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Bryan Luna

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Bryan Luna

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copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere โ€” cool and self-assured.
Show Parameters
Original Prompt
Talia from cyberpunk edgerunners, posing sexy
Mode
flash
Size
1232 x 1632
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere โ€” cool and self-assured.
Bryan Luna
AI artwork
u0
character: talia_yang, artist: keihh, yamazaki_jun, copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners, year_2024 1girl, solo, talia_yang, female, dark bob hair, undercut, cybernetic neck ports, chrome jaw implant line, sharp eyeliner, half-closed eyes, sideways glance, lopsided smirk, cyberpunk streetwear, cropped techwear jacket, fishnet sleeves, high-waisted shorts, exposed mechanical knee joint, one arm raised, fingerless glove hand pressed to a graffiti-covered wall, from side, profile, dutch angle, cowboy shot, city alley, neon signage, watermark, logo, signature, text overlay, cat face, small icon, cel shading, crisp linework, hard-edged shadows, cinematic bloom, depth of field, muted yet vibrant palette The view is a dutch-angled cowboy shot from the side, the camera dropped low and tilted so the alley's verticals lean hard to the right; Talia Yang fills the left two-thirds in profile facing frame-right, one shoulder turned toward the lens so the line of her jaw, the chrome implant tracing its edge, and the ports along her neck catch the light. She leans her weight on her left hip, left boot planted flat on the wet asphalt, right knee bent with the mechanical joint half-lit; her right arm angles up, gloved palm flat against the graffiti-smeared wall beside her, fingers splayed, the wall's paint flaking under the pressure. Her chin dips, lashes lowered, her eye cutting sideways and slightly toward the viewer while her mouth pulls into a dry lopsided smirk โ€” one brow arched, breath visible as a thin wisp in the cold air. Hair: dark bob, shaved undercut strip on the visible side, strands lifted and flicked by the alley draft, a few sweeping forward past her cheek. Clothing hangs loose off her shoulders: cropped techwear jacket open over fishnet sleeves, high-waisted shorts, straps and buckles catching the bloom. Light comes from a buzzing magenta advertising panel high behind her right shoulder, washing her profile in magenta with a cold cyan rim from the opposite end of the alley; the wet asphalt reflects the signs as elongated smears that are darker and softer than their sources, and her cast shadow stretches long and skewed across the ground, broken where it crosses a puddle. The background recedes into blurred neon signage and steam, depth of field softening the far stalls into bokeh dots while she stays tack-sharp. In the upper-right corner, small and semi-transparent over the bloom: a circular sticker-like logo โ€” a simple round cat face with pointed ears and two dot eyes โ€” and beneath it a compact signature scrawl in fine white strokes, with a small icon of a pixel heart nested beside it; a faint repeated watermark text tiles diagonally across the lower-right at low opacity, worn against the grain of the image rather than floating flat over it. Palette confined to magenta, cyan, deep charcoal, and wet asphalt black, with her skin as the single warm note. Effortlessly cool, quietly dangerous.
usermio0037
AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere โ€” cool and self-assured.
Bryan Luna

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