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新山聡美(薬師まつり・御礼の儀式)

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Anything Goes Casual Posting Festival!

#MILF #Kimono #Smile #Multiple Girls #Holding #Scroll #Jūnihitoe #Sound! Euphonium #Satomi Niiyama #Ritual

Published on Nov 5, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, adult lady, 33 years old, medium breasts, anime-style, official style, anime keyvisual, a realistic and photographic festival record photo capturing the gratitude ceremony of the traditional Yakushi Festival held in Kurihara City, Miyagi Prefecture. A scene of Princess Shizuhata offering thanks after recovering from illness through the blessing of Sugi Yakushi Nyorai. On a festival stage set up in the precincts of a historic temple, people clad in gorgeous Heian-period noble attire perform the ceremony according to traditional etiquette. On the right side of the frame stands a woman portraying Princess Shizuhata, holding open a horizontal scroll with both hands and reading aloud from it. In the center, two female attendants support ritual implements, and on the left side, a male attendant dressed in traditional costume accompanies them. A scene reminiscent of a historical documentary photo that harmonizes the solemnity of ancient rites with the vivid colors of opulent garments. [Arrangement and roles of characters: Most important] Four ceremony participants stand in a row. From left to right: a male attendant, a female attendant supporting ritual implements, another female attendant beside her supporting ritual implements, and at the far right, the woman portraying Princess Shizuhata reading from a scroll. The woman on the far right is the protagonist and corresponds to the designated character. Portraying Princess Shizuhata, she reads ritual words of gratitude from a scroll. She stands on the right side of the screen holding the opened scroll with both hands. She must be clearly distinguished from the two women in the center, preventing duplicate figures or swapping with the central attendants. On the left, a single man wears traditional attire based in pale beige and white. He wears a black eboshi-style cap, and his garment features fine geometric patterns. A sash is tied at his waist, and a purple decorative cord hangs from his chest. With a calm expression, he watches Princess Shizuhata and the attendants. Positioned at the far left, he does not obscure the women or their hands. In the center, two female attendants stand side by side. Each wears traditional ceremonial attire predominantly in bright vermilion and orange. Small circular patterns or floral motifs in pale yellow and white are arranged regularly on their outer garments. Their sleeves are wide and relaxed, revealing layers of pale pink and light green beneath the hems. Both have their hair tied back and participate with composed expressions. The two central women must be depicted as distinct, independent individuals with different faces. [Woman on the far right: Princess Shizuhata role] The designated female character is the person portraying Princess Shizuhata on the right. An elegant married woman in her early 30s with long hair and a refined, neat demeanor. Maintaining her characteristic facial features, eyes, and hair, she possesses the grace and dignity fitting a Heian-period noble princess. Positioned firmly on the right holding and reading the scroll, not replacing the attendants or the man. Her costume is an opulent layered Heian-style robe in pale wisteria purple and soft pink. On the outermost layer, she wears a loose, pale purple long-sleeved robe woven with traditional floral and botanical patterns showing the soft luster of fine silk. Large circular motifs in orange, vermilion, and pale yellow adorn the front naturally. Multiple layers in white, pale wisteria, and soft pink peek out at the collar. Large, flowing sleeves reveal bright yellow-green and yellow undergarments at the cuffs. Beneath the top, she wears a wide green sash and bright vermilion-orange hakama trousers. The green under-robe and vivid red-orange hakama create a beautiful color contrast with the pale purple over-robe. The natural drape and layered weight of the fabric cascade gracefully following gravity. Her long hair is naturally worn down according to the character design, falling over her shoulders down toward her chest with a natural sheen and soft strands framing her face. The forehead and eyes are kept clear of obscuring bangs for full facial visibility. No ostentatious crowns or large hair ornaments, maintaining a refined princess aesthetic. [Action of reading the scroll: Most important] The woman on the right holds a single long, horizontally unrolled scroll with both hands, reading aloud words of gratitude. The scroll is long paper with a faint pink or wisteria tint, extending horizontally from chest level to upper torso. On the paper, vertical calligraphy lines in faint black ink appear, styled like fine brushstrokes on antique washi paper, resembling a historical ceremony document or dedication letter. She supports the top edge with one hand and the opposite bottom edge with the other, hands placed apart at the sides to clearly define the horizontal width. The paper is not completely flat, exhibiting a natural slack and gentle curve between the hands. Both edges remain within the frame as one continuous long sheet. Not a book, booklet, or fan, but a horizontally spread ritual document. Holding the scroll slightly above chest height, she looks down slightly at the paper, eyes fixed on the calligraphy, vocalizing line by line. Her lips are slightly parted to convey careful reading. Her expression is calm, earnest, yet gentle and dignified—not shouting or opening her mouth wide, but natural for a solemn ritual. Standing upright, her upper body tilts slightly toward the scroll. Elbows bent naturally, hands visible through the wide sleeves without the fabric obscuring the fingers holding the scroll's edges. The action of actively reading while looking at the text is clearly perceptible. [Two central attendants and ritual implements] The two women in the center hold the ritual implements from both sides. Clad in bright vermilion and orange robes patterned with small white, yellow, and red circular motifs, showing layers of deep green and light pink inside wide sleeves. They face forward calmly, holding the implements with care. Between them is a horizontal ritual stand covered with a deep purple cloth that drapes down softly on both sides, featuring small white ornamental patterns along the hem and purple or blue tassels hanging below. It is held steady and horizontal. A tall, slender cylindrical gold offering vessel stands vertically atop the purple cloth on the ritual stand. Made of metal with subtle ornamentation and a small lid at the top, it serves as the centerpiece of the offering. Clearly visible at their hands without obscuring their faces or bodies. A coherent arrangement of purple fabric, gold vessel, and vermilion-orange costumes serving as ceremonial offerings. [Attire of the man on the left] At the far left stands a single male attendant in traditional aristocratic garments of pale beige and white with subtle geometric weave patterns, a white belt, and a purple cord hanging from the chest. Wearing a black eboshi cap, watching over the ceremony with a serene look, accompanying without holding scrolls or offerings. [Background and festival stage] In the background are the dark brown and weathered gray-brown wooden walls, thick pillars, and horizontal beams of an ancient wooden temple architecture showing grain and seams. Hanging horizontally across the upper background are ceremonial cloth banners: deep purple on the left, white to the center-left, bright red and yellow in the center, and fresh light green to deep green on the right, hanging with natural folds without covering the figures' heads. At the bottom of the frame, a bright red curtain covers the edge of the stage, creating a horizontal red border at the lower edge while leaving the figures' waists, hands, garments, and ritual items clearly visible. An authentic wooden temple festival environment without modern staging or lights. [Camera and composition] 3:2 landscape orientation. Eye-level, natural documentary perspective, slightly angled front view capturing all four participants in a horizontal line: male attendant on the far left, first female attendant at center-left, second female attendant in the center, Princess Shizuhata on the far right. The woman on the right is prominent, showing her face, upper body, hands, layered costume, and the full width of the scroll. Upper area framed by colorful cloth banners, lower area by the red altar curtain. The four figures stand independently without excessive overlapping. Slight margin above and to the right of the lead character so her hair and costume are not cut off. Medium shot framing from head to waist or knees. [Lighting and texture] Bright, soft daytime natural light. Realistic documentary photo texture. Intricate silk weave textures, layered collars, washi fibers, calligraphy strokes, metallic sheen on the gold vessel, deep wood grain. Correctly depicted hands, fingers, and separate garments without unnatural merging. Fixed character layout: left to right (one beige-clad man, two vermilion-orange clad female attendants, one woman on the right reading the horizontal scroll). No ox carts, carriage, modern clothing, vehicles, random watermarks, or extra people.

新山聡美(薬師まつり・御礼の儀式)

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