Nov 2, 2026

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AI art "秋の神社を歩む狐娘" featuring #Kemonomimi, #Japanese clothes, #Torii, #Red eyes, #white hair, #Fox tail, #Girl and #Fox girl

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秋の神社を歩む狐娘

秋の風を感じながら神社の階段を歩く狐娘のイラストを描きました。真っ白な髪と大きな尻尾がとても優雅で、私も思わず見とれてしまいます。彼女の魅力が少しでも伝われば嬉しいです！気に入ったらいいねとフォローお願いします。コメントもお待ちしていますね。

#Kemonomimi #Japanese clothes #Torii #Red eyes #white hair #Fox tail #Girl #Fox girl

Published on Nov 3, 2026

yamato25515

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1girl, solo, kitsune, fox girl, white fox ears, red ear tips, nine tails, multiple tails, red tail tips, long white hair, straight white hair, red eyes, red and white miko outfit, mini skirt, japanese clothes, white and red cloth sashes fluttering from skirt waist, miko arm ornaments, wide sleeves, white knee-high socks, thigh socks, socks digging into thighs, black geta, bare legs between skirt hem and sock cuff, good figure, slender, beautiful, cute, from below, low angle, full body, standing on one leg, tiptoes, mid-turn, looking back at viewer, one eye closed, light smile, head tilt, outstretched arm, fox ears perked, tails spread in a fan behind her, wind, falling red maple leaves, shrine steps, stone lanterns, torii gate, clear autumn air, soft daylight Seen from below and slightly to her right, the kitsune shrine maiden is caught mid-turn on the worn stone steps of a shrine, one geta planted flat and the other foot lifted so only its front tooth of the black wooden sandal touches the step, her body twisting at the waist while her head swings back over her shoulder toward the viewer. Her long white hair spills across her shoulders and streams sideways off the turn; the white fox ears above it stand tall with the red painted tips angled back against the motion. Nine white tails fan out behind her in a loose half-spread arc, each tip dipped in red, the outermost tails lifted higher by the air and the innermost ones curling forward past her hips. Her white and red cloth sashes hang from the waistband of the short red-and-white skirt and ripple outward, one white panel and one red panel lifting and twisting clear of her thighs. The skirt is short enough that her thighs show, and the long white socks bite into the flesh of both thighs just below the hem, the elastic pushing a soft roll of skin over each cuff. Below that the socks run down taut to her ankles over the black geta, whose thongs grip between her toes. Both arms are held out from her body, wide red-and-white sleeves falling back, her left hand raised and her right hand lowered, the braided cord ornaments and small white paper charms on the arm ties swinging with the turn; her fingers are relaxed rather than clenched. Her red eyes look back at the viewer over her shoulder through a strand of white hair, one lid lowered in a wink and the corner of her mouth curled. The camera stands on the steps below her, so the shrine buildings sit behind and above the frame edge and the stone lanterns and the tall red torii rise far behind her shoulder, small against the sky. She is large in the frame, her figure occupying most of the height, tails filling the upper corners. Daylight comes from the upper left, warm and clear: it lights the left side of her face, both ear tips, the leading edges of her socks and the tops of her tails, while her right side and the undersides of the tails fall into cool shadow and drop soft shadows onto the steps. Red maple leaves are scattered on the stone, and a few are in the air around her, the ones falling lit warm on their upper faces and dark underneath. Palette: white and deep red on her, warm grey stone, deep green cedars and a pale blue sky behind, nothing else admitted. Her hair, the socks and the tail fur keep a crisp bright sheen, and the black geta and their red thongs read as the only dark, hard material in the frame. Mischievous, effortlessly charming.

秋の神社を歩む狐娘

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