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View detailsMiyu Edelfelt, Fate series
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- Original Prompt
- 1girl, miyu edelfelt (fate/kaleid liner prisma illya), black hair, brown eyes, small breasts, medium hair, hair ornament, hairclip, hair between eyes,tiara,diamond collar,cry,tears,blush,ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins,gigantic sleeves,ridiculous,sleeves,ridicolus ornaments in dress,1 man,ugly man,el hombre trata de secuestrar a la niรฑa abrazandola desde atras y tapandole la boca
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- pro
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- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
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character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya
1girl, 1man, 2girls?, no, 1girl and 1 man, miyu edelfelt, black hair, medium hair, hair between eyes, brown eyes, hair ornament, hairclip, tiara, diamond collar, small breasts, crying, tears, blush, streaming tears, wet cheeks, trembling, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous ornaments, garish mismatched trim, ugly man, adult male, unshaven stubble, greasy hair, crooked nose, from behind, over-shoulder composition, man hugging girl from behind, arm around waist, hand covering mouth, palm clamped over her lips, attempted abduction, struggling, looking at another, wide-eyed, half-closed eyes, jitome, sweat, tension, dramatic lighting,
The camera sits slightly behind and above the pair at a three-quarter over-shoulder angle: the man's broad back and shoulder fill the lower-left foreground in shadow, and past that shoulder the girl's face is turned toward the viewer's right, seen in three-quarter profile. He stands planted behind her, weight on his back foot, right arm banded around her waist and drawn tight against his chest so her back is pressed flat to his front; his left hand is clamped over her mouth, palm across her lips, fingers splayed over her cheek, thumb pressing the corner of her jaw, the heel of his hand crushing the lace at her throat. She is lifted a little onto her toes by the grip, one bare foot skidding, her small body arched away, both her hands clawing up at his wrist and forearm, nails digging in. Her black hair, cut to a medium length around her shoulders, swings forward over the arm covering her mouth, strands of it caught between his fingers, long bangs parted over her brow and hair between her eyes; a tiara is shoved crooked into the crown of her head, and a hairclip with a small flower pins the hair at her temple, one side slipping loose. Her brown eyes are wide and wet, tears standing in the lower lids and running in two tracks down her cheeks, blush blotching the skin across her nose and under her eyes, lips pushed out of shape under his palm, brows drawn up at the inner ends.
The dress is a disaster of a wedding gown and rendered as one: a huge puffy skirt of glitter fabric and sequins in mismatched sizes that sprays light in every direction, ballooning so wide it fills the lower right of the frame and drags on the floor in bunched folds; lace piled in three different patterns at the hem and bodice, ruffles layered so thickly they buckle into stiff waves, bows of ribbon and satin knotted at shoulder, waist, hip and hem until they crowd each other, oversized puffed and beaded shoulders caught and crumpled under his forearm; gigantic sleeves so overbuilt they swallow her arms, the right sleeve fallen back off her shoulder and hanging in a glittering sack. A diamond collar rings her throat beneath the lace, its stones throwing hard white glints that read against the dim room.
The setting is a shabby hall at night: a scuffed parquet floor, a dust sheet over something in the far corner, a single bare bulb overhead and slightly behind the pair. That bulb is the only light source, so it rims the man's shoulder and the top of her tiara and leaves his face and the far wall in shadow; the glitter of the sequins catches it in pinprick highlights, and long shadows of both figures stretch forward across the floor toward the camera. Palette pulls tight to cold grey-brown darkness against the frantic white-pink-gold noise of the dress. Tense, ugly dread.
eter lumine
al
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya
1girl, black hair, medium hair, hair between eyes, brown eyes, heart-shaped pupils, tears, crying, sad, small breasts, tiara, hair ornament, hairclip, colossal earrings, colossal engagement ring, collar, chain, pov, holding chain, (((wearing a black cloak))), long cloak, closed cloak, fastened cloak, pink and white dress, tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, glitter fabric, sequins, ridiculous ornaments, huge puffy skirt, long oversized skirt, facing viewer, docile pose, arms down, hands on belly, black background, from front, cowboy shot
A front-facing cowboy shot against an absolute black background. A girl with medium black hair, locks falling between her eyes and adorned with a hairclip and ornament, gazes at the viewer with brown heart-shaped pupils, her eyes brimming with tears. She wears a silver tiara and a long, closed black cloak that is fastened tight around her, (((the girl is wearing the black cloak))) which drapes heavily over her shoulders. Around her neck is a collar with a silver chain that extends forward, held by the viewer's hand at the edge of the frame. Her posture is docile, with her arms lowered and hands resting softly on her belly. Beneath the cloak, she wears a tacky, overly ornate pink and white dress of glittery fabric and sequins, suffocated by an excessive amount of lace, ruffles, and far too many bows; the dress is ridiculously overdecorated with gaudy ornaments and flares into a huge, puffy, oversized long skirt that pools around her. Colossal earrings hang from her ears and a massive engagement ring encircles her finger. The only light is a stark, cold spotlight from the front, casting deep shadows into the folds of the excessive fabric. Quietly heartbreaking.
Aizeth Lomardi
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character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya
1girl, solo, miyu edelfelt, black hair, medium hair, hair between eyes, brown eyes, hair ornament, hairclip, tiara, diamond collar, crying, tears, blush, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous sleeves, ridiculous ornaments, pregnant, simple background, cowboy shot, from below, dutch angle, looking at viewer, trembling, clenched hands, white background
A girl stands alone against a completely empty, seamless pale grey-white field, framed in a slightly tilted cowboy shot from below so the vast overdecorated dress towers up toward the lens. Her medium-length black hair falls around her face with long strands between her eyes; a small tiara sits tilted forward on the crown of her head, a patterned hairclip pins the hair above one temple, and a thin diamond collar rings her bare throat. Her brown eyes are wet and brimming, tears cutting bright tracks down both cheeks past a hot flush that runs from cheekbones to ears; her brows pinch upward at the centre and her lower lip trembles, held shut. Her shoulders slump under the weight of the gown and her hands knot together at her waist over the swollen curve of her abdomen, knuckles pale from gripping.
The wedding dress is a catastrophe of excess: a gigantic puffy skirt that balloons wider than her arm span, layered in tier upon tier of stiff lace, ruffles and clustered bows, glitter fabric and sequins scattering hard specks of reflected light across its whole surface, and enormous sleeves that swallow her arms to the wrist in more lace and looping ribbon. Ornaments of every kind crowd the bodice and hem so densely the ivory base is barely visible. The fabric presses and stretches across her pregnant belly, the only place the dress is smooth.
A single soft frontal studio light sits above and slightly ahead of her, catching the sequins and glitter as tiny bright points, dropping the folds of the huge skirt into cool grey shadow and leaving the background an even, undifferentiated off-white. The paper-white ground forces all colour into the figure: black hair, brown eyes, flushed skin, and a wedding-white that shades from cream to dirty grey in the folds. Quietly miserable, absurdly overdone.
Eris Boreas greyrat
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character: kurokawa_akane
1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no โ distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light,
Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind โ his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her โ heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him.
The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed.
Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings.
One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing โ crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy
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