Sign up free, get 10,000 credits

Starter credits added when you sign up.

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

View details
AI art "立冬（11月7日 二十四節気）"
Generate for Free

立冬（11月7日 二十四節気）

Avatar image of セキモリ

セキモリ

More to See

Comments1

monochrome, sumi ink drawing, traditional Japanese ink wash painting, wide landscape composition, no humans, empty scene, landscape, bare persimmon tree, tree at center, gnarled branches, thick brush outlines, two persimmons, withered leaves, hatching, cross-hatching, frost, frosted ground, dry grass, stone lantern, moss, mist, morning mist, distant hills, haze, winter, early winter, soft sunlight, tranquil, textured washi paper, bold contour, fine lineart, monochrome palette, greyscale A wide landscape composition opens at ground level with a slightly raised vantage, so the frost-whitened garden floor reads as a broad horizontal band across the lower third of the frame while the bare persimmon tree stands at the exact center, its trunk planted just below the middle of the image and its crown filling the upper half. The tree is the anchor: its trunk and gnarled branches are laid in bold, thick, loaded brush outlines that swell and taper with the stroke, and along the underside of each limb the round volumes are turned with fine thin hatching, close parallel strokes that follow the curve of the wood. At the very tips of two upper-right branches hang the two last persimmons, each a rounded form built entirely from fine thin hatching that curves around its sphere, and beside them a few withered leaves cling to the twig ends, drawn as thin curled brush strokes with frayed edges. No fruit and no leaf is anywhere else in the tree; the remaining branches are bare and reach into the mist. The ground below is whitened with first frost: pale paper left almost untouched, edged with delicate cross-hatched strokes where the frost thins, and clumps of dry grasses rise through it in the left foreground and along the right margin, each blade a crisp thin stroke with its tip bent, the frost catching only on the upward-facing side of every bent blade so the undersides stay darker ink. A moss-covered stone lantern rises at midground to the left of the trunk, half-lost in the pale morning mist — its cap and the upper half of its shaft dissolve into soft graded wash while the lower shaft and its foot stay sharp and dark, and the moss on its shoulder is a clustered stipple of small dots rather than a flat tone; the lantern sits on the far side of a shallow, frost-rimmed stone path that runs from the lower left toward the tree and disappears behind the mist, and a thin skin of ice on a puddle along that path catches a single pale bar of reflected light. Behind, distant hills fade into cold winter haze, rendered with the lightest hatching of all — long, widely spaced horizontal strokes that thin and break apart toward the top edge, so the ridges lose their contour and the paper's own texture becomes the sky. The only light in the image is the soft, weak early-winter sun coming from the upper left at a low angle; it lifts the left side of the trunk, the lantern's left face, the frost on the ground and the topmost surfaces of the stones, while the right side of the trunk and the right face of the lantern sit in soft graded shadow, and the long, low cast shadows of the tree and the lantern stretch to the lower right across the frosted ground as dry, granular ink washes. The mist is a reserve of untouched paper, brightest behind the lantern and between the trunk and the hills, and it visibly swallows the tree's middle branches. The palette admits nothing but ink and paper: black, every grey between, and the warm off-white of the washi, with the paper's visible fibers and slight tooth showing through the broad washes and skipping under the fastest brush strokes. The air is still — no wind bends the grasses, no ink spatter, no motion anywhere — and the scene holds the hush of the season's turning: tranquil, cold, and silent.
Show Parameters
Mode
flash
Size
1152 x 896

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.01k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

Similar Images

Show more
AI artwork
이
A blurry character stands in a snowy field, enveloped in an 어두운 배경 (dark background). The scene depicts a wide, flat expanse of pristine white snow under a heavy, gray sky. Distant, faintly visible trees line the horizon, their forms softened by the falling snow. The character is intentionally out of focus, a silhouette against the vast, monochromatic landscape, creating a sense of isolation and mystery. Snowflakes gently fall, blurring the lines between the character and the environment. The overall atmosphere is quiet, melancholic, and cold, emphasizing solitude and the raw beauty of a winter night. The image is rendered in a realistic anime style, with careful attention to the texture of the snow and the muted, cool color palette.
이재영
AI artwork
Avatar image of C9I
1:1, 16:9, no humans, solo animal, bird, raven, black feathers, perched, standing on trunk, facing a small light, looking at light, dead tree, leafless tree, bare branches, gnarled trunk, endless snowfield, night, snow, thick fog, mist, glowing, amber light, tiny light source, light particles dissolving, fading glow, cold blue palette, silver highlights, cinematic lighting, wide shot, foreground snow ridge, midground tree, background swallowed in fog, low camera, subtle low angle, film grain, hyper-detailed, melancholic, farewell atmosphere, no text, no watermark, no signature, no letters A lone dead tree stands slightly left of centre in a wide 16:9 night shot, seen from a low camera position just above the snow crust so the trunk rises tall and gaunt against a featureless dark sky; its gnarled black trunk forks into a bare crown of hooked, leafless branches, and it is the only vertical thing in an endless snowy wasteland that runs unbroken to a fog-drowned horizon. The snow lies in wind-carved ridges, blue-grey in the ambient dark, and only their up-facing crests hold a thin silver crust of reflected fog-light, the troughs sinking into deeper blue. Thick cold fog fills the middle distance and closes the world off; the snow surface loses its texture a few dozen metres out and dissolves into flat grey vapour, and nearer the tree thin coils of fog drift low across the ground and stream slowly past the trunk. On the root-most fork of the trunk, a single small amber light glows: a soft sphere of warm orange suspended just above the bark, its light bleeding only a hand's width along the branch. It is visibly dissolving — the core is brightest, its outer edge breaks into loose motes of amber that lift and drift and grey out into the fog an arm's length away, and the farthest of them are already nothing but faint sparks thinning to darkness. The light is the only warm colour and the only light source: it rims the branch it sits above in orange, drops a small round pool of warmth onto the snow directly beneath, and casts nothing else. Beyond that pool the darkness is absolute blue-black. On the main trunk, once recovered from the light, the raven is a dense black silhouette with a scaled feather sheen where the amber catches the edge of its chest; it sits upright and still, head turned to look directly at the fading light, one eye picking up a single pinpoint of amber while the rest of its plumage stays swallowed by shadow. The composition stays sparse: empty snow and fog occupy the lower right, the tree and the raven the left, and the vast negative space carries the quiet. Cold blue and silver hold everywhere except the amber; a hyper-detailed snow grain, a faint film grain across the whole frame and a softening of contrast toward the horizon keep the depth. Deeply melancholic, still, a quiet farewell.
C9I
AI artwork
Avatar image of John Kong
A wide-angle, medium shot captures a desolate landscape under a dramatic, crimson red sky. Centered in the composition is a single, skeletal dead tree, its twisted branches leaning sharply to one side as if whipped by a powerful wind. A few remaining withered, dead leaves cling to the branches, fluttering violently in the gale. In the background, a dark red-orange sun hangs low, partially obscured by thin, wispy clouds that streak rapidly across the horizon, creating a sense of fast motion. The atmosphere is oppressive and melancholic, dominated by a vivid palette of deep reds and oranges, with a high-contrast visual style characteristic of high-quality anime illustrations.
John Kong

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
HomeModelsGenerateRecipeProfile