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AI art "Office time"
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Office time

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1girl, solo, long ponytail, high ponytail, dark brown hair, hair pulled back tight, blunt bangs, large eyes, amber-brown eyes, light smile, closed mouth, blush, looking at viewer, head tilted down slightly, eyebrows raised, sexy office uniform, tight white button-up blouse, sleeves rolled to the elbows, top two buttons open, black necktie, narrow black pencil skirt, skirt hem just above the knees, black stockings, black high heels, standing, leaning forward, one hand on desk, hips shifted to one side, crossed ankles, from above, cowboy shot, office interior, glass partition, blurred desks behind, warm late-afternoon window light, no jewelry The camera sits high and close, looking down at her from just above head height, so the long ponytail falls forward past her shoulder and hangs toward her chest, its tail swaying slightly to one side. She stands at the near corner of a desk, weight settled on her left leg with the right foot crossed behind at the ankle, hips pushed to the right, torso leaned forward toward the lens with her left palm flat on the desktop taking part of her weight and her right arm hanging loose with the fingertips grazing the skirt seam. Her chin is lifted a little against the downward angle, eyes aimed straight up at the viewer with a small closed-lip smile and a faint blush; one brow is slightly higher than the other. Only her left hand touches the desk, the corner edge pressing a shallow line into her palm. The white blouse pulls taut across the chest and shoulders, the open collar framing a bare throat above the narrow black tie, which hangs straight and slightly swung by her lean. The pencil skirt grips at the hip and creases diagonally where she bends. Behind her a glass partition edge crosses the frame at an angle, and out-of-focus desks and monitor shapes recede into a shallow midground, leaving the far upper-left corner quiet for the negative space her ponytail cuts into. Late-afternoon window light comes in low from the right, warm and slanted, raking across her cheek, the undersides of the ponytail and the front of the blouse, and dropping long soft shadows to her left on the desktop and floor; the room beyond the window glow stays dim and cool-grey. Palette holds white, black, warm skin and the amber of the light, with the ambient greys kept muted. Mood: playful, quietly charged.
Show Parameters
Original Prompt
1girl, cute, looking at viewer, in a sexy office uniform. Long-ponytailed hair
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

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AI artwork
Avatar image of uru
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed. She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes. Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind. Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru
AI artwork
Avatar image of uru
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed. She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes. Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind. Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru
AI artwork
Avatar image of uru
1girl, solo, office lady, from behind, looking back, face turned back toward viewer, looking at viewer, from below, low angle, close-up, cowboy shot, morning, office interior, see-through, sheer white blouse, translucent fabric, black pencil skirt, smooth glossy skin, glossy skin, soft lighting, blush, embarrassed, gentle smile, closed-mouth smile, half-closed eyes, head tilt, long dark brown hair, hair over one shoulder, arm at side, hand resting on desk edge, papers on desk, monitor glow, window blinds, warm dawn light The camera sits low behind her and looks up: the frame is dominated by her back and shoulders, and her head is turned over her shoulder so that only her face comes back toward the lens, the chin tilted down, one cheek pressed near her own shoulder. She leans slightly forward onto a desk edge, weight on her left hip and left forearm, right arm hanging loosely, fingers curled against the lip of the desktop. Her long dark brown hair has slipped forward over her shoulder on the side she is turning away from, and a few strands lie across her cheek. Her eyes are half-lidded and cast down toward the viewer at a shy slant, not a full stare, and her lips hold a small closed gentle smile while a warm blush spreads across both cheeks and the bridge of her nose; her brows pinch faintly at the inner ends, embarrassed. She wears an office lady's white blouse whose fabric is genuinely sheer: the weave lets the dawn light pass through it, the blouse's outlines and the shadow of her back reading dimly behind the cloth, its collar and cuffs crisper and more opaque than the body of the shirt, the hem tucked into a black pencil skirt that hugs her hips and creases across the back of her thighs where she leans. Her skin is smooth and glossy, a soft sheen along her cheekbone, the bridge of her nose and the exposed back of her neck where the light grazes. Behind and around her the office is legible but secondary: a desk with loose papers fanned under her forearm, the edge of a monitor at frame left with a dim idle glow, a rolling chair pushed back, a filing cabinet and a run of window blinds in the background, all softened by shallow depth of field. The light source is the morning sun coming through those blinds from frame right; it lays warm stripes across her shoulder, the desk and the papers, catches the fine fibers of the sheer blouse to make them glow, and leaves the left side of her face and the underside of her jaw in cooler shadow. The palette stays gentle: warm cream and pale gold morning light, clean whites, deep black of the skirt, warm skin, dusty blue-grey office behind. Clean linework, gentle color tones, high detail with sharp focus on her face and the sheer fabric at her shoulder, background falling away softly. Quiet, tender embarrassment.
uru

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