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eitaeita.1007@icloud.com

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1girl, solo, vampire, beautiful girl, blonde hair, hair tied back, red eyes, fangs, serious, stern expression, large breasts, full bust, red coat, coat over shoulders, military uniform, military-style uniform, missing left arm, shadow arm, red-black shadow prosthetic left arm, red-black shadows, shadow tendrils, manipulating shadows, outstretched arm, from below, cowboy shot, dutch angle, looking at viewer, clenched hand, black gloves, gold trim, epaulettes, standing, wind, dark background, red and black palette Camera looks up from a low three-quarter angle, tilted a few degrees off level, framing her from mid-thigh to above the head so the sky-less dark vault of the hall rises behind her shoulders. She is caught mid-gesture: her right arm swept out and slightly forward at chest height, elbow bent, gloved fingers half-curled as though pulling a thread, weight settled on her right leg with the left hip dropped and one boot heel lifted. Her chin is level, mouth a flat line with the lower lip pressed thin, one brow drawn fractionally lower than the other, eyes narrowed and fixed straight into the lens -- the stare of someone calculating whether you are worth the trouble. Her blonde hair is gathered tight at the back of her head, a low tail falling between her shoulder blades, loose strands at the temples lifting sideways in a slow updraft, the tail swinging a half-beat behind the movement of her arm. The red coat hangs from her shoulders rather than her arms, collar high, its hem and lapels pushed out and fluttering away from the body on the same draft, revealing the dark military-style uniform beneath: high-buttoned jacket, gold-trimmed collar, epaulettes, a belt cinched under the full bust so the jacket strains at the chest, skirt and tall boots below. Her left sleeve is empty and pinned flat against the coat, and from the shoulder joint outward the red-black shadow knits itself into the shape of an arm -- shoulder, elbow, wrist, five fingers -- dense as ink at the core and fraying into smoke-thin filaments at the edges, the fingers curled around nothing. The shadow is the only thing in the frame that is not lit -- it swallows the light instead of returning it, a red-black stain on the air with a thin wet sheen along the top-facing curves of its forearm. Everything else is lit by a single hard cold source high and behind her left shoulder: it draws a bright rim down the right edge of her jaw, the crown of her head, the outer edge of the coat's shoulder, and the top of her chest, and leaves the front of her face and the hollow under her chin in a deep graded shadow. The tendrils answer her right hand -- three of them peel away from the shadow arm and reach across the empty air toward her gloved fingers, and where the nearest tip comes close, the gold trim on her cuff darkens a shade as though bruised. The shadow she casts does not match her body: it lies on the unseen floor behind her, too wide, with an arm on the wrong side. Her nostrils flare on a slow exhale and the loose strands at her temple move against the direction of the draft a beat later than the coat does. Palette locked to red, black and a bone-cold rim white -- red in the coat, the eyes and the shadow's inner glow, black in the uniform, the boots and the shadow's core. Low-key, tense, imperious.
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Original Prompt
美少女 吸血鬼 真面目な性格 赤黒い影を操る 金髪を後ろで纏めている 赤い瞳 豊満な胸 赤いコートを羽織って軍服の様な服を着ている 左腕を欠損していて赤黒い影が腕を象っている
Mode
pro
Style
Muted & Transparent
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Muted & Transparent
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Model & LoRA used

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e1
1girl, solo, vampire, fangs, blonde hair, hair tied back, low ponytail, red eyes, serious expression, jitome, furrowed brows, closed mouth, ample bust, full figure, red coat, coat over shoulders, military uniform, double-breasted jacket, gold buttons, epaulettes, black collar, skirt, black tights, boots, missing left arm, empty left sleeve, shadow arm, dark red-black shadow prosthetic, outstretched arm, clawed shadow hand, shadow tendrils, dark energy, standing, contrapposto, from below, wide shot, dramatic angle, looking down at viewer, night, stone hall, moonlight, deep shadows The camera sits low and looks up: a single beautiful vampire woman stands at full height above the lens, one boot forward and her weight sunk into the right hip so the contrapposto carries a slow, deliberate torsion through the waist. From this angle her low ponytail of blonde hair hangs out of the gathered tie and down behind her right shoulder, and the bangs sit flat and severe over her brow. Her red eyes are lowered straight at the viewer, lids half shut, brows pulled together in a flat line above a mouth closed and unmoving — the whole face reads as strict, unhurried, unimpressed. The red coat is draped over both shoulders rather than worn into its sleeves, its collar standing up behind her neck, and under it the military-style uniform closes tightly over an ample bust: a double-breasted jacket with two ranked columns of gold buttons straining just slightly at the chest, black collar, epaulettes, a knee-length skirt, black tights, laced boots. Her left sleeve hangs empty and flat, pinned close to the coat's line, and out of that absence a red-black shadow has built itself an arm — a long smear of dark crimson and near-black smoke the shape of a forearm and hand, its fingers spread and curled as though gripping something unseen, its surface churning in slow eddies while thin tendrils peel off it and trail up into the air. She raises that shadow arm a little toward the lens, and the tendrils lean away from it as the air moves. The one real arm hangs at her side, relaxed, gloved fingers loosely curled. Behind her a tall stone hall recedes into darkness, and the only light is a cold moon-white shaft falling from a high window on the upper left: it catches the top of her coat shoulders, the gold buttons and the brow of her face, and it makes the shadow arm throw no clean edge but a smeared halo of dull red light around its churning fingers, while everything below her knees sinks into black. The palette stays red, black and moon-white, the blonde hair the one warm note. Low and imposing, quietly merciless.
eitaeita.1007@icloud.com
AI artwork
t5
1girl, solo, vampire, blonde hair, hair tied back, low ponytail, red eyes, large breasts, very beautiful girl, mature female, tall, red coat, coat worn over shoulders, black military uniform, double-breasted jacket, gold buttons, epaulettes, knee-length skirt, black thighhighs, black thighhigh socks, missing left arm, shadow arm, red-black shadow arm, prosthetic arm made of shadow, holding cannon, huge cannon, anti-monster cannon, weapon, from below, dutch angle, foreshortening, standing, weight on right leg, contrapposto, looking at viewer, half-closed eyes, smug, light smile, parted lips, night, dark background, crimson light, full body, depth of field, Shot from a low dutch angle, tilted about fifteen degrees so the cannon's barrel cuts a long diagonal across the frame: a single vampire girl stands in a rain-slicked empty street at night, seen from below hip height, the camera looking up past her boots and skirt to her face. She is 166cm of poised, very beautiful young woman — blonde hair gathered at the back of her head in a low ponytail, the tail falling between her shoulder blades with a few loose strands lifted by the wind across her cheek; red eyes catching the crimson light, half-lidded, one brow faintly arched, her lips slightly parted in a thin self-assured curve, her gaze fixed level at the viewer down the barrel of the shot. Her body is full-figured, the black military-style jacket double-breasted with gold buttons and epaulettes stretched across her large chest, a knee-length black skirt hanging just above her knees in a stiff A-line, black thighhigh socks climbing her legs; her red coat is shrugged on over the shoulders rather than sleeved, its hem swinging out behind her right hip with the tilt of her stance. Her left arm is gone — the left sleeve of the jacket ends at the shoulder, and from that shoulder a red-black shadow mass pours outward, its edges ragged and smoking, drawn into the unmistakable shape of an arm and a five-fingered hand that cups under the cannon's fore-grip without touching it, the shadow's fingers bleeding thin red wisps that curl upward and dissolve. Her right hand grips the cannon's rear pistol grip, elbow tucked, the great tube of the 30mm anti-monster cannon Halconnen braced against her right hip and angled up and left across her body; the weapon's dark steel housing, cooling vents and oversized muzzle dominate the lower-left foreground, foreshortened huge, the muzzle's crown catching a ring of crimson light. Her weight rests on her right leg, left knee relaxed and slightly forward, the left toe of her boot turned inward on the wet asphalt — a shallow puddle beneath her right boot holds a darker, softer, broken reflection of the cannon and her coat hem, and the puddle ripples where her heel has just pressed into it. The only light source is a deep crimson glow spilling from somewhere off-frame to the upper left: it rim-lights the left edge of her ponytail, the shadow arm and the top of the cannon barrel, leaves her right side and the underside of her chin in cool near-black, and throws her long shadow and the cannon's shadow together across the wet ground behind her. Palette is hemmed to red, black and wet grey — red in the eyes, the coat, the shadow arm, the glow; black in the uniform, the skirt, the socks and the weapon; grey in the wet street. Her coat hem and ponytail both stream slightly to the right, away from the light, and the rain has left the cannon's top surfaces beaded while its underside stays dry. Quiet menace, effortlessly stylish.
tw5zsz4kgp@privaterelay.appleid.com

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