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Bryan Luna

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Bryan Luna

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copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere — cool and self-assured.
Show Parameters
Original Prompt
Talia from cyberpunk edgerunners, posing sexy
Mode
flash
Size
1232 x 1632
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere — cool and self-assured.
Bryan Luna
AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere — cool and self-assured.
Bryan Luna
AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere — cool and self-assured.
Bryan Luna
AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners, cyberpunk:_edgerunners_2, cyberpunk_(series) 1girl, solo, from below, low angle, looking down at viewer, half-closed eyes, lopsided smirk, head tilted back, chin up, leaning back against wall, one shoulder against the wall, hip cocked, one hand in hair, other hand on hip, fingers splayed on hip, arched back, toned arms, crop top, bare midriff, high-waisted shorts, thigh gap, one knee bent, foot flat against wall behind her, spread pose, confident, defiant, holding the viewer's gaze, cyberpunk city night, alley wall, neon spill light, rain-slick brick, wet hair strands, rim light magenta and cyan, dark vignette, chromatic aberration on neon edges, cinematic, moody. The camera sits low, near the wet ground of a narrow alley, tilted up, so the figure fills the frame from boots to chin — seen from below, backlit, powerful. A tall woman leans back against the brick wall of the alley: her right shoulder blade and right hip take the wall's weight, her spine arched off it, chest lifted, chin tipped down toward the lens while her head leans back, eyes half-lidded and locked on the viewer from beneath a relaxed brow, one corner of her mouth pulled into a sideways smirk. Her left hand is buried in her short tousled hair, elbow flung out and up; her right hand rests on her hip, thumb hooked into the waistband of her high-waisted shorts, fingers splayed across the hipbone above her bare midriff. Her left leg is straight and bears her weight, boot heel planted in a shallow puddle; her right knee is bent, and the sole of her boot is pressed flat against the brick behind her, lifting the leg and spreading the pose. She wears a fitted cropped top that ends above her navel, high-waisted shorts, and knee-high boots, with a thin chain at her throat and bare arms; rain beads on her shoulders and runs in slow lines down the wall's mortar seams. The alley's neon signage burns behind her — a hot magenta sign high on the left, a cold cyan tube lower on the right — and these are the only lights: they rim her silhouette on both sides, light the top of her cheekbones and the ridge of her bent knee, and throw a doubled colored shadow of her body against the wet bricks. Between the wall's bricks, on the ground, in the puddle at her heel, the reflections of both neon signs break into fractured color, and every vertical edge of her body catches a thin wet highlight. A distant steam vent and illegible signage recede into the dark of the alley, out of focus. Palette: deep blue-black shadow, wet brick red-brown, magenta and cyan neon, and the pale skin tones of her face and midriff. Cinematic, sultry.
Bryan Luna

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