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AI art "一期一振 - 映画『ファンタジア』世界初公開" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - 映画『ファンタジア』世界初公開

一期一振 - 映画『ファンタジア』世界初公開 AI art by みずは on PixAI. Tags: Ichigo Hitofuri, Touken Ranbu. Made with Tsubaki.3.

#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri 1:1 square, solo, 1boy, ichigo_hitofuri, seated, upper body, cropped from crown of head to lower ribs, positioned right of frame, three-quarter view, looking up, wide-eyed, raised eyebrows, parted lips, wonder, short aquamarine hair, neat side-swept bangs, long bangs, luminous hair highlights, accent-colored hair highlights, visible eyebrows, long eyelashes, jewel-like eyes, luminous irises, bright eye highlights, colorful eye reflections, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25), glossy plump lips, porcelain-pale cool-toned skin, midnight-blue wool evening jacket, black satin shawl collar, ivory dress shirt, front pleats, dark charcoal waistcoat, covered buttons, black satin bow tie, unfastened upper jacket button, cuff with three cloth-covered buttons, right forearm on armrest, garnet-red velvet cinema chair, polished wooden armrest, curved theater wall, vertical acoustic grille, dark red drapery, distant cinema screen, abstract arcs, deep blue violet copper gold, projection light from upper-left, warm aisle fill from right, watercolor (medium), wet-on-wet, spectral watercolor texture, translucent texture, crisp clean lineart, sharp delicate linework, detailed line art, prism effect, chromatic aberration, masterpiece, best quality. Square 1:1 framing taken at his seated eye level from his front-right, his face held in a three-quarter turn, the crown of his head cut by the top edge and the crop closing at his lower ribs. He sits on the right of the picture, and the darkened auditorium with a portion of the distant projection screen fills the upper-left area. His chin angles up toward the upper-left corner of the frame and his torso has rotated slightly inside the seat, the right shoulder settled back into garnet-red velvet, while the left arm lies still and close against his far side beneath the jacket and does nothing else. His brows ride distinctly high above wide-open eyes, his lips part with the corners almost level — no posed smile, only absorption — and the quiet of his supported hand measures how completely the picture has taken him. Only the screen holds his gaze; nothing else in the room pulls it away. Projected light reaches him from the upper left, laying cool color across one cheek, the collar and the chair arm while leaving the (golden outer iris:1.25) and the (lime-green inner iris ring:1.35) of his two-layer irises untouched — the (two-layer gold and lime-green iris:1.25) stays vivid and jewel-like, bright punctate highlights and small refracted color flecks glinting in each pupil. A weaker warm aisle glow from the right lifts the underside of his chin and the satin lapel. The velvet swallows nearly everything that strikes it, the wood catches one thin bright line, and his eyes and brows stay legible against the dark. His tailoring reads clearly against that darkness: a midnight-blue wool evening jacket whose narrow black satin shawl collar is edged with satin binding, worn open over an ivory dress shirt pleated in close parallel lines and a dark charcoal waistcoat with its neat row of small covered buttons; a compact black satin bow tie sits under the folded collar, the single visible upper jacket button is unfastened, the lower jacket fronts fall along his flanks, and the right sleeve ends in a plain cuff with three small cloth-covered buttons. Above the rounded wooden armrest in the lower-right corner the bent elbow draws shallow folds from dry wool, and his relaxed palm and fingers rest on the polished wood, three distinct depths held in order — near armrest, the man, far screen. In the upper-left distance the screen carries the film's opening abstract orchestral imagery: overlapping arcs and shifting fields of deep blue, violet, copper and warm gold, entirely contained on the projection surface and never spilling into the air around him. Behind his shoulder a short stretch of curved theater wall, a vertical acoustic grille and a fold of dark red drapery sit at the side of the frame, never competing with the exchange between his face and the distant image. One coherent light setup governs everything. The rendering is watercolor wet-on-wet: spectral washes laid down translucent so the paper breathes through them, delicate soft coloring throughout, while the linework stays crisp and clean with sharp delicate strokes, and a faint prism fringe of chromatic aberration rides the outer contours. Hushed, absorbed wonder.
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Original Prompt
A square 1:1 intimate seated composition of Ichigo Hitofuri watching the 1940 New York premiere screening of Fantasia at the Broadway Theatre. He is seated on the right, cropped from the crown of his head to his lower ribs, with a portion of the distant cinema screen visible in the upper-left area. The camera is near his seated face height on his front-right side, catching both his expression and the direction of his gaze. The screen shows the film's opening abstract orchestral imagery as overlapping arcs and shifting fields of deep blue, violet, copper and warm gold; these images belong to the distant projection screen, not to the air around him. The screen, the seated man and the armrest have clear separate depths. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His brows lift distinctly above his open eyes, and his lips part with the mouth corners almost level, a spontaneous expression of wonder rather than a posed smile. He looks only toward the flowing color at the upper-left of the screen. His head inclines toward it and his torso has turned slightly within the seat, while his right shoulder relaxes against the chair back. The small opening of his mouth and the stillness of his supported hand make his absorption visible. The screen's colored reflections touch one side of his face without replacing the golden and lime-green colors of his irises. He wears a carefully tailored midnight-blue wool evening jacket with a narrow black satin shawl collar over an ivory dress shirt and a dark charcoal waistcoat. The jacket's front panels are parted from chest to the lower crop, revealing the waistcoat's neat row of small covered buttons and the shirt's closely spaced front pleats. A compact black satin bow tie sits beneath the shirt's folded collar. The single visible upper jacket button is unfastened; the lower jacket fronts fall along the sides of his torso. Narrow satin binding defines the lapel edges, while his right sleeve ends in a simple cuff with three small cloth-covered buttons. The bent elbow forms shallow folds above the polished wooden chair arm. The dry wool, smooth satin and crisp cotton each react differently to the projection light. His back is supported by a deep garnet-red velvet cinema chair. His right forearm rests on its rounded wooden armrest in the lower-right corner, with the palm relaxed and fingers resting on the wood. The left arm stays close to his far side beneath the jacket and does not perform a second action. Behind his shoulder, a short section of curved theater wall with a vertical acoustic grille and a dark red drapery fold recalls the specially equipped auditorium. These features remain at the side of the frame; the central event is the relationship between his expression and the distant moving-picture screen. Light comes chiefly from the projection in the upper left, creating soft cool color on the near cheek, collar and chair arm. Low, warm aisle illumination from the right supplies a weaker fill under the chin and on the satin lapel. The velvet absorbs most of the light, the wood catches a narrow reflection, and his eyes and brows remain legible against the dark surroundings. single coherent lighting setup. masterpiece, best quality, detailed illustration, spectral_watercolor_texture, watercolor (medium), wet-on-wet, prism effect, chromatic aberration, detailed line art, translucent texture, s[im, long bangs, long eyelashes, prismelle, crisp clean lineart, sharp delicate linework, jewel-like eyes, luminous irises, bright eye highlights, colorful eye reflections, accent-colored hair highlights, luminous hair highlights, glossy plump lips, delicate soft coloring
Mode
pro
Quality Tag
﹝Prompts﹞
Size
992 x 992
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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