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AI art "新山聡美(薬師まつり・藤原行列)" featuring #MILF, #Festival, #Sound! Euphonium, #Queue, #Satomi Niiyama, #Road, #Kasa, #Parade and #Anything Goes Contest

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新山聡美(薬師まつり・藤原行列)

Contest Entry

Anything Goes Casual Posting Festival!

#MILF #Festival #Sound! Euphonium #Queue #Satomi Niiyama #Road #Kasa #Parade

Published on Nov 6, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, adult lady, 33 years old, medium breasts, anime-style, official style, anime keyvisual, A natural and realistic festival documentary photograph style, depicting the Fujiwara procession of the traditional event "Yakushi Matsuri" held in the Tsukidate area of Kurihara City, Miyagi Prefecture, on a clear midday in early November. It recreates the historic procession of the Heian period Fujiwara clan visiting Sugi Yakushi for a thanksgiving pilgrimage; women and male attendants wearing gorgeous period costumes, along with an ox-drawn imperial carriage (goshoguruma), slowly advance down a modern local shopping street road. In the foreground of the image, two women wearing vibrant orange traditional costumes walk side by side, each holding a large circular woven straw hat (amigasa) in front of their body. In the background, men in green costumes hold the reins of an ox, and further behind them follows a traditional black ox-drawn carriage (goshoguruma). A scene like a festival documentary photograph where the gorgeous procession reminiscent of a Heian period historical picture scroll naturally blends with the modern shopping street cityscape. [Character Placement and Roles: Most Important] In the foreground of the frame, two women walk side-by-side. The woman on the left is the main protagonist, the exact woman specified by the character LoRA. The woman on the right is another festival participant, possessing a different facial appearance that is not too similar to the woman on the left. Both wear vibrant orange traditional costumes, each holding a large circular woven straw hat in front of her body. The woman on the left is placed in the close foreground near the camera, having a strong presence in the frame. The woman on the right is placed on the right side of the frame with a slight gap from the woman on the left. There is moderate space between the two, clearly distinguishing each person's face, costume, and woven straw hat. The woman on the left is not cut off by the frame edge, ensuring her face, both hands, and woven straw hat are fully visible. [Woman on the Left: Character LoRA] The woman specified by this LoRA is the woman walking in the left foreground. A married woman in her early 30s with a neat, refined, and elegant aura and long hair. While maintaining the facial features, eyes, and character sculpt specified by the character LoRA, depict her as a woman participating in the Fujiwara procession of Yakushi Matsuri. Use this LoRA only for the woman on the left, not applying it to the woman on the right or the men behind. Her hair is styled in a long hairstyle neatly tied up behind her back in an elegant manner appropriate for a festival. While retaining the length and natural gloss specified by the LoRA, her hair is gathered low at the back of the head. Part of the gathered hair flows naturally down her back, with a few soft strands of hair remaining around her face. Her bangs and hair around the face are well-groomed, making her facial expression clearly visible. Without modern flashy hair accessories, she wears an elegant hairstyle matching traditional festival attire. Her costume is a vibrant orange festival costume reminiscent of a Heian period noblewoman. From the upper body to below the knees, she wears a long robe based on orange and vermilion. On the surface of the robe, many circular patterns of various sizes combining white, yellow, red, blue, and deep purple are depicted. The circular patterns are regularly arranged, each containing delicate floral patterns and traditional decorative motifs. The fabric is a high-quality weave, showing natural luster and textile grain. From her shoulders to her arms, a wide vibrant red or vermilion outer robe is layered. The outer robe has a relaxed silhouette spreading widely left and right, revealing the inner pale pink or white garments from the cuffs and hem. The sleeves are long and spread softly as her arms move. Below the waist is a layered garment of pale pink or light crimson, with traditional patterns visible at the hem. Glimpses of a blue-green or pale light-blue undergarment peek through, creating a beautiful color contrast with the orange costume. The entire costume is gorgeous yet elegant, fitting for a woman participating in a festival. Her expression is a natural, bright smile showing a little teeth. It conveys her joy of participating in the festival and friendliness toward the people along the street. It is not an overly exaggerated laugh, but a natural smile looking forward or toward the camera. The LoRA is used for the facial features and basic character form, while hairstyle, costume, accessories, how she holds the woven straw hat, posture, and expression follow the instructions in this text. [The Woven Straw Hat Held by the Woman on the Left: Most Important] The woman on the left holds a large circular woven straw hat in front of her body. The woven straw hat is not worn on her head, but is a large circular festival prop held with her hands. The hat is finely woven from natural straw or reeds, with a pale ochre or natural light-brown color. Its surface features fine concentric circular weave patterns spreading from the center outward, showing the texture of a handmade traditional hat. The overall shape is a large, flat disc, with a slightly raised round boss in the center, from which the weave spreads outward. The hat is held vertically in front of the woman from her chest to her waist. The circular face points toward the camera, showing the details of the weave and the raised central part. The size of the hat is roughly the same width as the woman's torso, being large enough to be supported with both hands. The woman holds the left and right sides or bottom of the hat with both hands, holding it naturally so as not to drop it. Although part of the costume is hidden by the hat, her face, shoulders, arms, costume sleeves, and both hands are clearly visible. The hat is not worn on her head, carried on her back, or placed on the ground. She participates in the procession holding the large circular woven straw hat in front of her body. [The Female Attendant on the Right] On the right side of the screen, another female attendant walks alongside. This woman is a different person from the LoRA woman, with different facial features and hairstyle. She wears a long orange costume suitable for a traditional festival, patterned with numerous small circular motifs in white, yellow, red, blue, and purple. A vibrant red outer robe is layered on her shoulders, with pale pink and blue layers visible from the cuffs and hem. Her hair is neatly gathered at the back of the head in a traditional festival hairstyle. The woman on the right also holds the same type of large circular woven straw hat in front of her body as the left. The hat is a pale ochre finely woven from natural straw, showing concentric weave patterns and a raised central circle. She supports the sides or bottom of the hat with both hands, holding it vertically from chest to waist. The surface of the hat faces the camera, making its circular shape distinct. The woman on the right is not confused with the left LoRA woman, clearly drawn as a distinct person. Both women wear the same style of festival attire and woven straw hats, but their facial features, hairstyles, and physiques are individually distinct. They walk abreast at the front of the procession, advancing in roughly the same direction. Each woven straw hat is completely separate; the hats do not merge between the two, nor do two people hold a single hat together. [Male Attendants and Ox in the Background] Behind the two women are two male attendants dressed in traditional green costumes. The men wear loose robes of deep green or dark grass-green, paired with white hakama or loose white trousers on the lower body. On their heads they wear black pointed eboshi-style hats, recreating the attire of Heian period male attendants. On their feet they wear traditional footwear. The costumes have natural fabric folds and layering, with subdued coloring. The two men stand on the left and right sides of the ox, each holding a thick white or light gray rope in hand. The ropes connect to the ox's head and harness, showing that the men are guiding the ox's steps. Their arms extend naturally forward, gripping the ropes firmly. They walk at an appropriate distance from the ox, maintaining natural postures as attendants leading the procession. Between the two men is a large ox of blackish-brown or dark brown color. The ox has a realistic bovine physique and four natural legs, with horns spreading left and right on its head. Traditional decorative cloth is attached to its forehead and head, and festival pulling gear is mounted on its neck and torso. The ox walks slowly on the road, guided by the ropes of the men on either side. The ox's head, horns, torso, and four legs look natural, without its body unnaturally merging into the men or the carriage. [The Imperial Carriage (Goshoguruma) Behind] Further behind the ox follows a traditional imperial carriage (goshoguruma) of black or very dark brown. The goshoguruma is a large vehicle with a black box-shaped body recreating the ox-drawn carriage ridden by Heian period nobles. At the top is a black latticed roof, and inside the carriage body red cloth and gold decorations are visible. Small red and white decorative tassels hang at the front opening, with black frames and

新山聡美(薬師まつり・藤原行列)

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