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AI art "FPの日(11月6日 記念日)"
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FPの日(11月6日 記念日)

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monochrome, black and white, greyscale only, ink brush illustration, sumi-e ink wash, high contrast, bold thick outer outlines, fine thin detail linework, delicate cross-hatching, wide interior scene, cozy japanese living room, low wooden table, three people, mother sitting, financial planner in suit sitting, talking, papers spread on table, open kakeibo household account book, calculator, abacus, neat stacks of receipts, ceramic piggy bank, small piles of coins, two cups of green tea, wall calendar showing november, soft lamp light, radiating brush lines, 1girl, solo on right, far right edge of frame, foreground, 14 years old, straight black hair, bob cut, blunt bangs, hairpin, dot nose, flat chest, very long legs, narrow waist, winter sailor uniform, long sleeves, black long skirt, opaque round glasses, eyes hidden, no eyes visible, holding small notebook against chest, head tilt, curious, looking at another Wide horizontal view across a Japanese living room drawn entirely in black ink on white paper, the camera low at the level of the low wooden table so the room reads deep and lived-in. The frame divides into a close foreground strip at the far right edge and a broad middle distance where the consultation happens. At the far right edge of the frame, cut by the border and slightly in front of everything else, stands the girl: a fourteen-year-old, straight black bob cut with blunt bangs squared across her brow, a small hairpin clipped into the hair above her left temple, flat chest, narrow waist, very long legs carrying her tall and slim. She wears a winter high school sailor uniform with long sleeves and a wide collar, and a black long skirt falling to her ankles. Round opaque glasses sit on her face with lenses filled to solid black, her eyes completely swallowed behind them, nothing of them visible through the glass. Her head tilts to one side, chin angled toward the table, and her thin dot nose sits small and round between the lenses and her lips. Both hands press a small notebook flat against her chest, fingertips spread across its cover. She looks toward the two seated figures at the table. The table occupies the midground center-left. The mother kneels at its far side, one hand lifted mid-gesture, mouth open around a word, leaning an inch forward over the papers fanned between her and the man. Across from her the financial planner in a dark suit sits with knees folded, one elbow on the table edge, a receipt held up in his fingers and turned toward the lamp, his gaze down on it and his brow drawn in concentration. Papers overlap in a spread fan between their two sets of hands. Around them on the tabletop: the open kakeibo household account book with ruled columns running down its two visible pages, a calculator with its keypad laid out in tiny ruled squares, an abacus with its rods and beads aligned, receipts stacked in three neat squared piles, a ceramic piggy bank with a coin slot along its back, small piles of coins in staggered heaps, and two cups of green tea, steam drawn as three thin curling lines rising from each rim. A wall calendar hangs behind them with the month set at the top and a grid of November squares below it. A low lamp sits off to the left of the table; its light is not painted but drawn as fine radiating brush lines fanning outward across the ceiling and wall, and those lines push the shading of everything beneath them into delicate cross-hatching that thickens toward the corners of the room. Above the tabletop, the lamp glow leaves the paper surfaces white; in the low corners and under the table the ink goes near-solid black. The bold heavy outer contours carry the table edge, the girl's silhouette and the lamp; the receipt edges, the abacus rods, the calendar grid and the tea steam are drawn in very fine thin strokes. A faint ink wash bleeds into the tatami and the far wall. The palette admits black ink, white paper and the mid-grey of diluted wash, nothing else. Quiet, attentive, unhurried.
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Mode
flash
Size
1152 x 896

Model & LoRA used

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