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AI art "漆黒の軍服と紅の魔力、凛とした美しき戦士"
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漆黒の軍服と紅の魔力、凛とした美しき戦士

赤い瞳に宿る強い意志と、翻る赤いコートがとても印象的な一枚に仕上がりました。軍服姿の凛々しさと、手に宿る禍々しいまでの美しい魔力のコントラストに、思わず見入ってしまいます。気に入っていただけたら、いいねやフォローをしていただけると嬉しいです！

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eitaeita.1007@icloud.com

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1girl, solo, vampire, beautiful girl, serious, serious expression, furrowed brow, narrow eyes, red eyes, glowing red eyes, blonde hair, hair tied up in back, low ponytail, long blonde hair, ample large breasts, large breasts, red coat, open coat, long red coat, military uniform, double-breasted military jacket, epaulettes, gold buttons, black uniform, red-black shadow, shadow manipulation, dark aura, red and black shadow tendrils, outstretched arm, clawed hand, casting spell, from below, cowboy shot, dutch angle, dynamic pose, looking down at viewer, night, moonlit, dark background, red and black palette, fangs, pale skin, high collar, white gloves, thigh boots The camera sits low and tilts a few degrees off level, looking up at one young woman in a moonless night field, so her figure rides against a deep black sky and her red coat hem hangs at the level of the lens. She is caught mid-cast, torso twisted a quarter turn away from the lens while her face and gaze stay locked down at the viewer, chin lowered, brows drawn hard together, lips pressed into a flat uncompromising line and one visible fang just breaking the seam of her mouth -- the whole face held in cold, deliberate concentration rather than anger. Her blonde hair is gathered low at the back of her head into a bound tail that swings forward over her right shoulder as she moves, and loose strands cross her temple; her red eyes are lit from within, brightest at the iris centre. Her left arm is thrown out and down across her body at chest height, elbow soft, fingers spread wide and hooked like claws, and red-black shadow pours out of that hand -- a boiling mass of crimson-edged darkness with black cores, thickest at the glove, thinning into ragged tendrils that curl up around her forearm, spiral once around her shoulder and fray into the air behind her. Her right hand is clenched at her hip, knuckles against the belt of the black double-breasted military jacket, its gold buttons and epaulettes catching only the cold rim light. The red coat is worn open and thrown back off both shoulders, one hem lifted by the movement, the other hanging straight; the uniform jacket beneath is buttoned high to a stiff collar, white gloves cover both hands, and dark thigh boots plant her weight on her back leg with the front foot turned out. The shadow is the only local glow: it lights the underside of her jaw, the inner edge of her arm and the front of her coat with a livid red bounce, while a thin cold moon-rim traces the crown of her head and the outer edge of her shoulder from behind -- so her face is half warm red from below and half pale from above, and the darkness beyond her pool of light is absolute. Palette is held to red, black, gold, blond and the pale skin tone, nothing else admitted. The shadow's tendrils drag and smear where they pass through the still air, leaving a faint red aftertrail behind her hand. Quiet menace, effortlessly commanding.
Show Parameters
Original Prompt
美少女 吸血鬼 真面目な性格 赤黒い影を操る 金髪を後ろで纏めている 赤い瞳 豊満な胸 赤いコートを羽織って軍服の様な服を着ている
Mode
pro
Style
Muted & Transparent
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Muted & Transparent
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, vampire, beautiful girl, blonde hair, hair tied back, red eyes, fangs, serious, stern expression, large breasts, full bust, red coat, coat over shoulders, military uniform, military-style uniform, missing left arm, shadow arm, red-black shadow prosthetic left arm, red-black shadows, shadow tendrils, manipulating shadows, outstretched arm, from below, cowboy shot, dutch angle, looking at viewer, clenched hand, black gloves, gold trim, epaulettes, standing, wind, dark background, red and black palette Camera looks up from a low three-quarter angle, tilted a few degrees off level, framing her from mid-thigh to above the head so the sky-less dark vault of the hall rises behind her shoulders. She is caught mid-gesture: her right arm swept out and slightly forward at chest height, elbow bent, gloved fingers half-curled as though pulling a thread, weight settled on her right leg with the left hip dropped and one boot heel lifted. Her chin is level, mouth a flat line with the lower lip pressed thin, one brow drawn fractionally lower than the other, eyes narrowed and fixed straight into the lens -- the stare of someone calculating whether you are worth the trouble. Her blonde hair is gathered tight at the back of her head, a low tail falling between her shoulder blades, loose strands at the temples lifting sideways in a slow updraft, the tail swinging a half-beat behind the movement of her arm. The red coat hangs from her shoulders rather than her arms, collar high, its hem and lapels pushed out and fluttering away from the body on the same draft, revealing the dark military-style uniform beneath: high-buttoned jacket, gold-trimmed collar, epaulettes, a belt cinched under the full bust so the jacket strains at the chest, skirt and tall boots below. Her left sleeve is empty and pinned flat against the coat, and from the shoulder joint outward the red-black shadow knits itself into the shape of an arm -- shoulder, elbow, wrist, five fingers -- dense as ink at the core and fraying into smoke-thin filaments at the edges, the fingers curled around nothing. The shadow is the only thing in the frame that is not lit -- it swallows the light instead of returning it, a red-black stain on the air with a thin wet sheen along the top-facing curves of its forearm. Everything else is lit by a single hard cold source high and behind her left shoulder: it draws a bright rim down the right edge of her jaw, the crown of her head, the outer edge of the coat's shoulder, and the top of her chest, and leaves the front of her face and the hollow under her chin in a deep graded shadow. The tendrils answer her right hand -- three of them peel away from the shadow arm and reach across the empty air toward her gloved fingers, and where the nearest tip comes close, the gold trim on her cuff darkens a shade as though bruised. The shadow she casts does not match her body: it lies on the unseen floor behind her, too wide, with an arm on the wrong side. Her nostrils flare on a slow exhale and the loose strands at her temple move against the direction of the draft a beat later than the coat does. Palette locked to red, black and a bone-cold rim white -- red in the coat, the eyes and the shadow's inner glow, black in the uniform, the boots and the shadow's core. Low-key, tense, imperious.
eitaeita.1007@icloud.com
AI artwork
e1
1girl, solo, vampire, fangs, blonde hair, hair tied back, low ponytail, red eyes, serious expression, jitome, furrowed brows, closed mouth, ample bust, full figure, red coat, coat over shoulders, military uniform, double-breasted jacket, gold buttons, epaulettes, black collar, skirt, black tights, boots, missing left arm, empty left sleeve, shadow arm, dark red-black shadow prosthetic, outstretched arm, clawed shadow hand, shadow tendrils, dark energy, standing, contrapposto, from below, wide shot, dramatic angle, looking down at viewer, night, stone hall, moonlight, deep shadows The camera sits low and looks up: a single beautiful vampire woman stands at full height above the lens, one boot forward and her weight sunk into the right hip so the contrapposto carries a slow, deliberate torsion through the waist. From this angle her low ponytail of blonde hair hangs out of the gathered tie and down behind her right shoulder, and the bangs sit flat and severe over her brow. Her red eyes are lowered straight at the viewer, lids half shut, brows pulled together in a flat line above a mouth closed and unmoving — the whole face reads as strict, unhurried, unimpressed. The red coat is draped over both shoulders rather than worn into its sleeves, its collar standing up behind her neck, and under it the military-style uniform closes tightly over an ample bust: a double-breasted jacket with two ranked columns of gold buttons straining just slightly at the chest, black collar, epaulettes, a knee-length skirt, black tights, laced boots. Her left sleeve hangs empty and flat, pinned close to the coat's line, and out of that absence a red-black shadow has built itself an arm — a long smear of dark crimson and near-black smoke the shape of a forearm and hand, its fingers spread and curled as though gripping something unseen, its surface churning in slow eddies while thin tendrils peel off it and trail up into the air. She raises that shadow arm a little toward the lens, and the tendrils lean away from it as the air moves. The one real arm hangs at her side, relaxed, gloved fingers loosely curled. Behind her a tall stone hall recedes into darkness, and the only light is a cold moon-white shaft falling from a high window on the upper left: it catches the top of her coat shoulders, the gold buttons and the brow of her face, and it makes the shadow arm throw no clean edge but a smeared halo of dull red light around its churning fingers, while everything below her knees sinks into black. The palette stays red, black and moon-white, the blonde hair the one warm note. Low and imposing, quietly merciless.
eitaeita.1007@icloud.com

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