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純斗

純斗
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純斗

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character: cure_prism, jack-o'_ran-tan spread eagle, arms spread, legs spread, pinned to wall, wall, covered in slime, green slime, sticky slime, viscous, large amount of slime, slime from mouth, jack-o'-lantern, floating, monster, midair, 2girls?, no, 1girl, 1monster, heroine in peril, overwhelmed, struggling, distress, bound, immobilized, pink hair, long hair, hair ribbon, white ribbon, braid, pink bow, white bow, green eyes, white dress, frills, elbow gloves, white gloves, aqua ribbon, ascot, earrings, floating hair, torn, wet clothes, slime trail, dripping, from below, looking up, from side, dutch angle, half-closed eyes, trembling, parted lips, sweat, clenched teeth, blush, horror, dim lighting, dark background, Halloween, pumpkins, jack-o'-lantern grin, carved face, glowing mouth, jagged mouth, orange glow, green glow, ominous, sticky, glistening, wet, shiny skin, slime on face, slime on arms, slime on legs, slime on torso, slime on neck, slime in hair, spread wide, X position, wall fixture, stone wall, dungeon, cracks in wall, shadow, dramatic lighting, from below, foreshortening, worm's-eye view, vertical The camera looks up from below in a low worm's-eye angle, tilted slightly into a dutch angle so the stone wall rears diagonally across the frame. Cure Prism hangs fixed against that wall in an X shape: her arms flung wide and high, wrists and elbows pressed flat to the stone, her legs spread and bent slightly at the knees, ankles and shins glued to the wall by thick ropes of rotten green slime. Her torso and neck are coated too; a heavy band of slime crosses her collarbone and pins her head back against the stone, chin lifted, throat exposed. The slime is not a thin glaze; it is a large, lumpy mass, glossy and translucent, sagging in fat droplets and thin strings that run down the cracks and gather in pouches at her waist and under her arms. It glistens where the light catches it, and where it bridges the gap between her body and the wall it stretches into taut, wet strands. Above and to the right, floating in midair with no support, a jack-o'-lantern monster hangs in the dark: a huge carved pumpkin head with a jagged, grinning mouth wide open, a spout of green slime still arcing from that mouth down toward Cure Prism's chest and shoulder, the stream catching the light as it thickens and splits. The monster has no visible body, only the severed-looking pumpkin head with a faint fringe of purple hair spilling from its top and sides, and two purple eyes glowing deep in the carved sockets. Its mouth is the only light source in the upper half of the frame; a sallow orange-green glow spills from inside it, lighting the underside of the pumpkin's carved ridges and throwing a sickly rim along the slime stream. The rest of the scene is near-black stone. Cure Prism's face shows strain: brows drawn together, one eye half-closed and the other wide, lips parted as she pulls a breath against the slime across her throat, a sheen of sweat on her temple, a bright green smear across her cheek and through the ends of her long pink hair, which is plastered to the wall in wet strands. Her braid hangs down her shoulder, darkened and heavy with slime. Her white gloves and the white dress with its frills are soaked through, the fabric clinging to her arms and torso; the aqua ribbon at her chest is drowned in slime and the ascot is twisted. Her earrings catch the glow. Smaller jack-o'-lanterns float in the dark background, their carved grins dim and distant, adding depth without competing for focus. Green slime drips from the wall in long threads and pools in the cracks of the flagstones below, out of frame. The palette is a cold near-black and slate grey, a sickly luminous green, and the warm orange leaking from the pumpkin's mouth, with the white of Cure Prism's costume providing the brightest sustained note. The slime on the wall is the only thing in the image with a wet specular highlight, and it makes the light from the monster's mouth visible as a long curved reflection down the wall itself. Oppressive, nightmarish dread.
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Original Prompt
キュアプリズムの手足を大の字に広げて、両腕と両脚と胴体と首を宙に浮いているジャック・オ・ランタンの化け物の口から吐かれた大量の腐った緑の粘着液で覆われて壁に固定されるヒロピンイラスト描いて
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
純斗
character: cure_prism 2girls, cure_prism, pink_hair, long_hair, wet_hair, hair_ribbon, white_ribbon, pink_bow, white_bow, braid, green_eyes, white_dress, elbow_gloves, white_gloves, frills, ascot, earrings, slumped, sitting, sitting against wall, leaning back against wall, restrained, arms behind back, bound wrists, handcuffs, arms bound behind back, wet, completely wet, slime, slime on body, slime on clothes, covered in slime, slime dripping, mold, black-green mold, mold on skin, mold on clothes, mold on face, mold-covered, mold growing on body, hair covered in mold, wet strands, hair over face, bangs over eyes, eyes closed, closed eyes, head tilted back, looking up, screaming, open mouth, screaming in pain, agony, pained expression, pinched brow, furrowed brow, blush, flushed face, legs together, knees bent, knees to the sides, calves on ground, aura, black-green aura, glowing aura, corruption, contaminated, impaled, hand through chest, energy injection, witch, evil smile, sadistic smile, standing, standing beside, from below, dutch angle, medium shot, dark background, heavy shadows, dripping, trembling, half-closed eyes, heavy breathing, sweat, wet skin, shiny skin, no speech bubble, no text, cinematic lighting, dark atmosphere, horror, body horror From a low dutch angle, the frame tilts so that the wet concrete floor runs downhill from the right corner toward the left. Cure Prism sits slumped against a stained concrete wall at the left of the frame, hips dropped back against the baseboard, spine bowed, shoulders low, head fallen back so the crown meets the wall and her chin points up. Her knees are bent sharply and pushed to either side, both legs held closed together, calves flat on the ground, so her thighs form a narrow pitched tent over her lap, nothing exposed. Her arms are pulled behind her back, both wrists cinched together at the small of her back by dark metal handcuffs, the chain drawn taut, elbows pressed into the wall. Her hair — long pink, soaked through — hangs in clinging wet strands down the wall, and the bangs are dragged forward over her forehead and dropped across her eyes. Both eyes are squeezed shut, her brows pinched hard together, mouth torn wide open in a scream at the ceiling. Her cheeks are flushed deep red, heat blotching her jaw. Everything from the collarbones down is slabbed under a thick mass of black-green mold, a crusted shell that swallows her torso, lap and arms, her dress and gloves and frills buried in it; her skin under the mold edges is stained a sickly green, mold soaked into the pores. Her hair too has bloomed into the stuff, matted with green-black filaments. Slime sheets her whole body, a wet gloss over the mold crust, fat drips hanging from her elbow and her chin. Beside her, to the right and slightly nearer the lens, the mold witch stands with her weight on her back leg, leaning over Cure Prism. Her face is tipped down at her victim, one corner of her mouth pulled up in a cruel, delighted smile, eyes narrowed and bright. Her right arm is thrust forward and slightly down, and her glove disappears into the mold shell at Cure Prism's chest — a ragged entry crater ringed with green — the wrist buried to the cuff. A black-green aura blazes around that hand and forearm, blown out through the mold in a smeary halo, and the same toxic glow bleeds up out of the mold shell and infests the air around Cure Prism's body. The witch's gaze is fixed on the point where her hand enters the chest. The wall behind them is broad, damp, patchy with old mildew. The lamp source is above and behind the witch, so it rims her shoulder and hair, drops a long hard shadow of both figures across the floor to the left, and leaves the wall in the left corner sinking into darkness. The spilled slime on the floor runs along the seams of the concrete and pools in a shallow puddle that reflects the aura as a dull, dark green smear. Palette: chalky concrete grey, the pink of her hair now darkened and slick, the acid black-green of mold and aura, and the hot red flush on her cheeks. No lettering anywhere in the frame; the air is clean of bubbles. Nauseous, suffocating dread.
純斗
AI artwork
純斗
character: cure_prism prone, face down, full body, 1girl, solo, magical girl, long pink hair, pink hair spread across the floor, hair ribbon, white ribbon, pink bow, braided sidelocks, green eyes, white dress, frilled dress, elbow gloves, white gloves, ascot, aqua ribbon at the collar, bare earlobes visible, both arms at her sides, arms pinned against her body, hands at stomach level, palms facing toward her feet, both legs flat and apart on the floor, chin on the ground, torso flat against the floor, cheek against the ground, pinched expression, distressed, grimacing, clenched teeth, squeezed-shut eyes, trembling, sweat on her brow, black-orange honey, sticky honey covering her whole body, honey dripping, wet clothes clinging, black-orange electric aura, crackling sparks, electricity, paralysis, unable to move, stinger piercing her back, insect stinger in her back, venom injection, from above, high angle, wide shot, dutch angle, full body visible, dark floor, foreground blur, spoken_heart, half-closed eyes, heavy_breathing The camera looks down from a high three-quarter overhead angle, tilted slightly on a dutch angle so the floor runs diagonally under her, and the whole of her body stays inside the frame from the crown of her head to both flat soles. She lies face down and spreadeagled flat on a dark polished stone floor, prone along the diagonal of the frame: her chin and jaw are pressed to the stone with her cheek flattened against it, her torso lies flush along the floor so the white dress and its frills are squashed and rucked under her weight, and both long legs are stretched out flat behind her, the thighs, knees and shins all touching the ground, the toes of both feet splayed out. Both arms are pinned along her sides, pressed between her ribcage and the floor, the white elbow gloves wrinkled where they bunch at the crook of each arm; both hands are drawn in level with her stomach, and her gloved palms are turned flat and open toward her own feet. Behind the small of her back both hands are welded together by a thick wad of set honey, a gluey amber-black-orange lump locking wrist to wrist, and the fingers are stiff inside it. A glossy black-orange poisonous honey coats every part of her: it sheets over her cheek and jaw where they touch the stone, runs in slow ropes over the white dress, clings in a translucent film across the gloves, beads and drips from the hem and from the ends of her long pink hair fanned out around her head. Where the honey pools on the floor it spreads and holds the individual strands of hair fast in a wet fan. Her white ribbon and the braid beside her ear are soaked dark and flattened. Her face is turned just enough for the camera to catch it: brow crumpled, one eye squeezed shut and the other slit open and watering, teeth bared in a pinched grimace, a bead of sweat at her temple. A small hand-drawn heart floats in a tiny speech bubble beside her cheek. Over all of it crawls a black-orange electrical discharge — thin branching arcs skittering over her shoulders, down her back, along the backs of her thighs, snapping brightest where the honey film is thinnest, and throwing a faint flickering orange glow onto the polished stone around her. From a point above and behind her, the bee witch's abdomen reaches down out of the upper frame and drives its dark segmented stinger straight into the small of her back; the chitin pierces the dress fabric at the entry point, the skin around it puckers, and a thin line of black-orange venom is welling and running down her side from the wound. Her head is locked forward, eyes pointed at the floor just past her own chin, unable to turn. The single key light comes from the high upper right, cold and bluish, striking her back, the top of her head and the swell of the honey, and dropping the far side of her body and the floor beneath into a deep shadow; the only warm light in the frame is the crackling discharge and the gloss on the honey. Palette of white, pink and bare stone against nothing but black and orange. Heroine in peril, defeated, hopeless.
純斗
AI artwork
純斗
character: cure_prism 1girl, cure_prism, long_hair, pink_hair, green_eyes, white_dress, white_gloves, elbow_gloves, hair_ribbon, white_ribbon, blush, pained, suffering, from above, upper_body, many_hands, multiple_arms, shadow, darkness, grabbing, pulling, dragged_down, ink_stain, void, seductive_smile, half-closed_eyes, blush A high-angle view looking down at a girl with long pink hair and green eyes, wearing a white frilled dress and long white gloves. She is partially submerged in a massive, ink-like jet-black shadow that spreads across the ground beneath her. From the depths of this shadow, numerous pitch-black, featureless upper bodies of undead spirits emerge, their formless torsos blending into the darkness. A swarm of their jet-black hands grips her aggressively: several fingers clamp over her cheeks and jaw, others clutch her long pink hair and the white ribbons, and more seize her waist and shoulders. Everywhere their fingers touch her skin, hair, and white fabric, the surfaces are instantly dyed a deep, indelible black. She is being dragged downward into the void, her body sinking halfway into the shadow. Her expression is one of pained suffering, eyes wide and trembling, while a slight, involuntary blush stains her cheeks. The scene is lit by a single overhead light source that casts a harsh glare on the remaining visible parts of her white dress, while the shadow beneath her remains an absolute, light-consuming abyss. The overall atmosphere is one of suffocating dread.
純斗
AI artwork
純斗
character: cure_prism 1girl, cure_prism, pink_hair, long_hair, green_eyes, white_dress, white_gloves, blush, pained, suffering, from above, cowboy shot, multiple hands, grabbing, grabbing_face, grabbing_hair, shadow, black_stain, sinking, half-submerged, from_below, depth, contrast, heavy_shadows, seductive_smile, half-closed_eyes, sweat A high-angle shot looking down at a girl with long pink hair and green eyes, wearing a frilled white dress and white gloves. She is sinking into a vast, ink-black shadow that spreads across the ground beneath her; her body is submerged from the shoulders down, her lower half completely vanished into the darkness. Numerous pitch-black, featureless undead upper bodies emerge from the void, their many elongated hands clamping tightly onto her. One hand grips her chin, another clutches her long hair, and several others seize her torso and arms. Wherever the black hands touch her skin, hair, or white fabric, the areas are stained a deep, saturated black. She is being dragged helplessly downward, her head tilted back with a pained, suffering expression, though her cheeks are tinted with a slight, involuntary blush. The only light source is a dim, cold overhead glow that catches the top of her head and shoulders, leaving the depths of the shadow absolute. The contrast is stark, with the vivid pink of her hair clashing against the oppressive black of the void. Desperate, oppressive.
純斗

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