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1girl, solo, vampire, blonde hair, hair tied back, low ponytail, red eyes, large breasts, very beautiful girl, mature female, tall, red coat, coat worn over shoulders, black military uniform, double-breasted jacket, gold buttons, epaulettes, knee-length skirt, black thighhighs, black thighhigh socks, missing left arm, shadow arm, red-black shadow arm, prosthetic arm made of shadow, holding cannon, huge cannon, anti-monster cannon, weapon, from below, dutch angle, foreshortening, standing, weight on right leg, contrapposto, looking at viewer, half-closed eyes, smug, light smile, parted lips, night, dark background, crimson light, full body, depth of field, Shot from a low dutch angle, tilted about fifteen degrees so the cannon's barrel cuts a long diagonal across the frame: a single vampire girl stands in a rain-slicked empty street at night, seen from below hip height, the camera looking up past her boots and skirt to her face. She is 166cm of poised, very beautiful young woman — blonde hair gathered at the back of her head in a low ponytail, the tail falling between her shoulder blades with a few loose strands lifted by the wind across her cheek; red eyes catching the crimson light, half-lidded, one brow faintly arched, her lips slightly parted in a thin self-assured curve, her gaze fixed level at the viewer down the barrel of the shot. Her body is full-figured, the black military-style jacket double-breasted with gold buttons and epaulettes stretched across her large chest, a knee-length black skirt hanging just above her knees in a stiff A-line, black thighhigh socks climbing her legs; her red coat is shrugged on over the shoulders rather than sleeved, its hem swinging out behind her right hip with the tilt of her stance. Her left arm is gone — the left sleeve of the jacket ends at the shoulder, and from that shoulder a red-black shadow mass pours outward, its edges ragged and smoking, drawn into the unmistakable shape of an arm and a five-fingered hand that cups under the cannon's fore-grip without touching it, the shadow's fingers bleeding thin red wisps that curl upward and dissolve. Her right hand grips the cannon's rear pistol grip, elbow tucked, the great tube of the 30mm anti-monster cannon Halconnen braced against her right hip and angled up and left across her body; the weapon's dark steel housing, cooling vents and oversized muzzle dominate the lower-left foreground, foreshortened huge, the muzzle's crown catching a ring of crimson light. Her weight rests on her right leg, left knee relaxed and slightly forward, the left toe of her boot turned inward on the wet asphalt — a shallow puddle beneath her right boot holds a darker, softer, broken reflection of the cannon and her coat hem, and the puddle ripples where her heel has just pressed into it. The only light source is a deep crimson glow spilling from somewhere off-frame to the upper left: it rim-lights the left edge of her ponytail, the shadow arm and the top of the cannon barrel, leaves her right side and the underside of her chin in cool near-black, and throws her long shadow and the cannon's shadow together across the wet ground behind her. Palette is hemmed to red, black and wet grey — red in the eyes, the coat, the shadow arm, the glow; black in the uniform, the skirt, the socks and the weapon; grey in the wet street. Her coat hem and ponytail both stream slightly to the right, away from the light, and the rain has left the cannon's top surfaces beaded while its underside stays dry. Quiet menace, effortlessly stylish.
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吸血鬼 性別:女 身長:166cm 金髪を後ろで纏めている 赤い瞳 豊満な胸 非常に美形な少女 赤いコートを羽織って黒い軍服の様な服を着ている スカートは膝上丈 黒いニーハイソックス 左腕を欠損していて赤黒い影が腕を象っている 30mm対化物用砲ハルコンネンを持っている
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pro
Style
Muted & Transparent
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Muted & Transparent
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Tsubaki.3 - AI Model cover image

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Tsubaki.3
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e1
1girl, solo, vampire, beautiful girl, blonde hair, hair tied back, red eyes, fangs, serious, stern expression, large breasts, full bust, red coat, coat over shoulders, military uniform, military-style uniform, missing left arm, shadow arm, red-black shadow prosthetic left arm, red-black shadows, shadow tendrils, manipulating shadows, outstretched arm, from below, cowboy shot, dutch angle, looking at viewer, clenched hand, black gloves, gold trim, epaulettes, standing, wind, dark background, red and black palette Camera looks up from a low three-quarter angle, tilted a few degrees off level, framing her from mid-thigh to above the head so the sky-less dark vault of the hall rises behind her shoulders. She is caught mid-gesture: her right arm swept out and slightly forward at chest height, elbow bent, gloved fingers half-curled as though pulling a thread, weight settled on her right leg with the left hip dropped and one boot heel lifted. Her chin is level, mouth a flat line with the lower lip pressed thin, one brow drawn fractionally lower than the other, eyes narrowed and fixed straight into the lens -- the stare of someone calculating whether you are worth the trouble. Her blonde hair is gathered tight at the back of her head, a low tail falling between her shoulder blades, loose strands at the temples lifting sideways in a slow updraft, the tail swinging a half-beat behind the movement of her arm. The red coat hangs from her shoulders rather than her arms, collar high, its hem and lapels pushed out and fluttering away from the body on the same draft, revealing the dark military-style uniform beneath: high-buttoned jacket, gold-trimmed collar, epaulettes, a belt cinched under the full bust so the jacket strains at the chest, skirt and tall boots below. Her left sleeve is empty and pinned flat against the coat, and from the shoulder joint outward the red-black shadow knits itself into the shape of an arm -- shoulder, elbow, wrist, five fingers -- dense as ink at the core and fraying into smoke-thin filaments at the edges, the fingers curled around nothing. The shadow is the only thing in the frame that is not lit -- it swallows the light instead of returning it, a red-black stain on the air with a thin wet sheen along the top-facing curves of its forearm. Everything else is lit by a single hard cold source high and behind her left shoulder: it draws a bright rim down the right edge of her jaw, the crown of her head, the outer edge of the coat's shoulder, and the top of her chest, and leaves the front of her face and the hollow under her chin in a deep graded shadow. The tendrils answer her right hand -- three of them peel away from the shadow arm and reach across the empty air toward her gloved fingers, and where the nearest tip comes close, the gold trim on her cuff darkens a shade as though bruised. The shadow she casts does not match her body: it lies on the unseen floor behind her, too wide, with an arm on the wrong side. Her nostrils flare on a slow exhale and the loose strands at her temple move against the direction of the draft a beat later than the coat does. Palette locked to red, black and a bone-cold rim white -- red in the coat, the eyes and the shadow's inner glow, black in the uniform, the boots and the shadow's core. Low-key, tense, imperious.
eitaeita.1007@icloud.com
AI artwork
e1
1girl, solo, vampire, beautiful girl, serious, stern expression, frown, red eyes, glowing red eyes, blonde hair, hair tied up, tied back hair, large breasts, voluptuous, red coat, long coat, military uniform, peaked cap, white kneehighs, missing left arm, shadow arm, prosthetic arm made of shadow, red-black shadow, shadow tendrils, dual wielding, holding two guns, oversized handgun, black handgun, white handgun, huge weapon, muzzle flash, infinite ammunition, floating bullets, shell casings, from below, dutch angle, cowboy shot, dynamic pose, hair blowing, coat flaring, looking at viewer, night, ruined city street, crimson palette, A low, tilted camera looks up from the wet asphalt at a lone vampire woman standing in the wreck of a night street, her boots planted wide, weight sunk into her right hip and her right leg braced back; the wind drags her long red coat sideways off her shoulders and pulls the loose strands at her temples away from the tight blonde bun gathered at the back of her head. She wears a dark military-style uniform under the open scarlet coat -- high buckled collar, double-breasted front, epaulettes, a peaked cap tilted low -- and white knee-high socks rise to just under her knees above black ankle boots, the fabric creased at the calf where her stance flexes it. Her left sleeve hangs empty and pinned, and out of that empty shoulder pours a red-black shadow that has taken the exact shape of an arm: a smooth dark limb nicked with running crimson edges, ending in a shadow hand whose fingers wrap around the white pistol's grip. Her real right hand holds the black pistol, both weapons absurdly oversized -- each barrel as long as her forearm, each frame heavy enough to bow the wrist -- and both arms are extended at chest height, one shadow-jointed, one flesh, the two muzzles angled toward the near-left of the frame. Her face is flat and severe: brows drawn level, mouth a tight straight line, chin slightly lowered under the cap brim so her red eyes look out from beneath it, fixed straight down the barrel line at the viewer. The glow of those eyes is the only warm point on her face, and the cap brim throws a hard shadow band across her forehead. The pistols fire; the black muzzle blooms orange-white and the shadow arm's white pistol blooms a colder blue-white, each flash lighting the underside of her chin, the buckles of her coat and the wet fronts of her thighs from below, while everything above the brim stays in darkness. Brass casings hang in the air in a wide arc around her, dozens of them, catching the flash as bright pinpoints, and more are still spilling out -- the belt loops and pouches at her waist are packed with them; the street behind her is a silhouette of broken facades, sagging wires and one guttering streetlamp, its light drowned by the twin muzzle flare. The puddles under her boots hold two trembling reflections, one orange, one blue. Palette held to deep black, blood red and bone white, with the muzzle flashes the only saturated orange. Cinematic hard-edged cel shading, crisp rim light, wind-carried dust and gun smoke curling across the low camera, lethal and composed.
eitaeita.1007@icloud.com
AI artwork
e1
1girl, solo, vampire, beautiful girl, serious, blonde hair, hair tied up behind, red eyes, plump large breasts, red coat, long coat, black military uniform, black thighhigh socks, missing left arm, shadow arm, red-black shadow prosthetic, dual wielding, two guns, oversized pistol, black pistol, white pistol, holding gun, firing stance, from below, dutch angle, cowboy shot, looking at viewer, parted lips, furrowed brow, night, city street, muzzle flash, flying brass, dynamic pose, From a low dutch angle, one blonde vampire girl fills the frame in a cowboy shot, her weight sunk onto her back right leg while her front left leg is planted wide, coat hem and black thighhigh socks cutting diagonals across the tilted horizon. Her hair is pulled back and bound behind her head, a few loose strands whipped sideways by the recoil; her red eyes are narrowed hard and fixed forward down the barrels, brow drawn, mouth set in a tight serious line. She fires both pistols at once: the heavy black pistol braced in her right hand, arm locked straight, and in her left she grips the white pistol — the left arm itself is gone above the elbow, and where it should be a red-black shadow arm twists out of the empty sleeve, its surface like churning smoke shaped into a forearm, a wrist and curled fingers clamped around the white grip, small wisps trailing off it. Both muzzles sit at chest height, the black gun low-left toward the viewer and the white gun higher-right, oversized slides longer than her forearms, and she has just fired: twin muzzle flashes bloom at both barrels, hard-edged star bursts, and hot brass cartridges, three bright and one blurred, tumble spinning through the air on her right side. The black military-style uniform is crisp under the flared red coat — high dark collar, buttoned front pulling taut across her plump chest with the recoil, epaulettes catching the flash — and the coat swings out behind her from the elbows. The only light sources are the two muzzle flashes: they throw cold white-orange light up under her chin, hard-rim both cheeks, and leave her back and the far side of the coat in deep shadow, with long doubled shadows cast on the wet asphalt behind her. Behind and around her a rain-slick street at night recedes into the dark, its puddles carrying only the two flashes as smeared vertical reflections, darker and softer than the light above, and a row of streetlights and a lit sign further back are blurred into illegible bokeh. The palette is narrow and cold — red coat and red eyes, black uniform, socks and gun, the white gun and white flash the only bright values, over a background of blue-black. The shadow arm's smoke curls and reforms around the white pistol's grip, thinner in the light of the flash. Tense, lethal.
eitaeita.1007@icloud.com

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