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AI artwork featuring #Uma Musume Pretty Derby and #Narita Brian
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Narita Brian, Uma Musume Pretty Derby

#Uma Musume Pretty Derby#Narita Brian
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kカズヤ

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character: narita_brian_(umamusume), copyright: umamusume, taimanin_(series) 1girl, solo, narita_brian_(umamusume), long black hair, ponytail, hair between eyes, horse ears, animal ears, yellow eyes, horse tail, kimono, serious expression, jitome, looking down, doing calligraphy, holding calligraphy brush, holding brush, seated, seiza, writing, calligraphy, washi paper, ink, inkstone, sleeves rolled up, bare forearms, photorealistic skin texture, glossy skin, sheen on skin, individual hair strands, detailed hair, high contrast, chiaroscuro, strong shadow, from above, dutch angle, close-up, bright calligraphy classroom, caption, 「書道教室で」 The camera looks down from a slight dutch angle tilted about ten degrees to the right, close on the upper body and the desk surface, so the ceiling-lit room falls away behind her shoulder in soft bright bands. She kneels in seiza on the tatami with her weight sunk into her heels, torso hinged forward from the hips over a low writing desk, left forearm braced flat on the desk edge taking her weight, right hand wrapped around a long calligraphy brush held vertically so the black tip hovers one centimetre above the white washi and presses a fresh dark stroke across it; her left hand pins the paper's upper corner between thumb and forefinger, knuckles blanched with the pressure. Both sleeves of the kimono are drawn back and tied with a cord at the upper arm so the pale glossy forearms come out bare and unfettered above the desk, the silk falling in heavy folds behind them; the collar is pulled closed high at the throat, and the long black ponytail falls forward over her far shoulder, a few loose strands of it swinging free and catching the light so each hair reads as a separate glossy filament. Her chin is lowered, brows drawn level, mouth set in a flat uncompromising line with no smile at all, and her yellow eyes are fixed straight down on the point of the brush, narrowed with concentration. Bright daylight floods through the shoji screens at the far left, so the desk, the paper, her cheekbone, her jaw edge and the ridge of her nose are struck hard and white while the near side of her face, the underside of the desk and the folds inside her sleeves drop into deep near-black shadow; the contrast is cut clean, with a soft amber bounce rising off the tatami into her chin. High-contrast palette of ink black, paper white, warm tatami ochre and skin honey, nothing else admitted. The brush's wet ink stroke holds a faint raised gloss where the light catches the fresh ink before it soaks in. A caption bar runs along the bottom edge of the frame, bold white sans-serif lettering on a deep black band, reading "書道教室で". Still, focused, quietly severe.
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Original Prompt
ウマ娘プリティーダービー、ナリタブライアン、肌の質感を艶っぽく実写風に、髪の質感も一本一本実写のようなリアルさで、対魔忍風の絵柄、明暗のハッキリした色合い、着物、表情は真面目、書道をしている、見えない部分はスルーで、場所は明るい書道教室、テロップで「書道教室で」と記入
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: espoir_city_(umamusume), copyright: umamusume, taimanin_(series) 1girl, child, youthful appearance, toddler body type, squid belly, rounded soft belly, orange hair, multicolored hair, long hair, brown hair streaks, horse ears, animal ears, horse tail, tail, blue eyes, hair ornament, japanese clothes, kimono, bare ears, bare earlobes, hair plain and unadorned, 3old men, elderly, old man, kimono, holding calligraphy brush, teaching calligraphy, calligraphy classroom, bright room, glossy skin, photorealistic skin, realistic hair strands, photorealistic hair texture, high contrast lighting, clear light and dark tones, cel shading, thick lineart, from side, close-up, dutch angle, looking down, looking at paper, open mouth, :d, one eye closed, tarare, text, narration box, "書道(しょどう)教室(きょうしつ)で" The camera looks from a low three-quarter angle, tilted slightly, across a low writing desk at the small girl: a very young child in a loose cotton kimono, her soft rounded belly pushing the sash out in a gentle curve, the fabric riding up over the warm glossy skin of her midriff. Her long orange-and-brown hair, heavy and strand-detailed, falls forward over one shoulder, the horse ears swiveling toward the sound of the brushes, the long tail curled behind her under the kimono hem. Her face is turned in profile, one blue eye squeezed shut, the other wide, her tongue just showing as she drags a brush-stroke across the paper; her small hand grips the brush too far up the shaft, the other hand flat on the paper to steady it, ink smudged on her knuckle. Three old men in dark kimono lean in from the far side of the desk, each with a brush in hand: one holds his brush vertically, demonstrating the stroke, his weathered hand hovering above her paper; a second steadies the inkstone with his fingertips, his gaze on the girl's face; the third sits back, chin tilted, eyes narrowed in appraisal. Their brushes are lifted, tips poised. The girl's gaze flicks up to the hovering brush, not to the lens. The classroom is bright and airy: shoji screens behind them diffuse a hard white daylight that crosses the desk from the left, laying a sharp diagonal of light over the girl's glossy shoulder and belly and dropping the right side of the frame into deep shadow; the old men's faces catch only a rim of light along their cheekbones. Ink-black, warm ochre, paper-white and the red of the class banner on the wall, nothing else admitted. A single thread of ink runs from the brush tip down to the paper, hanging a half-second before it touches. A narration box sits in the upper right corner, its lettering flat and bold against the pale wall. taimanin-style cel shading, thick angular lineart, high contrast, plain filler in the hidden areas beneath the desk and behind the figures, quietly absorbed.
kカズヤ
#Uma Musume Pretty Derby#Akikawa Yayoi

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