. Green eyes roll upward toward the ceiling and the unseen points where the bands disappear overhead, eyelids heavy and half-lowered; her mouth is pulled into a hard clenched-toothed grimace, one brow drawn down.
Dozens of thin half-rectangular straps — narrow ribbons of pale metal, each punched with a small slot pattern — pin her in place: three raw bands crossing each forearm and wrist, two wrapped across each thigh and shin, a fan of five strapped over her ribs and waist and skirt, and a tight collar of slim bands circling her neck and pressing her chin up. Each strip bites into white fabric, the dress's frills crushed under the metal and springing out between every gap; small crescents of shadow sit beneath each band where it lifts the cloth away from her skin. The lowest bands drag the hem of the dress slightly sideways, exposing the pale underside of one bare calf.
Light comes from a single low source at frame left, raking across the wall so the restraint slots throw slanted shadows upward and her body casts a long kneeling shadow across the stone; the right side of the frame falls into deep cold shadow. Palette: cold grey-blue stone, the warm pink of her hair and ribbons, the clean white of her dress as the one bright plane. A faint patch of dust and shaken grit glitters in the air where her heels scrapped the wall. Claustrophobic, desperate.
純斗
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