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AI artwork featuring #PixAI Halloween 2026
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nyx2222

Contest Entry
PixAI โ€œHalloween Oddities Clubโ€ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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artist: ratatatat74 1girl, solo, witch, very long black hair, long hair, hair between eyes, blue eyes, glowing eyes, v-shaped eyebrows, long eyelashes, beautiful face, white tricorn, Napoleonic military hat, hat, white jacket, long sleeves, white shirt, white cape, white skirt, short skirt, black belt, heart-shaped buckle, belt, buckle, white gloves, gloves, boots, jewelry, white outline, volumetric lighting, ominous lighting, depth of field, CG, seductive pose, seductive look, maniac look, malevolent, several desiccated charred male bodies on the floor, manor interior background, from above, dutch angle, looking at viewer, smirk, half-closed eyes, outstretched arm, high contrast, backlighting, rim lighting, sharp cel-shading The camera looks down at her from a high dutch angle, tilted a few degrees off level, so the manor's marble floor falls away in steep perspective from her boots to the lower right corner. She stands with her weight on her right leg, left hip pushed out; her left leg is crossed slightly in front of the right, the toe of her boot resting on the tiles and her knee turned inward. Her right arm is extended toward the lens, the white-gloved hand half-curled with the palm up, fingers long and relaxed, so the arm foreshortens and the hand reads large in the foreground; her left hand rests flat on the pommel of nothing, palm pressed to her hip just above the black belt, glove drumming a light fold into the jacket. The white cape falls in two heavy panels from her shoulders, one swinging forward past her thigh, its edge catching the light. The tricorn sits low, its front point shading the upper half of her face; one black strand of very long hair drops between her glowing blue eyes and the brim. Her chin is tipped down while her eyes come up under the brim and fix on the viewer, half-lidded and glassy, one corner of her mouth pulled up in a lopsided smirk, a small breath of laughter visible in the cheek. The heart-shaped buckle on the black belt picks up a rim of cold light. The sleeve edges and the whole silhouette carry a thin white outline that separates her from the dark room. Behind her, the manor's tall windows and dark furniture recede into shallow depth of field, and on the floor across the middle distance several desiccated, charred male bodies lie where they fell, blackened and rigid, one arm still reaching along a seam of the parquet, ash settled in the grooves of the boards and on the up-facing surfaces of their shoulders only. The light is one cold moonlit source from the tall window behind her right shoulder: it rims the tricorn, the cape and the leading edge of her arm in hard white, throws her face into partial shadow that makes the blue eyes flare, and lets everything beyond her pool sink into heavy dark. Palette of white, black and cold blue, with the charred bodies supplying the only warm brown. High-contrast cel shading, sharp rims, deep shadow, crisp specular sheen on glove leather and boot polish. Ominous, gleefully cruel.
Show Parameters
Original Prompt
1girl, long hair, black hair, hat, hair between eyes, Napoleonic military hat, gloves, skirt, white hat, white gloves, jacket, belt, Napoleonic military uniform, white skirt, white cape, long sleeves, white jacket, tricorn, v-shaped eyebrows, short skirt, buckle, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, white shirt, boots, jewelry, witch, glowing eyes, several desiccated charred male bodies lie on the floor in the background, Manor interior background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, maniac look, seductive pose,
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
n2
artist: ratatatat74 1girl, solo, close angle, close-up, from below, dutch angle, looking down at viewer, very long black hair, hair between eyes, sidelocks, hime cut strands, blue eyes, glowing eyes, glowing blue iris, v-shaped eyebrows, long eyelashes, beautiful face, pale skin, white tricorn hat, Napoleonic military hat, black brim trim, white jacket, long sleeves, white shirt, white short skirt, black belt, heart-shaped buckle, white gloves, white cape, boots, jewelry, witch, malevolent expression, maniac look, seductive look, demanding demeanor, flirting, wide grin, open mouth, teeth, half-closed eyes, condescending stare, head tilt, hand on hip, outstretched arm, pointing at viewer, manor interior background, dark corridor, wood floor, candelabra, several desiccated charred male bodies lying on the floor in the background, ash, soot, white outline, ominous lighting, volumetric lighting, depth of field, rim lighting, high contrast, sharp cel-shading, dramatic backlighting, moody atmosphere, masterpiece, best quality, absurdres, very absurdres, highres, CG, newest, amazing quality, high quality, high resolution, 8k, full hd, detailed shading, perfect anatomy, very aesthetic, cinematic perspective, ultra hd, ultra-detailed A low dutch-angle close shot tilts up at the witch from hip height, the camera rocked a few degrees off level so the manor corridor's panelling and the gilded cornice above her slant diagonally across the frame. She fills the left two-thirds of the composition in a tight close crop, thrusting her upper body toward the lens with her weight carried on her back right leg, left knee bent slightly forward, the white skirt flaring at the hem above the tops of her boots. Her chin is lowered and turned a few degrees to her right, head tilted so the white tricorn's front peak dips toward the camera; the long black hair spills over her shoulders in heavy ropes, the central strand hanging straight down between her v-shaped brows and across the bridge of her nose. Her blue eyes glow from within, casting a faint cold bloom onto the black hair around them, and the eyelashes are thick and dark at the upper lids. The grin is wide and open, one corner higher than the other, teeth showing, the lower lid narrowed into a hooded stare that comes straight down the lens; the expression reads as maniac and seductive at once, demanding rather than inviting. Her left hand presses the white glove flat against her own hip, fingers spread beside the black belt so the heart-shaped buckle catches the light between thumb and forefinger; her right arm is thrown out toward the viewer, a white-gloved finger aimed just off-center at the lens, the sleeve pulled taut and the white cape swinging out behind her shoulder from the same motion. The cape hangs from her shoulders in a stiff wool fold, its inner edge lifting away from her back and revealing the dark corridor at her flank. Behind and below her, in the lower right of the frame, several desiccated charred male bodies lie strewn on the polished wood floor, limbs crumpled and blackened, ribs and jawlines jutting through cracked carbonized skin, their shapes rendered smaller and softer by depth of field while drifting ash and fine soot settle on the upward-facing planes of their shoulders and chests and on the flat boards around them. The corridor recedes behind her into a manor interior of dark panelled walls, a tall draped window, and a heavy carpet runner, all sinking into brown-black shadow. The light comes from a single candelabra bracket behind her right shoulder โ€” warm amber, low and raking โ€” laying a hard rim along the tricorn's brim, the cape's edge, the white jacket's sleeve and the black hair's outer contour, while the front of her face is lit by the colder blue spill of her own glowing eyes; the shadows fall steeply down and to the left, the body pile dropped almost to silhouette, and the floorboards carry long distorted reflections of the flames. The palette is strictly white, black and cold blue on the figure against a sepia-brown corridor warmed only by the amber backlight. Her white uniform is left with a thin unlit white outline tracing her silhouette cleanly against the dark interior. Ash motes drift through the light shafts in slow suspension, and every surface she stands above is scuffed and dumped with soot. Ominous, devastatingly confident.
nyx2222
AI artwork
n2
artist: ratatatat74 1girl, solo, long hair, very long hair, black hair, hair between eyes, white military peaked cap, military hat, white gloves, white jacket, long sleeves, white shirt, white cape, black belt, heart-shaped buckle, buckle, white pleated miniskirt, pleated skirt, miniskirt, boots, jewelry, witch, glowing blue eyes, blue eyes, long eyelashes, v-shaped eyebrows, beautiful face, white outline, malevolent expression, seductive look, maniac look, seductive pose, glowing eyes, looking at viewer, grin, one eye closed, head tilt, hand on own hip, from below, cowboy shot, dutch angle, volumetric lighting, ominous lighting, depth of field, several desiccated charred male bodies lying on the floor in the background, penthouse suite background, sharp cel-shading, high contrast, rim lighting, moody atmosphere, wide angle lens, Camera tilts up from floor level in a low dutch angle: the witch stands in the foreground of a glass-walled penthouse suite, her white-caped silhouette towering against the night cityscape, hat brim and shoulders cutting the skyline. She has propped her weight on her left leg, right hip pushed out, cape sweeping backward off her shoulders and hanging open behind her. Her right hand rests flat on her hip just above the black belt, white-gloved fingers spread wide and curling into the fabric; her left arm hangs loose, gloved fingers half-curled, a silver ring and a thin chain at her throat catching the light. She tips her chin down toward the lens so the peaked cap shades the top of her face while her glowing blue eyes burn from beneath the brim, pupils narrowed, one eye half-lidded, a lopsided maniac grin baring teeth on one side; two strands of black hair fall straight between her eyes, the rest of the very long hair spilling over her shoulders and down her back to her calves. The white jacket is buttoned to the collar, its long sleeves buttoned at the wrist; above it the white pleated miniskirt fans in sharp pleats under the heart-shaped buckle of the black belt, and black boots plant her stance on the polished marble. Behind her, a wide expanse of floor-to-ceiling glass, low white sofas, and a scatter of desiccated charred male bodies lie broken across the marble in the soft-focus background, one arm flung out, ash-grey skin shriveled over bone, their silhouettes blurred by the shallow depth of field. The only light is the cold night glow of the city through the glass behind her: it rims the edge of her cap, her cape, and one line along her jaw in a bright thin outline, while her face stays in darkness except for the two blue glowing points of her eyes; the marble in front of her carries a long, hard cast shadow of her boots and the cape's hem. The palette locks to white uniform against charcoal-marble grey and the night city's cold blue, with one warm ember-orange glint smoldering in the ruined bodies behind her. Rim light, sharp cel-shaded edges, glossy highlights on the leather boots and the polished marble floor. Ominous, exultant.
nyx21-
AI artwork
n2
artist: ratatatat74 1girl, solo, very long black hair, hair past waist, black hair, hair between eyes, blue eyes, glowing eyes, glowing blue eyes, v-shaped eyebrows, long eyelashes, beautiful face, white tricorn, napoleonic military hat, white military uniform, white jacket, long sleeves, white shirt, white skirt, white cape, white gloves, black belt, heart-shaped buckle, boots, jewelry, witch, seductive pose, seductive look, maniac look, malevolent expression, manic grin, half-closed eyes, looking at viewer, head tilt, from below, dutch angle, cowboy shot, manor interior, crumbling mansion hall, several desiccated charred male bodies, charred corpses, blackened skeletons, bodies on floor, background, depth of field, volumetric lighting, ominous lighting, backlighting, rim lighting, sharp cel-shading, high contrast, wide angle lens, white outline From a low, tilted dutch-angle camera in the cowboy-shot range, the witch dominates the near half of the frame in three-quarter view, her body angled away to her left while her chin tips down and her eyes cut back toward the lens. She stands with her weight all on her right leg, left hip pushed out, right knee slightly bent, left boot heel lifted a few centimeters off the parquet with the toe grounded; her shoulders twist so the white cape drops in a long diagonal off her right shoulder while her left hand rests curled on the pushed-out hip, gloved fingertips pressed against the black belt just beside the heart-shaped buckle, and her right gloved hand rises to the brim of the white tricorn, thumb under the edge, tilting it a fraction lower over one brow. The very long black hair falls past her waist over the cape's white wool, and the strand of hair between her eyes catches a bright rim as it crosses the bridge of her nose. Her v-shaped eyebrows draw down hard over half-lidded eyes whose blue glow throws a faint cold wash onto her cheekbones, and her grin is asymmetric, one corner dragged high and one canine showing, an ugly joy under the beautiful face. The white jacket and white skirt stay crisp and bright against a hall gone to rot: the long sleeves buttoned at the wrist, the skirt hem torn at one point from the fall through the briars, the boots dulled with chalky dust up to the ankles. Through the depth-of-field blur of the background, the parquet aisle behind her is strewn with several desiccated charred male bodies, blackened and drawn-in, ribs showing through burnt cloth, one arm flung out with the fingers curled, flakes of soot settled in a thin grey drift along the floorboard seams where the draft has pushed them. The person in the frame looks back over her own shoulder while the corpses behind her stay face-down and eyeless. A single tall window behind and above her is the only light source: cold, blue-grey daylight rakes down through the mullions, rims her hat brim, shoulder, cape edge and the swing of her hair in a thin hard outline, and leaves her face half in shadow so the eye-glow reads as the second, unnatural light. Beyond that rim the manor interior falls away into brown-black shadow, with dust drifting in the visible beams and a chandelier hanging dark and empty. The palette is held to white, black, cold blue and the dead browns of the room, with the only saturated accents being the blue of her glowing eyes and the faint polished glint on her jewelry. High-contrast cel shading with a hard white outline separating her from the gloom, sharp rim light, cinematic wide-angle distortion stretching the nearest floorboards toward the lens. Ominous, deliciously wicked.
nyx2222
AI artwork
n2
artist: ratatatat74 1girl, solo, close-up, from below, looking down at viewer, black hair, very long hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white military jacket, long sleeves, white shirt, white cape, white pleated skirt, miniskirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, witch, white outline, malevolent expression, smug, seductive look, demanding, leaning forward, head tilt, looking at viewer, half-closed eyes, penthouse suite background, night, floor-to-ceiling windows, city lights bokeh, several desiccated charred male bodies lying on the floor in the background, volumetric lighting, ominous lighting, rim lighting, high contrast, sharp cel-shading, depth of field, cinematic perspective, moody atmosphere, dramatic backlighting, high quality Shot from below at a close angle, the witch fills the frame from the waist up and looms over the lens, her boot heels planted wide apart on the penthouse's polished black marble floor, her weight carried on her back leg so her hips cant to one side. She leans forward from the waist toward the camera, chest close, her white-gloved right hand raised with the fingers curled in a slow beckoning gesture at shoulder height while her left glove rests flat on the heart-shaped black buckle cinching her white pleated miniskirt's waistband. Her chin is tipped down and she looks down the length of it straight into the viewer, eyelids half lowered, one v-shaped eyebrow arched higher than the other, lips parted in a thin lopsided smirk; the white cape falls behind her shoulders away from the lean and slips over the crook of one elbow. Very long black hair spills past her hips, strands hanging between her eyes and swinging forward off her shoulder with the lean, and the white peaked cap sits tilted low over her brow with its band catching the light. Behind and below her, the penthouse suite opens out in deep-focus falloff: low lounge seating, a long dark bar, and a wall of floor-to-ceiling windows holding a night skyline scattered into bokeh, the room's only clean light coming from that window line so the backlight rims her cap, cape and hair in a cold white edge while her face stays in soft shadow and her glowing blue eyes are the brightest points in the frame. On the marble between her boots and the bar, several desiccated charred male bodies lie collapsed in the background, limbs folded, ash-grey and split by thin cracks, their outlines softened by the shallow depth of field so they read as a dark, blackened texture under her, and the faint haze of smoke hangs where the window light cuts it into visible shafts. Globally the palette is held to white, black and the cold blue of the skyline, with nothing warm admitted except the dull ember-brown of the charred bodies on the floor. Sinister, imperious.
nyx21-

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