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葉晉興

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1girl, solo, black hair, long black hair, disheveled hair, ancient Chinese consort, Hanfu, torn hanfu, ragged frayed silk, dirt-stained fabric, white cloth socks, loose socks, dirty socks, bare feet, sitting, sitting on straw, dungeon, stone cell, large wooden stocks, feet locked in stocks, leg spread, outstretched legs, masturbation, hand between legs, dripping wax, hot wax, molten wax, wax on socks, wax pooling, feces, filth, degradation, punishment, pain, tears, half-closed eyes, open mouth, blush, heavy breathing, sweat, trembling, from below, dutch angle, cowboy shot, depth of field, cinematic lighting, traditional Chinese aesthetic, historical costume, realistic textures, somber atmosphere, obscene decadence From a low, tilted dutch angle near the straw-strewn floor, the ancient Chinese consort sits against the stone dungeon wall, her long black hair fallen in loose, sweat-clotted strands over one shoulder and across her torn, dirt-stained hanfu, whose frayed silk panels have come apart at the knee and hang in ragged strips. Her legs are stretched out toward the viewer and spread apart, her white cloth socks loose and dirt-smeared, the fabric wrinkled and bunched at her ankles. Both her feet are locked in a massive wooden cangue that rests on the straw before her, the stocks' heavy beam pinning her calves so her toes and socked soles face the light. Her right hand is thrust between her thighs beneath the torn hem, her wrist and knuckles visible working in shadow, while her left hand claws into the straw for support, knuckles pale and tendons tight. Her head is tipped back against the stones, eyes half-closed under lowered lashes, mouth open in a breath, sweat beads tracking down her temple and throat. Hot candle wax drips from above the frame onto her white cloth socks, molten threads splashing where they strike and pooling in glossy amber and pale circles across the fabric, hardening in uneven crusts down to the ankle. Feces are piled thickly across her socks and feet in heavy, dark, crumbly mounds, matting the cloth and spattered up her shins and onto the stocks' beam. A single torch on the near wall is the only light source; it rakes in from camera-left at a low warm angle, striking the wax-slicked socks and her wet cheeks, and the cast shadows of the stocks' bars fall long across the straw and up the stone. The palette is limited to the consort's black hair, the off-white cloth of socks smeared with amber and dark filth, slab-brown wood and cold grey stone, with the torch's orange catching only the wax and her tears. A small hand-drawn heart sits in a faint speech bubble beside her flushed cheek. Beyond the torchlight the dungeon darkness is absolute, holding the breathless, filthy, obscene weight of the punishment.
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Original Prompt
一个黑发中国古代妃子穿破烂的汉服和中国古代白布袜(很宽松肮脏),坐在地牢干草上自慰伸腿,袜被巨大木枷禁锢,被滴蜡处罚,滚烫蜡油与粪便大量堆积在布袜上
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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dc
character: toph_beifong, copyright: avatar:_the_last_airbender cowboy shot, 1girl, solo, toph beifong, black hair, short hair, straight hair, hair bun, single hair bun, hair between eyes, grey eyes, blind eyes, milky unfocused eyes, green shirt, short sleeves, dark green vest, belt, bare legs, bare feet, toes, soles, arms tied behind back, restrained, ropes around wrists, sitting, leaning back, strapped to wall, duct tape gag, silver duct tape over mouth, red cheeks, embarrassed, angry eyes, furrowed brow, legs flat on table, legs strapped to table, leather straps around ankles and calves, foot focus, feet in foreground, low angle, from below, foreshortening, wooden table, plain wall, warm lantern light, tense, indignant, The camera sits low, near floor height, tilted up so the near sole of one bare foot fills the lower foreground, foreshortened and huge, the strap band cutting across the arch just above the toes, and the rest of her recedes up the frame. She sits on a plain wooden table pushed flat against a bare plank wall, back pressed to the boards, shoulders drawn up and forward, trunk leaning back at a slight angle into the wall while her legs lie dead flat along the tabletop toward the lens, knees together, heels resting on the wood, toes flexed and slightly curled. A wide leather strap crosses each shin just below the knee and another crosses each ankle, buckled tight and pinning leg to table, the table grain visible where the straps bite. Her arms are wrenched behind her back, wrists bound and pulled to the small of her back against the wall boards, so her chest pushes forward and her short sleeves ride up at the shoulder; the short sleeves of the green shirt and the dark green vest bunch at that strain, the belt cinched above the bare thighs. A strip of silver duct tape is pressed flat across her mouth, the edges crinkling and peeling just at one corner where her jaw works against it. Her short black hair is gathered up in one tight bun, straight strands falling down between her brows and brushing the bridge of her nose; her pale grey eyes are open but unfocused, blind, fixed on nothing as the brows draw down hard over them, and the deep red flush sits across both cheeks and the tips of her ears. Warm lantern light comes from one side low, painting the near foot and the strap buckles bright and warm, throwing her shadow up the wall behind her shoulders, and the far side of the room falls away into darkness. A single detail of physics to trust: the duct tape's flat surface catches a narrow specular streak that the soft cloth around it does not, and beneath it her exhaled breath ever so slightly moves the loosened corner. Palette of warm ochre wood, cool grey wall, deep green of vest and shirt, silver and black of the strapping. Indignant, defiant.
Daniel Coats

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