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AI artwork featuring #PixAI Halloween 2026
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nyx2222

Contest Entry
PixAI โ€œHalloween Oddities Clubโ€ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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artist: ratatatat74 1girl, solo, close angle, close-up, from below, dutch angle, looking down at viewer, very long black hair, hair between eyes, sidelocks, hime cut strands, blue eyes, glowing eyes, glowing blue iris, v-shaped eyebrows, long eyelashes, beautiful face, pale skin, white tricorn hat, Napoleonic military hat, black brim trim, white jacket, long sleeves, white shirt, white short skirt, black belt, heart-shaped buckle, white gloves, white cape, boots, jewelry, witch, malevolent expression, maniac look, seductive look, demanding demeanor, flirting, wide grin, open mouth, teeth, half-closed eyes, condescending stare, head tilt, hand on hip, outstretched arm, pointing at viewer, manor interior background, dark corridor, wood floor, candelabra, several desiccated charred male bodies lying on the floor in the background, ash, soot, white outline, ominous lighting, volumetric lighting, depth of field, rim lighting, high contrast, sharp cel-shading, dramatic backlighting, moody atmosphere, masterpiece, best quality, absurdres, very absurdres, highres, CG, newest, amazing quality, high quality, high resolution, 8k, full hd, detailed shading, perfect anatomy, very aesthetic, cinematic perspective, ultra hd, ultra-detailed A low dutch-angle close shot tilts up at the witch from hip height, the camera rocked a few degrees off level so the manor corridor's panelling and the gilded cornice above her slant diagonally across the frame. She fills the left two-thirds of the composition in a tight close crop, thrusting her upper body toward the lens with her weight carried on her back right leg, left knee bent slightly forward, the white skirt flaring at the hem above the tops of her boots. Her chin is lowered and turned a few degrees to her right, head tilted so the white tricorn's front peak dips toward the camera; the long black hair spills over her shoulders in heavy ropes, the central strand hanging straight down between her v-shaped brows and across the bridge of her nose. Her blue eyes glow from within, casting a faint cold bloom onto the black hair around them, and the eyelashes are thick and dark at the upper lids. The grin is wide and open, one corner higher than the other, teeth showing, the lower lid narrowed into a hooded stare that comes straight down the lens; the expression reads as maniac and seductive at once, demanding rather than inviting. Her left hand presses the white glove flat against her own hip, fingers spread beside the black belt so the heart-shaped buckle catches the light between thumb and forefinger; her right arm is thrown out toward the viewer, a white-gloved finger aimed just off-center at the lens, the sleeve pulled taut and the white cape swinging out behind her shoulder from the same motion. The cape hangs from her shoulders in a stiff wool fold, its inner edge lifting away from her back and revealing the dark corridor at her flank. Behind and below her, in the lower right of the frame, several desiccated charred male bodies lie strewn on the polished wood floor, limbs crumpled and blackened, ribs and jawlines jutting through cracked carbonized skin, their shapes rendered smaller and softer by depth of field while drifting ash and fine soot settle on the upward-facing planes of their shoulders and chests and on the flat boards around them. The corridor recedes behind her into a manor interior of dark panelled walls, a tall draped window, and a heavy carpet runner, all sinking into brown-black shadow. The light comes from a single candelabra bracket behind her right shoulder โ€” warm amber, low and raking โ€” laying a hard rim along the tricorn's brim, the cape's edge, the white jacket's sleeve and the black hair's outer contour, while the front of her face is lit by the colder blue spill of her own glowing eyes; the shadows fall steeply down and to the left, the body pile dropped almost to silhouette, and the floorboards carry long distorted reflections of the flames. The palette is strictly white, black and cold blue on the figure against a sepia-brown corridor warmed only by the amber backlight. Her white uniform is left with a thin unlit white outline tracing her silhouette cleanly against the dark interior. Ash motes drift through the light shafts in slow suspension, and every surface she stands above is scuffed and dumped with soot. Ominous, devastatingly confident.
Show Parameters
Original Prompt
1girl, close angle, long hair, black hair, hat, hair between eyes, Napoleonic military hat, gloves, skirt, white hat, white gloves, jacket, belt, Napoleonic military uniform, white skirt, white cape, long sleeves, white jacket, tricorn, v-shaped eyebrows, short skirt, buckle, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, white shirt, boots, jewelry, witch, glowing eyes, several desiccated charred male bodies lie on the floor in the background, Manor interior background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, maniac look, demanding, flirting,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
n2
artist: ratatatat74 1girl, solo, witch, very long black hair, long hair, hair between eyes, blue eyes, glowing eyes, v-shaped eyebrows, long eyelashes, beautiful face, white tricorn, Napoleonic military hat, hat, white jacket, long sleeves, white shirt, white cape, white skirt, short skirt, black belt, heart-shaped buckle, belt, buckle, white gloves, gloves, boots, jewelry, white outline, volumetric lighting, ominous lighting, depth of field, CG, seductive pose, seductive look, maniac look, malevolent, several desiccated charred male bodies on the floor, manor interior background, from above, dutch angle, looking at viewer, smirk, half-closed eyes, outstretched arm, high contrast, backlighting, rim lighting, sharp cel-shading The camera looks down at her from a high dutch angle, tilted a few degrees off level, so the manor's marble floor falls away in steep perspective from her boots to the lower right corner. She stands with her weight on her right leg, left hip pushed out; her left leg is crossed slightly in front of the right, the toe of her boot resting on the tiles and her knee turned inward. Her right arm is extended toward the lens, the white-gloved hand half-curled with the palm up, fingers long and relaxed, so the arm foreshortens and the hand reads large in the foreground; her left hand rests flat on the pommel of nothing, palm pressed to her hip just above the black belt, glove drumming a light fold into the jacket. The white cape falls in two heavy panels from her shoulders, one swinging forward past her thigh, its edge catching the light. The tricorn sits low, its front point shading the upper half of her face; one black strand of very long hair drops between her glowing blue eyes and the brim. Her chin is tipped down while her eyes come up under the brim and fix on the viewer, half-lidded and glassy, one corner of her mouth pulled up in a lopsided smirk, a small breath of laughter visible in the cheek. The heart-shaped buckle on the black belt picks up a rim of cold light. The sleeve edges and the whole silhouette carry a thin white outline that separates her from the dark room. Behind her, the manor's tall windows and dark furniture recede into shallow depth of field, and on the floor across the middle distance several desiccated, charred male bodies lie where they fell, blackened and rigid, one arm still reaching along a seam of the parquet, ash settled in the grooves of the boards and on the up-facing surfaces of their shoulders only. The light is one cold moonlit source from the tall window behind her right shoulder: it rims the tricorn, the cape and the leading edge of her arm in hard white, throws her face into partial shadow that makes the blue eyes flare, and lets everything beyond her pool sink into heavy dark. Palette of white, black and cold blue, with the charred bodies supplying the only warm brown. High-contrast cel shading, sharp rims, deep shadow, crisp specular sheen on glove leather and boot polish. Ominous, gleefully cruel.
nyx2222
AI artwork
n2
artist: ratatatat74 1girl, solo, very long black hair, hair past waist, black hair, hair between eyes, blue eyes, glowing eyes, glowing blue eyes, v-shaped eyebrows, long eyelashes, beautiful face, white tricorn, napoleonic military hat, white military uniform, white jacket, long sleeves, white shirt, white skirt, white cape, white gloves, black belt, heart-shaped buckle, boots, jewelry, witch, seductive pose, seductive look, maniac look, malevolent expression, manic grin, half-closed eyes, looking at viewer, head tilt, from below, dutch angle, cowboy shot, manor interior, crumbling mansion hall, several desiccated charred male bodies, charred corpses, blackened skeletons, bodies on floor, background, depth of field, volumetric lighting, ominous lighting, backlighting, rim lighting, sharp cel-shading, high contrast, wide angle lens, white outline From a low, tilted dutch-angle camera in the cowboy-shot range, the witch dominates the near half of the frame in three-quarter view, her body angled away to her left while her chin tips down and her eyes cut back toward the lens. She stands with her weight all on her right leg, left hip pushed out, right knee slightly bent, left boot heel lifted a few centimeters off the parquet with the toe grounded; her shoulders twist so the white cape drops in a long diagonal off her right shoulder while her left hand rests curled on the pushed-out hip, gloved fingertips pressed against the black belt just beside the heart-shaped buckle, and her right gloved hand rises to the brim of the white tricorn, thumb under the edge, tilting it a fraction lower over one brow. The very long black hair falls past her waist over the cape's white wool, and the strand of hair between her eyes catches a bright rim as it crosses the bridge of her nose. Her v-shaped eyebrows draw down hard over half-lidded eyes whose blue glow throws a faint cold wash onto her cheekbones, and her grin is asymmetric, one corner dragged high and one canine showing, an ugly joy under the beautiful face. The white jacket and white skirt stay crisp and bright against a hall gone to rot: the long sleeves buttoned at the wrist, the skirt hem torn at one point from the fall through the briars, the boots dulled with chalky dust up to the ankles. Through the depth-of-field blur of the background, the parquet aisle behind her is strewn with several desiccated charred male bodies, blackened and drawn-in, ribs showing through burnt cloth, one arm flung out with the fingers curled, flakes of soot settled in a thin grey drift along the floorboard seams where the draft has pushed them. The person in the frame looks back over her own shoulder while the corpses behind her stay face-down and eyeless. A single tall window behind and above her is the only light source: cold, blue-grey daylight rakes down through the mullions, rims her hat brim, shoulder, cape edge and the swing of her hair in a thin hard outline, and leaves her face half in shadow so the eye-glow reads as the second, unnatural light. Beyond that rim the manor interior falls away into brown-black shadow, with dust drifting in the visible beams and a chandelier hanging dark and empty. The palette is held to white, black, cold blue and the dead browns of the room, with the only saturated accents being the blue of her glowing eyes and the faint polished glint on her jewelry. High-contrast cel shading with a hard white outline separating her from the gloom, sharp rim light, cinematic wide-angle distortion stretching the nearest floorboards toward the lens. Ominous, deliciously wicked.
nyx2222
AI artwork
n2
artist: ratatatat74 1girl, solo, close-up, portrait, low angle, from below, looking down at viewer, dutch angle, very long black hair, black hair, hair between eyes, long hair, white witch hat, pointed hat, wide-brimmed hat, hat ribbon, white medieval witch outfit, white fur cape, fur-trimmed cape, long sleeves, white skirt, short skirt, black belt, heart-shaped buckle, buckle, white gloves, elbow gloves, boots, jewelry, necklace, blue eyes, glowing eyes, v-shaped eyebrows, long eyelashes, beautiful face, malevolent expression, seductive look, maniacal grin, open mouth, toothy smirk, half-closed eyes, demanding, flirting, leaning forward, head tilt, hand on hip, outstretched arm, pointing at viewer, black fingernails visible through glove seam, castle background, stone hall, gothic arches, several desiccated charred male bodies lying on the floor in the background, crumbling corpses, ash and soot, white outline, white rim outline, volumetric lighting, god rays through shattered windows, ominous lighting, depth of field, dramatic backlighting, sharp cel-shading, high contrast, rim lighting, wide angle lens, vibrant accent color, moody atmosphere, detailed shading, cinematic perspective Shot from a low angle close-in, the witch fills the frame from mid-thigh up, her wide white hat brim cutting the top edge and one white-gloved hand thrust toward the lens so the glove foreshortens huge and soft while her grinning face stays pin-sharp behind it; she leans down over the camera from a raised dais, weight on her left boot on the dais lip and her right hip cocked, chin tucked so she looks down the bridge of her nose, the v-shaped brows drawn low and one raised, half-lidded glowing blue eyes fixed on the viewer with a lash-fringed squint, lips curled back off her teeth in a demanding maniacal smile that is half flirt. The white fur cape sits across her shoulders and stands in dense tufts bristling at the rim light, its long white sleeves ending in the white gloves; the black belt crosses the short white skirt tight at her waist and the heart-shaped buckle turns to face the lens, catching a single hard specular; jewelry glitters at her throat. Behind her the depth of field drops the castle hall into a cool blur: broken gothic arches, a shaft of cold light pouring through a shattered window behind her head so her hat and hair carry a bright white outline and her face falls into shadow except for the blue glow of her eyes and the wet shine on her teeth. On the flagstones at the floor's background several charred desiccated male bodies lie crumpled against each other, blackened fingers curled, ash and torn cloth scattered around them, one faint curl of smoke still rising, all of it steeply out of focus and smaller than her raised hand. Her shadow, cast by the backlight, stretches toward the viewer and swallows the nearest corpse. The palette stays her white costume, her black hair and belt, blue eye-light, and the ochre-and-soot tones of the burnt dead, with the castle's slate grey behind; light comes only from the window behind and a low warm glow at the floor's far edge, so every lit surface faces back or down and her front is held in high-contrast darkness broken by rim light. Cold air stirs the fur and the loose strands between her eyes. Ominous, magnetic.
nyx2222
AI artwork
n2
artist: ratatatat74 1girl, solo, close-up, from below, looking down at viewer, very long black hair, black hair, hair between eyes, long hair, white peaked cap, military hat, white cape, white jacket, long sleeves, white shirt, white gloves, black belt, heart-shaped buckle, belt buckle, white pleated skirt, miniskirt, boots, jewelry, witch, glowing eyes, blue eyes, glowing blue eyes, eyelashes, v-shaped eyebrows, beautiful face, malevolent, seductive look, demanding, flirting, half-closed eyes, head tilt, smirk, white outline, several desiccated charred male bodies, corpses on floor, penthouse suite background, city skyline through glass, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, sharp eyes, cinematic perspective, detailed shading, dark palette with cold blue accents, highres, best quality, masterpiece, absurdres, ultra detailed Camera is a close-angle shot from slightly below, pitched upward: the white peaked cap and its black brim dominate the upper third of the frame, tilted so her chin drops and she looks down the line of her nose at the viewer, head cocked to her left. Very long black hair pours past her shoulders in heavy strands, a blunt fringe of it falling straight between her wide glowing blue eyes, which are lit from within in a cold electric cyan that spills faint light onto her cheekbones and the underside of the brim; long dark lashes frame them and her thin v-shaped eyebrows slant down toward the bridge of her nose. Her lips curve in a slow, lopsided smirk, one corner pulled higher, jaw angled, chin lifted โ€” malevolent and flirting at once, demanding. She wears the crisp white military uniform: a white long-sleeved jacket buttoned high over a white shirt, its collar sharp at her throat, a white cape falling from her shoulders past the edge of the frame, white gloves on both hands โ€” her right hand lifted, one gloved finger pressed to her lower lip, her left arm bent with the gloved fist resting against the heart-shaped buckle of the black belt cinched tight over the waist of her white pleated miniskirt, each pleat knife-sharp; dark boots below. Jewelry glints at her ears and at her throat, small and cold in the rim light. Behind her, out of focus and receding into shadow, the penthouse suite opens up: floor-to-ceiling glass, a low sofa, polished marble floor, a cold city skyline beyond the window, all in muted charcoal and steel-blue. On that floor several desiccated charred male bodies lie scattered and collapsed in the middle distance, blackened, cracked, shrunken, ash flaking off their outlines, their shapes broken and heavy against the pale stone โ€” small in frame, softened by the shallow depth of field, never competing with her face. A thin skin of grey ash dusts the marble around them and their blackened silhouettes smear the polished floor, and their outlines are dimmer than the glossy reflection of her white uniform in the same stone. Volume haze hangs in the air behind her; the room's only true key light comes from the cold skyline glow behind and above, throwing a hard white rim down the edge of her cap, along her shoulder and the ridge of her cape, while warm amber accent light from somewhere out of frame catches the underside of her jaw and the tip of her nose. Every shadow in the suite is deep near-black, and her glowing eyes are the brightest thing in it. Palette holds to white, black and cold steel-blue with that one amber kiss on her skin. Ominous, effortlessly commanding.
nyx21-

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