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AI artwork featuring #Ino Yamanaka and #Naruto
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Ino Yamanaka, Naruto

#Ino Yamanaka#Naruto
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character: haruno_sakura, yamanaka_ino 2girls, loli, haruno_sakura, yamanaka_ino, short pink hair, blonde ponytail, medieval queen costume, crown, wet clothes, wet skin, glossy skin, seductive_smile, blush, half-closed_eyes, from above, cowboy shot, seductive_pose, looking at viewer, heavy_breathing A high-angle cowboy shot looking down at two five-year-old girls. On the left, a girl with short pink hair and green eyes, and on the right, a girl with a blonde ponytail and blue eyes. Both are dressed in opulent medieval queen gowns of heavy velvet and gold embroidery, but the fabric is completely drenched, clinging translucently to their small frames and dripping with water. Their skin is drenched and highly reflective, with high-specular highlights and a moist, glossy texture that catches the light. The pink-haired girl leans back on her heels, arching her spine with a seductive smile and half-closed eyes, while the blonde girl tilts her head, pressing her hip against the other's thigh, gazing up at the viewer with a flushed, heavy-breathing expression. They are positioned on a polished marble floor that reflects their figures in a dark, shimmering mirror. The lighting is a sharp, cold spotlight from above, creating deep shadows in the folds of the wet velvet and intense glints on their glistening skin. The palette is dominated by royal purple and gold, contrasted against the pale, wet skin and the deep blacks of the reflective floor. Effortlessly seductive.
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Original Prompt
Sexy style , glossy skin , toddler loli child size ino and Sakura-Haruno обоим по 5 лет и меньше , ино и сакура с аниме Наруто они с 1 сезона рост тела волосы,, wataa , малолетние сучки , in a средневековье костюм королевы , wet full body ,
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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AI artwork
si
character: yamanaka_ino, haruno_sakura blonde_hair, long_hair, ponytail, hair_over_one_eye, blue_eyes, pink_hair, long_hair, hairband, green_eyes, 2girls, child, tall_grass, wet, wet_hair, wet_clothes, glossy_skin, shiny_skin, skindentation, princess_dress, medieval, bare_shoulders, collarbone, water_droplets, water_drop, looking_at_viewer, from_below, cowboy_shot, standing, standing_on_one_leg, head_tilt, blush, half-closed_eyes, parted_lips, seductive_smile, droplets_on_lips, heavy_breathing, knee_high_boots, long_sleeves, holding_hands The camera sits low and looks up: a close cowboy shot in which the hems of the dresses and the girls' knees fill the lower edge, the wet ground visible between their feet, and the mounted marble font of the fountain rising behind their heads. Both girls have small, round, childlike builds with soft, unformed faces and small bodies — exactly the proportions of five-year-olds — and both are utterly soaked. Water sheets and beads over every square inch of exposed skin; where the light catches them, the highlights break into tiny sharp points, and where the skin curves into shadow, the highlight stretches as a long liquid smear rather than a specular dot — the kind of shine that only standing water gives a body. On the left of frame, a girl with a high ponytail of long blonde hair, swept so that a thick fall of it lies over one eye, hangs heavy and dark with water and plasters along her jaw and neck; her blue eyes look out from under the wet curtain of hair. She stands on one leg, her right foot lifted so that the knee crosses in front of the left, the lifted foot bare with toes curled against air; the sequined blue hem of her princess dress clings to that raised knee. Her chin is tipped up toward the lens, her mouth slightly open as she breathes, and she looks across at her companion, not at the viewer. On the right of frame, a girl with pink hair, short and wet at the front into a point, held back by a hairband that is soaked dark, and falling wet and heavy down her back: her green eyes turn toward the blonde with a heavy-lidded, knowing look, and her lips part in a slight smile. Both wear long-sleeved, floor-length princess gowns of medieval cut — velvet, brocade with woven floral motifs, fitted bodices and full skirts soaked dark and heavy so that the fabric clings to the legs and drops water continuously from the hems and sleeves. The two girls are turned toward each other, their shoulders angled inward, and their hands meet between their bodies: their fingers are interlaced, and water runs over the knuckles and drips from their joined hands onto the wet stone. The contact point between them glistens — a continuous film of water on both their skin and on their hands. Their hair lies flat and dark at the roots and lifts and swings only slightly, heavy and wet. Around them is a medieval cloister garden at dusk: a stone courtyard with wet flagstones, a mossy fountain behind them with carved stone figures and a wide basin whose water streams and falls in thin sheets, a low wall with potted plants. The grass at the bottom edge is soaked and beaded with water. The light comes from the western sky behind and to the side of the fountain, low and golden, striking the wet skin of both girls from behind and the side, so that the film of water on their shoulders, arms, collarbones and faces catches a wet, liquid sheen, and the highlights run in long streaks along their limbs and the edges of the fabric. The light also makes the falling water of the fountain glow; where the spray drifts across the girls' skin it leaves beads of water that run down in thin tracks. The stone of the courtyard and the fountain is dark and wet, and the shadows of the girls fall long and thin on the paving, distorted by the slippery surface. Palette: cool wet stone greys and greens, deep sunlit gold, the blue of the dress, the pink of the hair, and a repeated white glint of water on skin — nothing else. The mood is a quiet, sultry, sunlit drench.
Shahnozaxon Ilhomova
AI artwork
si
character: yamanaka_ino, haruno_sakura blonde_hair, long_hair, ponytail, hair_over_one_eye, blue_eyes, pink_hair, long_hair, hairband, green_eyes, 2girls, child, tall_grass, wet, wet_hair, wet_clothes, glossy_skin, shiny_skin, skindentation, princess_dress, medieval, bare_shoulders, collarbone, water_droplets, water_drop, looking_at_viewer, from_below, cowboy_shot, standing, standing_on_one_leg, head_tilt, blush, half-closed_eyes, parted_lips, seductive_smile, droplets_on_lips, heavy_breathing, knee_high_boots, long_sleeves, holding_hands The camera sits low and looks up: a close cowboy shot in which the hems of the dresses and the girls' knees fill the lower edge, the wet ground visible between their feet, and the mounted marble font of the fountain rising behind their heads. Both girls have small, round, childlike builds with soft, unformed faces and small bodies — exactly the proportions of five-year-olds — and both are utterly soaked. Water sheets and beads over every square inch of exposed skin; where the light catches them, the highlights break into tiny sharp points, and where the skin curves into shadow, the highlight stretches as a long liquid smear rather than a specular dot — the kind of shine that only standing water gives a body. On the left of frame, a girl with a high ponytail of long blonde hair, swept so that a thick fall of it lies over one eye, hangs heavy and dark with water and plasters along her jaw and neck; her blue eyes look out from under the wet curtain of hair. She stands on one leg, her right foot lifted so that the knee crosses in front of the left, the lifted foot bare with toes curled against air; the sequined blue hem of her princess dress clings to that raised knee. Her chin is tipped up toward the lens, her mouth slightly open as she breathes, and she looks across at her companion, not at the viewer. On the right of frame, a girl with pink hair, short and wet at the front into a point, held back by a hairband that is soaked dark, and falling wet and heavy down her back: her green eyes turn toward the blonde with a heavy-lidded, knowing look, and her lips part in a slight smile. Both wear long-sleeved, floor-length princess gowns of medieval cut — velvet, brocade with woven floral motifs, fitted bodices and full skirts soaked dark and heavy so that the fabric clings to the legs and drops water continuously from the hems and sleeves. The two girls are turned toward each other, their shoulders angled inward, and their hands meet between their bodies: their fingers are interlaced, and water runs over the knuckles and drips from their joined hands onto the wet stone. The contact point between them glistens — a continuous film of water on both their skin and on their hands. Their hair lies flat and dark at the roots and lifts and swings only slightly, heavy and wet. Around them is a medieval cloister garden at dusk: a stone courtyard with wet flagstones, a mossy fountain behind them with carved stone figures and a wide basin whose water streams and falls in thin sheets, a low wall with potted plants. The grass at the bottom edge is soaked and beaded with water. The light comes from the western sky behind and to the side of the fountain, low and golden, striking the wet skin of both girls from behind and the side, so that the film of water on their shoulders, arms, collarbones and faces catches a wet, liquid sheen, and the highlights run in long streaks along their limbs and the edges of the fabric. The light also makes the falling water of the fountain glow; where the spray drifts across the girls' skin it leaves beads of water that run down in thin tracks. The stone of the courtyard and the fountain is dark and wet, and the shadows of the girls fall long and thin on the paving, distorted by the slippery surface. Palette: cool wet stone greys and greens, deep sunlit gold, the blue of the dress, the pink of the hair, and a repeated white glint of water on skin — nothing else. The mood is a quiet, sultry, sunlit drench.
Shahnozaxon Ilhomova
AI artwork
し
2girls, mature female, large breasts, huge breasts, blue hair, long hair, light blue eyes, tareme, pink lips, smile, blue and white dirndl, white ruffles, sleeveless, bare shoulders, navy and white long skirt, navy long gloves, navy long socks, brown boots, gold tiara, blue gem, necklace, purple hair, long ponytail, pink eyes, tsurime, v-shaped eyebrows, closed mouth, black dirndl, black ruffles, black short skirt, black long gloves, black fishnet stockings, black boots, gold tiara, purple gem, necklace, standing, cowboy shot, from below, dutch angle, head tilt, looking at another, leaning forward, arm support, outstretched arm, A slightly tilted worm's-eye view, close enough to read faces and hands, catches two grown women standing shoulder to shoulder on a seamless deep-wine studio sweep with no horizon line — the warm crimson ground curving up into the backdrop, nothing else in the frame. On the left, the woman with long loose blue hair swept over one shoulder and pale blue downturned eyes, her black brows relaxed, pink lips parted in a broad open smile that lifts her cheeks; a gold tiara set with a single blue gem sits back from her brow, and a fine necklace rests against her bare collarbone. Her blue and white dirndl is sleeveless, leaving both shoulders and both arms completely bare above the long navy gloves that sheathe her forearms to the elbow, the white ruffle trim of the bodice standing up along the neckline; the navy and white long skirt falls past her knees, and navy long socks disappear into brown leather boots, her weight settled on her right hip in a soft contrapposto as she leans in toward her companion and tilts her head, her left arm swinging up and out so the glove pulls taut across her knuckles as she presents her companion with an open palm. Her bust stretches the bodice's lacing wide, the fabric pulled to a shine over the curve. On the right, the woman with purple hair drawn back into a long high ponytail that falls forward over her shoulder past her waist, pink eyes narrowed in a cool upturned glare, thin black V-shaped brows arched above them, and her mouth held shut in a tight closed line, pink lips pressed and the corners barely tucked; her matching gold tiara with a purple gem catches the key light hardest because the tilt of her chin presents it to the lamp. Her black dirndl is likewise sleeveless, shoulders and arms bare above the black long gloves that run past her elbows, black ruffles edging the bodice, a necklace at her throat, a black short skirt cut high over black fishnet stockings whose mesh is tightened into diamonds across her thighs, and black boots planted square; she carries her weight on both feet but her hips are angled away and her right hand settles flat on her own waist under her bust, thumb hooked on the waistband, while her eyes slide sideways to the woman beside her rather than to the lens, chin tipped so the pair of tiaras read at almost the same height. The two women nearly touch at the shoulders, one bright and open, the other cool and closed. A single large softbox key sits high and just off-axis to the left, giving both tiaras a hard gold glint, laying a clean specular run down the outsides of the navy and black gloves, and dropping the shadow of each woman slightly to the right behind her, where it falls on the wine sweep with a soft, dark, feathered edge; a faint cooler fill on the right keeps the black dirndl from going to mud while still crushing its deep folds to near-black. Palette is disciplined: white, navy and warm leather-brown on the left, black and cold skin-tone on the right, gold and one blue gem against one purple gem in the middle of it, all riding on the crimson ground. Both busts push against laced bodices, the white ruffle of one and the black ruffle of the other catching the rim light at different angles — one softly glowing, one swallowed dark. Opulent, head-to-head.
しんらく

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