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AI art "一期一振 - ウィーン国立歌劇場の再開場" featuring #Touken Ranbu, #Ichigo Hitofuri and #What You Love, Your Way 3
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一期一振 - ウィーン国立歌劇場の再開場

一期一振 - ウィーン国立歌劇場の再開場 AI art by みずは on PixAI. Tags: Ichigo Hitofuri, Touken Ranbu. Made with Tsubaki.3.

Contest Entry
3rd "Favorite Works" Contest#What You Love, Your Way 3
#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri 1boy, solo, ichigo_hitofuri, close-up, portrait, square 1:1, eye level, from front-left, right of center, upper body, looking to the side, parted lips, smile, raised inner eyebrows, moved recognition, short aquamarine hair, neat side-swept bangs, visible eyebrows, almond-shaped eyes, horizontally elongated eyes, medium eyes, both eyes open, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25), porcelain-pale skin, cool-toned skin, smooth complexion, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, balanced narrow cheek width, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, elegant slender adult proportions, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, charcoal-black evening jacket, black satin peaked lapels, ivory waistcoat, small dark buttons, white dress shirt, black silk bow tie, white linen pocket square, white shirt cuffs, folded cream paper evening program, holding program, left hand, right arm out of frame, relaxed wrist, torso inclined toward left, Vienna State Opera exterior, evening of 5 November 1955, grand stone facade, carved arch, tall pale stone column, ornate cornice, warmly illuminated entrance, wet-looking evening pavement, warm lamplight from upper left, cool evening ambient light, matte wool, satin highlights, silk highlights, watercolor (medium), wet-on-wet, spectral watercolor texture, prism effect, chromatic aberration, fine clean lineart, tapered strokes, layered cohesive color planes, detailed line art, translucent texture, compact face, short midface, gently angular jaw, short chin, softly flattened chin tip, thin eyebrows, subtle line weight variation, defined shadows with selective soft edges, flowing ribbon highlights with tapered edges, softly blended highlight hues, smooth matte skin, controlled details, harmonized colors, masterpiece, best quality. A square 1:1 close portrait shot at eye level from his front-left, cropping from the top of his head to his upper waist, with Ichigo Hitofuri placed right of center and remaining the sole human figure; the surrounding rebuilt Vienna State Opera facade on the evening of 5 November 1955 stays unpopulated, without additional spectators or a full stage. He turns his face toward the warmly illuminated entrance at the left, both almond-shaped eyes open and horizontally elongated, the (two-layer gold and lime-green iris:1.25) visible as a (golden outer iris:1.25) around a (lime-green inner iris ring:1.35). The inner ends of his neat, softly arched eyebrows rise and draw together; his lips part in a breath of wonder and lift at the corners into a heartfelt, restrained smile, reading as moved recognition rather than an effortless social pose. His shoulders loosen, and his torso inclines toward the entrance instead of the camera. His left fingers lightly gather a single folded cream paper evening program, its bottom edge resting against the front of his ivory waistcoat; his left wrist stays relaxed while his right arm descends naturally beside the jacket and leaves the lower frame. He wears a carefully tailored charcoal-black single-breasted evening jacket with narrow black satin peaked lapels and firm turned edges, over a white dress shirt and the ivory waistcoat whose narrow V and line of small dark buttons show between the open upper jacket fronts; one dark button closes the jacket at the visible natural waist, the panels separated above it and meeting below. A small black silk bow tie sits at the folded shirt collar, and a modest white linen pocket square shows in the chest pocket. The sleeves fall straight from restrained shoulders and end in narrow white shirt cuffs, the left sleeve gathering at the bent elbow. Wool stays softly matte, while the satin lapels and silk bow tie catch localized highlights. Behind the left side of his head, a tall pale stone column rises to a carved arch beneath part of an ornate cornice, with the grand stone facade section and the lit entrance beyond; a dark strip of wet-looking evening pavement meets the stone threshold at the lower left, and only these connected architectural elements remain in view. Warm architectural lamps from the upper left strike one side of his face and the pale stone, while cooler evening ambient light softly fills the other cheek and preserves the gold and lime-green iris colors. A restrained highlight runs along the satin lapel and the folded paper edge, and the shadows under the collar, at the elbow and in the carved stone share the same direction; the program stays a small sign of attendance, not competing with his expression. The portrait is rendered in watercolor with wet-on-wet washes, spectral watercolor texture, fine clean lineart with tapered strokes and subtle line weight variation, layered cohesive color planes, defined shadows with selective soft edges, flowing ribbon highlights with tapered edges, softly blended highlight hues, and a prism effect with chromatic aberration; the face keeps a compact structure, short midface, balanced cheek width, gently angular jaw, short chin, softly flattened chin tip, thin eyebrows, smooth matte skin, controlled details and harmonized colors. Masterpiece, best quality. Quiet wonder, ceremonial evening.
Show Parameters
Original Prompt
A square 1:1 close portrait outside the Vienna State Opera on the evening of 5 November 1955, when the rebuilt opera house reopened with Beethoven's Fidelio. Ichigo Hitofuri is the sole human figure, placed right of center. The camera is at his eye level from his front-left and the crop extends from the top of his head to his upper waist. His face and the folded program in his left hand remain visible. On the left, a section of the grand stone facade, a carved arch and a warmly illuminated entrance give a clear reason for his gaze without needing the entire building. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). He turns his face to the illuminated entrance at the left, both eyes open with their layered irises visible. The inner ends of his brows rise and draw toward one another; his lips part in a breath of wonder, and the corners lift into a heartfelt, restrained smile. The combination is moved recognition rather than an effortless social pose. His shoulders loosen, and the program stays lightly gathered in his hand at the lower edge of the portrait. He wears a carefully tailored charcoal-black evening jacket over an ivory waistcoat and a white dress shirt. The jacket has narrow black satin peaked lapels with firm turned edges. A narrow V of the waistcoat and its line of small dark buttons can be seen between the open upper jacket fronts. The single-breasted jacket closes with one dark button at the visible natural waist; its panels remain separated above that button and meet below it. A small black silk bow tie sits against the shirt's folded collar, with a modest square of white linen in the chest pocket. The sleeves fall straight from restrained shoulders and end with narrow white shirt cuffs, the left sleeve gathering at the bent elbow. Wool remains softly matte, while the satin lapels and silk bow tie catch localized highlights. His left fingers support a single folded cream paper evening program with its bottom edge resting against the front of the waistcoat. His left wrist stays relaxed; the right arm descends naturally beside the jacket and leaves the lower frame. His torso inclines toward the entrance rather than toward the camera. The program is a small sign of attendance, not a second object competing with the expression. Behind the left side of his head, a tall pale stone column rises to a carved arch, with part of an ornate cornice above. The entrance beyond is visibly lit, and a dark strip of wet-looking evening pavement meets the stone threshold at the lower left. Only these connected architectural elements remain in view. They evoke the rebuilt opera house's ceremonial facade and the 1950s evening without presenting an entire stage or additional spectators. Warm architectural lamps from the upper left illuminate one side of his face and the pale stone. Cooler evening ambient light softly fills the other cheek and preserves the gold and lime-green iris colors. A restrained highlight runs along the satin lapel and the folded paper edge. Shadows under the collar, at the elbow and in the carved stone share the same direction. masterpiece, best quality, spectral_watercolor_texture, watercolor (medium), wet-on-wet, prism effect, chromatic aberration, detailed line art, translucent texture, compact face, short midface, balanced cheek width, gently angular jaw, short chin, softly flattened chin tip, thin eyebrows, fine clean lineart, tapered strokes, subtle line weight variation, layered cohesive color planes, defined shadows with selective soft edges, flowing ribbon highlights with tapered edges, softly blended highlight hues, smooth matte skin, controlled details, harmonized colors
Mode
pro
Quality Tag
﹝Prompts﹞
Size
992 x 992
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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