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もっこす村

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deco, forehead, opaque glasses, wavy hair, long hair, orange hair, large backpack, flat color, from side, ((loli)), fox, black raincoat, :<, forest, torn umbrella, holding umbrella, rain, forest, very wide shot, walking, ((A giant eye visible through the gaps in the trees)), witch hat on backpack
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, ,デコ, forehead, opaque glasses, wavy hair, long hair, orange hair, flat color, from side,((loli)), fox, black raincoat, :<, forest, torn umbrella, holding umbrella, large backpack,rain, forest, very wide shot, walking,((A giant eye visible through the gaps in the trees)),witch hat on backpack,
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flash
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1104 x 1824
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Avatar image of Teodor
1boy, solo, kitsune, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, freckles, dark brown fox ears, fox ears, white animal ear fluff, no human ears, bare temples, dark brown tails, six tails, light skin, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, sharp fingernails, forest, autumn, autumn leaves, from below, low angle, looking up, holding umbrella, standing, head tilted back, Seen from a low angle near the forest floor, the single boy stands among tall autumn trees, his chin lifted and his face turned three-quarters toward the viewer so the underside of his jaw catches the light. His hair is very long and densely curly, dark brown ringlets spilling past his shoulders and tumbling down the front of the brown haori, a few strands lifted in the air. On top of his head sit two dark brown fox ears, their inner edges fringed with white fluff that stirs slightly; the sides of his head above the hairline are smooth and bare, with only the fox ears rising there. Six dark brown fox tails fan out behind and around him at different heights, the lower ones sweeping near the leaf-strewn ground, the highest rising above his shoulder. His glowing orange eyes have narrow slit pupils and look upward through the canopy, a soft ember glow bleeding around each iris; red eyeshadow sits in a warm wedge at the outer corners, and his lips are slightly parted. Freckles scatter across his nose and cheekbones, and his skin is pale. He holds a Japanese umbrella open above himself, its paper canopy dark and rimmed, gripped in his right hand whose long tapered sharp fingernails curl over the wooden handle; his forearm is raised so the umbrella tilts back off his shoulder. His left hand hangs low at his side, fingers loose. He wears an orange kimono under a brown haori, the fabric creasing at his wrists and shoulders, the haori's dark brown falling open at the front over the brighter orange silk. The forest is dense with tall trunks receding into a warm amber haze, and autumn leaves fall in slow spirals; the umbrella catches several leaves that settle and rest on its upward-facing surface while the leaves below it drift past untouched. Warm low sun streams from the upper right, striking the underside of the umbrella's rim, his cheekbone and the white ear fluff, and casting a long soft shadow back across the leaves under his feet. The palette is held to dark brown, autumn orange and a single ember glow from his eyes, with amber light throughout. Quiet, enchanted.
Teodor
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Avatar image of Teodor
1boy, solo, kitsune boy, dark brown hair, very long curly hair, hair spread wide by motion, orange eyes, glowing eyes, slit pupils, freckles, light skin, red eyeshadow, lips, dark brown fox ears, white animal ear fluff, fox ears only, no human ears, bare temple where an ear would be, six tails, dark brown tails, claws, orange kimono, haori, geta, walking, holding japanese umbrella, from below, profile, autumn forest, autumn leaves, falling leaves, warm dappled light, low angle, cowboy shot Seen from below and slightly to his left, in profile, the kitsune boy walks left-to-right along a leaf-strewn forest path, caught mid-stride: his front geta is planted with the toe lifted clear of the ground, the back geta just leaving it, one wooden tooth of each sandal printing its exact footprint into the damp leaf litter — the one piece of physics in the frame, every print a two-toed punctuation mark behind him. His weight is on that front foot; his hip is pushed slightly forward under the orange kimono, the hem swinging ahead of him with the stride, so the fabric bellies away from his shin and the collar sits open at his throat. His right hand grips the umbrella's bamboo shaft, dark brown lacquer handle, his knuckle raised and the black claws curling over the wood; the umbrella is held low and tilted back over his shoulder, its oiled-paper canopy a deep autumn red with a faint chrysanthemum pattern, the ribs catching the light along the top. His left arm hangs loose, claws just brushing the fold of his haori — a short haori in a darker russet-brown over the orange kimono, its sleeve sliding back so a long, sharp black claw-point shows at each fingertip. His very long curly dark brown hair spills past his hips, coil over coil, swinging behind him with the walk and lifting slightly at the ends from the draft of his motion; the dark brown fox ears stand upright on his skull, their white fluff fanning forward with the breeze, and the sides of his head where human ears would be are smooth and bare. His six dark brown tails fan out behind and to the right, overlapping, their tips curled upward, the low backlight catching the rim of each one in a warm fringe. He looks forward down the path, chin turned slightly toward the tree line, head in profile, lashes half-lowered; his lips are closed and faintly smiling at the corner, red eyeshadow sharp under his brow, freckles scattered across his nose and cheek in the open light. The forest around him is mid-autumn at late afternoon: tall bare-branched and half-leafed trunks recede in receding layers, the midground a wall of red, ochre and amber maple and ginkgo foliage, a leaf-strewn earthen path curving away to the left behind him, autumn leaves falling and a few caught in the air near his shoulder. The light comes from low behind and above the trees on the right, slanting warm orange shafts through the canopy; it strikes the back of his tails, the near edge of his cheek and the oiled paper of the umbrella, and throws a long soft shadow forward across the path in front of him, dappled by leaves. His glowing orange eyes are the one light in the frame that has no source — brighter in the shade, their slit pupils dark against it. The palette is locked: dark brown for hair, ears and tails, orange in the kimono, umbrella canopy and falling leaves, russet-brown in the haori, bone-white in the ear fluff on the one clean pale note, everything else warm autumnal shadow. Detail budget on the claws, the geta contact, the face in profile, and the tails' rim light; the far forest simplified to soft depth. Quiet, golden, faintly uncanny.
Teodor

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