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新山聡美(薬師まつり・御礼の儀式)

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Anything Goes Casual Posting Festival!

#MILF #Japanese clothes #Smile #Haori #Parted bangs #Multiple Girls #Scroll #Heian period #Jūnihitoe #Sound! Euphonium #Satomi Niiyama #Hakama #Ritual

Published on Nov 5, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, adult lady, 33 years old, medium breasts, anime-style, official style, anime keyvisual, a natural and realistic festival photograph reproducing the gratitude ritual of the traditional event "Yakushi Matsuri" held in Kurihara City, Miyagi Prefecture. A scene of Princess Shizuhata, who recovered from illness through the blessing of Sugi Yakushi Nyorai, delivering her message of gratitude in the ritual. On a festival stage set up in the precincts of a historic temple, people wearing gorgeous costumes reminiscent of Heian period nobility perform the ritual according to traditional etiquette. On the right side of the frame, a woman playing the role of Princess Shizuhata stands, unrolling a horizontal scroll with both hands and reading it aloud. In the center, two female attendants support ritual implements, and on the left, a man wearing traditional attire accompanies them. A scene like a documentary photograph of a historical event, where the solemnity of an ancient ritual and the brilliance of colorful costumes harmonize. [Character arrangement and roles: Most important] Four ritual participants are lined up in the frame. The positions of the people, from left to right, are: a male attendant, a female attendant supporting ritual implements, another female attendant next to her supporting ritual implements, and on the far right, the woman playing the role of Princess Shizuhata reading a scroll aloud. The woman on the far right is the main protagonist of this scene, the very person designated by the character LoRA. As Princess Shizuhata, the woman is reading words of ritual gratitude from a scroll. The woman stands on the right side of the frame, holding the scroll spread out in both hands. She must be clearly distinguished from the two women in the center, ensuring that the same woman does not appear multiple times and that the LoRA character is not replaced with a central attendant. There is only one man on the left, wearing traditional attire based on pale beige or white. On his head, he wears a black eboshi-style hat, and fine geometric patterns are visible on his costume. A sash is tied at his waist, and a purple decorative cord hangs from his chest. With a calm expression, the man watches over Princess Shizuhata and the attendants participating in the ritual. The man is placed on the far left of the frame, without hiding the figures or hands of the women. In the center, two female attendants stand side by side. Each wears traditional festival costumes based on vivid vermilion and orange. Small circular patterns or flower-like designs in pale yellow or white are regularly arranged on their outer coats. The sleeves are loose and wide, and layered garments in pale pink or fresh green are visible from the hems. Both have their hair tied back and participate in the ritual with calm expressions. The two central women should be depicted as distinct, independent attendants, not with identical faces or as the same person. [Woman on the far right: Role of Princess Shizuhata] The woman designated by this LoRA is the person playing Princess Shizuhata standing on the far right. A married woman in her early 30s with long hair and a neat, elegant atmosphere. While maintaining the facial features, eyes, and hair characteristics specified by the LoRA, she possesses the elegance and calm befitting a Heian period noble princess. Do not replace the LoRA woman with the central attendants or the man on the left; she must strictly be positioned as the person reading the scroll on the right side of the frame. The woman's costume is a gorgeous Heian period-style layered attire based on pale wisteria purple and light pink. On the outermost layer, she wears a loose, pale purple long-sleeved robe. Traditional floral and botanical patterns are woven into the surface, showing the soft luster of high-quality silk. On the front of the robe, multiple large circular patterns in orange, vermilion, and pale yellow are arranged. The patterns are naturally rendered on the fabric, giving a gorgeous yet elegant impression. At the collar, multiple layers of garments in white, pale wisteria purple, and light pink overlap. The sleeves are large and loose, with layers of bright yellow-green and yellow garments inside, and vividly colored cloth visible from the cuffs. Under the outer coat, there is a wide green sash or waistcloth, below which she wears bright vermilion or orange hakama. The green inner garment and the bright reddish-orange hakama create a beautiful color contrast with the pale purple outer robe. The sleeves and hems have natural fabric thickness and layering, gracefully draping according to gravity even as she walks or moves her hands. The woman's long hair is styled down naturally, utilizing the hair design specified by the character LoRA. The hair hangs down long from her shoulders toward her chest. The hair has a natural sheen, with soft strands remaining on both sides of her face. Her bangs or hair around the face do not cover her eyes or mouth, and her entire face is clearly visible. She wears no flashy crown or large hair ornaments, maintaining a neat, elegant, princess-like appearance. [Action of reading the scroll: Most important] The woman on the far right holds a single horizontally wide scroll with both hands, reading aloud words of gratitude. The scroll is a long sheet of paper with a faint pink or pale wisteria purple tint, extending horizontally from her chest to upper abdomen. On the paper surface, several columns of vertical brush calligraphy in faint black ink, resembling writing on ancient washi paper, are lined up. The text features delicate, natural brushstrokes, evoking the atmosphere of a historic formal decree or ritual document. The woman supports the upper edge of the scroll with one hand and the opposite lower edge with the other. Both hands are positioned apart on the left and right sides of the paper, making the horizontal width of the scroll clearly visible. The paper surface is not completely flat; it has natural slack and gentle curves where supported by her hands. Both the left and right ends of the scroll fit within the frame, connected as a single long sheet of paper. Do not replace the scroll with a book, booklet, or fan; depict it as a single horizontally spread ritual document. The woman holds the scroll slightly above chest height, looking slightly downward to read the paper surface. Her gaze is directed at the characters on the scroll, reading aloud while confirming the content line by line. Her mouth is slightly open, conveying the action of carefully reading out ritual words. Her expression is calm and serious, yet dignified and gentle. Avoid an expression of shouting with a wide-open mouth; make it a natural recitation appropriate for the solemn atmosphere of a festival. The woman stands upright, tilting her upper body just slightly toward the scroll. Both elbows are naturally bent, allowing her hands to be seen through the sleeves. The long sleeves do not cover the text on the scroll or both hands, and the fingers supporting the left and right edges of the paper are naturally visible. The act of reading the scroll is paramount; it should be immediately obvious at a glance that the woman is not merely holding the scroll, but actually reading aloud while looking at the characters. [Two central attendants and ritual implements] The two women in the center support the ritual implements used in the ceremony from both sides. Their costumes are based on vivid vermilion and orange, with many small circular patterns in white, yellow, red, and other colors drawn on the surface. The sleeves flare widely, revealing layered garments in dark green and pale pink on the inside. Facing forward with calm postures, they carefully hold the ritual implements. Between the two, there is a horizontal ritual implement or offering stand, over the top of which a deep purple cloth is draped. The purple cloth covers the top surface of the ritual implement and hangs down on both sides as soft fabric. The edges of the cloth feature small white decorative crests, with purple and blue decorative tassels hanging from the bottom. Supported by the two attendants from left and right, the ritual implement is kept horizontal in a stable position. On top of the ritual implement covered with the purple cloth, a slender golden cylindrical offering container stands. The container is made of metal, with modest decoration and trim on its surface, and a small lid or ornament on top. The golden container is placed vertically on the purple cloth, serving as the central tool of the ritual implements supported by the two attendants. The container does not overlap with the women's faces or bodies, remaining visible at the hands of the central figures. A part of another ritual implement draped with a similar purple cloth may be visible in the hands of the other attendant, but do not clutter the scene with excessive ritual implements or golden containers. Ensure that the three elements—the purple cloth, the golden offering container, and the reddish-orange costumes—naturally come together and are recognizable as offering implements for the ritual. [Attire of the man on the left] On the far left stands one male attendant. The man wears traditional aristocratic attire based on pale beige or white. The surface of the costume has fine geometric patterns or weave patterns, and a white sash is tied at his waist. A purple decorative cord hangs down from his chest. He wears a black eboshi-style hat on his head, watching the ritual with a calm expression. The man holds no ritual implements or scrolls, serving as an accompanying attendant in the ceremony. [Background and festival stage] In the background, walls and pillars of old wooden architecture

新山聡美(薬師まつり・御礼の儀式)

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