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- Original Prompt
- 1girl, miyu edelfelt (fate/kaleid liner prisma illya), black hair, brown eyes, small breasts, medium hair, hair ornament, hairclip, hair between eyes,tiara,diamond collar,cry,tears,blush,ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins,gigantic sleeves,ridiculous,sleeves,ridicolus ornaments in dress,1 man,ugly man,forced kissed,man more talll than girl
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- Euler
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- lowres, worst quality, low quality, bad anatomy, explicit
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character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya
1girl, 1man, 2girls?, no, 1girl and 1 man, miyu edelfelt, black hair, medium hair, hair between eyes, brown eyes, hair ornament, hairclip, tiara, diamond collar, small breasts, crying, tears, blush, streaming tears, wet cheeks, trembling, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous ornaments, garish mismatched trim, ugly man, adult male, unshaven stubble, greasy hair, crooked nose, from behind, over-shoulder composition, man hugging girl from behind, arm around waist, hand covering mouth, palm clamped over her lips, attempted abduction, struggling, looking at another, wide-eyed, half-closed eyes, jitome, sweat, tension, dramatic lighting,
The camera sits slightly behind and above the pair at a three-quarter over-shoulder angle: the man's broad back and shoulder fill the lower-left foreground in shadow, and past that shoulder the girl's face is turned toward the viewer's right, seen in three-quarter profile. He stands planted behind her, weight on his back foot, right arm banded around her waist and drawn tight against his chest so her back is pressed flat to his front; his left hand is clamped over her mouth, palm across her lips, fingers splayed over her cheek, thumb pressing the corner of her jaw, the heel of his hand crushing the lace at her throat. She is lifted a little onto her toes by the grip, one bare foot skidding, her small body arched away, both her hands clawing up at his wrist and forearm, nails digging in. Her black hair, cut to a medium length around her shoulders, swings forward over the arm covering her mouth, strands of it caught between his fingers, long bangs parted over her brow and hair between her eyes; a tiara is shoved crooked into the crown of her head, and a hairclip with a small flower pins the hair at her temple, one side slipping loose. Her brown eyes are wide and wet, tears standing in the lower lids and running in two tracks down her cheeks, blush blotching the skin across her nose and under her eyes, lips pushed out of shape under his palm, brows drawn up at the inner ends.
The dress is a disaster of a wedding gown and rendered as one: a huge puffy skirt of glitter fabric and sequins in mismatched sizes that sprays light in every direction, ballooning so wide it fills the lower right of the frame and drags on the floor in bunched folds; lace piled in three different patterns at the hem and bodice, ruffles layered so thickly they buckle into stiff waves, bows of ribbon and satin knotted at shoulder, waist, hip and hem until they crowd each other, oversized puffed and beaded shoulders caught and crumpled under his forearm; gigantic sleeves so overbuilt they swallow her arms, the right sleeve fallen back off her shoulder and hanging in a glittering sack. A diamond collar rings her throat beneath the lace, its stones throwing hard white glints that read against the dim room.
The setting is a shabby hall at night: a scuffed parquet floor, a dust sheet over something in the far corner, a single bare bulb overhead and slightly behind the pair. That bulb is the only light source, so it rims the man's shoulder and the top of her tiara and leaves his face and the far wall in shadow; the glitter of the sequins catches it in pinprick highlights, and long shadows of both figures stretch forward across the floor toward the camera. Palette pulls tight to cold grey-brown darkness against the frantic white-pink-gold noise of the dress. Tense, ugly dread.
eter lumine
bb
character: yun_jin_(genshin_impact), copyright: genshin_impact
1girl, 1boy, 2girls, pregnancy, visibly pregnant, crying, tears, streaming tears, sad, distressed, forced kiss, kiss, man bending woman backwards, dip pose, leaning back, supported by man's arm, colossal earrings, colossal engagement ring, colossal bracelets, pink dress, white dress, rococo dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, too many bows, overdecorated, glitter fabric, sequins, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, bare head, no headdress, black hair, long hair, blunt bangs, braid, red eyes, from side, profile, cowboy shot, dutch angle, upper body, ornate ballroom, candlelight, chandelier, looking at another, half-closed eyes, clenched hands, pushing against his chest,
Side profile view, dutch angle, cowboy shot: a young woman with long black hair and blunt bangs is bent sharply backwards over a man's supporting arm, her spine arched, weight hanging from his forearm at her lower back, her feet barely touching the marble floor. The man is ugly, heavy-jawed, thick-browed, with a coarse stubbled face and a blunt nose; he leans over her, his mouth pressed to hers, one hand clamped at the back of her neck, the other arm locked around her waist. Her red eyes are open, wet, streaming tears that run sideways down her cheek toward her ear because her head is tilted back; her hands are clenched into fists against his chest, pushing. Her dress is a mountain of pink and white: a huge puffy skirt in ruffled tiers of glitter fabric and sequins that flares out across the floor, its surface crusted with lace edging, excessive ruffles, too many bows, and ridiculous ornaments; her belly is visibly pregnant, swelling the ornate bodice. On her ears hang colossal earrings, at her wrists colossal bracelets, and on her raised hand a colossal engagement ring. Her head is completely bare, hair unadorned, no hat, no crown, no hair accessory of any kind. Behind them, an overdecorated rococo ballroom in candlelight: gilded molding, a chandelier scattering warm points of light across the sequined fabric, deep shadow in the corners. The palette is pink, white, and tarnished gold against the gloom, the glitter catching the candle flames in hard specks. Melancholy, oppressive.
Brago bloodfallen
al
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya
1girl, 1boy, 2girls, no, 1girl 1boy, black hair, medium hair, hair between eyes, brown eyes, hair ornament, hairclip, tiara, diamond collar, small breasts, crying, tears, tears streaming down face, blush, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous sleeves, ridiculous ornaments, ugly man, from behind, over-shoulder composition, man hugging girl from behind, arm around waist, hand covering mouth, abduction, struggling, bound arms, tilted head, looking at viewer, wide-eyed, open mouth, sweat, trembling, motion lines, vignette, dramatic lighting,
The camera sits slightly low and off to the side, looking up at a girl in a monstrous, ridiculous wedding gown, and the man who has her from behind. The girl — black medium-length hair with a heavy fringe falling between her eyes, a small beaded hairclip on the left side, a sparkling tiara perched crooked in her hair, a diamond-studded collar tight around her throat — fills the center and foreground of the frame. Her face is turned nearly toward the viewer, tilted back against the man's shoulder; her wet brown eyes are wide and fixed on the viewer, tears streaming down both cheeks, a hot red blush burning across her nose and cheeks, her mouth open and struggling under the flat of the man's palm. Both her hands claw uselessly at his forearm across her chest.
The wedding dress is a catastrophe of excess: colossal puffed sleeves so overlarge they swallow her arms and brush her ears, cascading tiers of lace, ruffles piled on ruffles, bows clustered so thickly they cannot be counted, glittering sequined fabric catching every scrap of light, and a skirt so enormous and puffy it balloons out around her hips and spills almost beyond the frame edges. Ornamental baubles and garish ribbons are sewn everywhere, making the dress look absurd and ridiculous. The sequins of the puffy skirt spread wide at the bottom, their sparkle ringing the ground around her.
The man stands close behind her, his face half-visible over her shoulder: coarse ugly features — heavy jaw, stubbled skin, crooked nose, small cruel eyes staring forward from over her shoulder down at her. His left arm wraps her waist, the massive sleeve of her dress crushed against his chest; his right hand is clamped hard over her mouth, fingers splayed across her cheek. The light is a single cold white source from high and to the left of frame, throwing long shadows behind them and glinting off sequins, tears, and the diamond collar. Everything else outside their huddle falls into a velvety black background, a vignette closing around them. The air feels airless and clammy; the mood is panicked and claustrophobic, ugly and dramatic.
Aizeth Lomardi
eb
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya
1girl, 1man, 2girls, black hair, medium hair, hair between eyes, hair ornament, hairclip, tiara, brown eyes, small breasts, crying, tears, blush, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous ornaments on the dress, diamond collar, girl sitting on the man's lap, hug, ugly man, hugging, from side, medium shot, dutch angle, wedding venue, stained glass, looking at each other, tears streaming, sitting on knee, arm around waist, tears on his sleeve, dim candlelight.
The view is a low three-quarter side angle, tilted slightly, so the camera sits just below the level of their joined bodies and reads the pose as one silhouette against a tall pale window. In the center of the frame, the girl sits on the man's lap, her small frame swallowed by the dress: the puffy skirt balloons out under her and spills over his knees, sequined fabric scattering tiny points of light, ruffles layered until they almost hide her hands. Her black hair, medium-length with strands falling between her eyes, is pinned with a hairclip, a small flower ornament, and a cheap tiara that sits a little crooked; a diamond collar glints at her throat. Her face is flushed with blush, brown eyes brimming as tears spill down both cheeks, turning to look at the man whose arm is wrapped loosely around her back. Her huge sleeve, sewn with lace and ridiculous ornaments, brushes against his shoulder, and one small hand grips the fabric at his chest.
The man is drawn plainly, a broad, heavy-set figure in rumpled dark clothing, jaw slack, expression awkward and uncertain as he holds her. His thick arm rests at her waist, palm flat against the glittering fabric, and he leans his head slightly toward her while his gaze stays fixed on her face. Behind them, a dusty altar stands in front of a cracked stained-glass window, the light falling through it in a cold blue-violet grid across the floor, while a warm yellow pool of candlelight reaches only the front of the dress. The gray stone walls and the empty hall recede into shadow, and the girl's tears catch the window's glow, leaving small dark tracks down the glitter. Quiet, awkward tenderness.
Eris Boreas greyrat
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