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- Original Prompt
- ウマ娘プリティーダービー、エスポワールシチー、肌の質感を艶っぽく実写風に、髪の質感も一本一本実写のようなリアルさで、対魔忍風の絵柄、明暗のハッキリした色合い、幼く、幼児体型、イカ腹、和風を着ている、着物を着た老人達に書道を教わっている、老人達は手に筆を持っている、見えない部分はスルーで、場所は明るい書道教室、テロップで「書道教室で」と記入
- Mode
- pro
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Similar Images
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k
character: espoir_city_(umamusume), copyright: umamusume, taimanin_(series)
1girl, espoir city (umamusume), orange hair, long hair, brown hair, multicolored hair, blue eyes, horse ears, horse tail, hair ornament, toddler-sized body, small child, petite, kimono, wafuku, japanese clothes, obi, open collar, giving instruction, calligraphy, holding brush, shodou, japanese calligraphy, elderly men, old man, multiple boys, kimono, holding calligraphy brush, bright calligraphy classroom, classroom, interior, wooden desks, ink stone, washi paper, calligraphy paper, from side, cowboy shot, dutch angle, high contrast, chiaroscuro, strong shadows, glossy skin, realistic skin texture, photorealistic skin, detailed hair strands, individual hair strands, sharp shading, telop, text overlay, "書道教室で", looking at another, raised brush, pointing, small smile, half-closed eyes
The shot is a slightly low dutch-angle three-quarter view from the side, tilted a few degrees, so the long row of low wooden desks runs away toward the bright far wall and the small horse-eared girl sits at the near end as the point of convergence. In the near foreground, seen from behind and in three-quarter profile, an old man in a dark striped kimono kneels at the low desk with a brush lifted in his right hand, its tip held a centimetre above the paper; his left hand steadies the inkstone, and his grey-bunned head turns enough that we see only the rim of his ear and the slope of his cheek. A second and third elderly man, both in kimono with their sleeves tied back with a cord, kneel further along the row: one grips his brush in a right fist and pulls it through a slow stroke, the other lifts a clean brush as if asking a question and cranes his neck toward the girl.
The girl sits nearest the camera on the tatami edge of the frame, one knee drawn up and the other leg tucked under her, leaning over the desk on a straight left arm while her right hand reaches out, index finger extended, to point at the wet stroke on the old man's paper without touching it. Her kimono is a soft off-white with a deep red sash, the sleeve falling back from her forearm and the fabric pooling around her small frame, sized for a child two sizes too small for the room. Her orange-and-brown long hair is lit strand by strand, each separate thread catching the window light, falling over one shoulder and behind the other, and both horse ears swivel toward the old men while her tail rests curled at her hip against the tatami. She gives the correction with a faint closed-lipped smile and half-lowered lashes, gaze dropped to the old man's wet stroke, and the old man's head tilts slightly toward her finger in answer.
The light is single-source from a wide shoji window on the left: strong, cool-white daylight rakes across the desks, glossy highlights on her cheekbone and the back of her hand, and the shadows on the tatami and the far wall run hard and dark, with the ink-black strokes on the paper reading almost as pure black next to the bright white washi. Everything outside the window-lit desks falls into deep shadow; the room is otherwise silent. Hanging scrolls on the far wall stay blurry and illegible. Across the top of the image, a horizontal telop bar sits in the bright upper band above the shoji, and a bold rectangular caption inside it reads "書道教室で" in heavy black rounded mincho lettering, level and unrotated over the bright classroom. Quietly concentrated.
kカズヤ
k
character: narita_brian_(umamusume), copyright: umamusume, taimanin_(series)
1girl, solo, narita_brian_(umamusume), long black hair, ponytail, hair between eyes, horse ears, animal ears, yellow eyes, horse tail, kimono, serious expression, jitome, looking down, doing calligraphy, holding calligraphy brush, holding brush, seated, seiza, writing, calligraphy, washi paper, ink, inkstone, sleeves rolled up, bare forearms, photorealistic skin texture, glossy skin, sheen on skin, individual hair strands, detailed hair, high contrast, chiaroscuro, strong shadow, from above, dutch angle, close-up, bright calligraphy classroom, caption, 「書道教室で」
The camera looks down from a slight dutch angle tilted about ten degrees to the right, close on the upper body and the desk surface, so the ceiling-lit room falls away behind her shoulder in soft bright bands. She kneels in seiza on the tatami with her weight sunk into her heels, torso hinged forward from the hips over a low writing desk, left forearm braced flat on the desk edge taking her weight, right hand wrapped around a long calligraphy brush held vertically so the black tip hovers one centimetre above the white washi and presses a fresh dark stroke across it; her left hand pins the paper's upper corner between thumb and forefinger, knuckles blanched with the pressure. Both sleeves of the kimono are drawn back and tied with a cord at the upper arm so the pale glossy forearms come out bare and unfettered above the desk, the silk falling in heavy folds behind them; the collar is pulled closed high at the throat, and the long black ponytail falls forward over her far shoulder, a few loose strands of it swinging free and catching the light so each hair reads as a separate glossy filament. Her chin is lowered, brows drawn level, mouth set in a flat uncompromising line with no smile at all, and her yellow eyes are fixed straight down on the point of the brush, narrowed with concentration. Bright daylight floods through the shoji screens at the far left, so the desk, the paper, her cheekbone, her jaw edge and the ridge of her nose are struck hard and white while the near side of her face, the underside of the desk and the folds inside her sleeves drop into deep near-black shadow; the contrast is cut clean, with a soft amber bounce rising off the tatami into her chin. High-contrast palette of ink black, paper white, warm tatami ochre and skin honey, nothing else admitted. The brush's wet ink stroke holds a faint raised gloss where the light catches the fresh ink before it soaks in. A caption bar runs along the bottom edge of the frame, bold white sans-serif lettering on a deep black band, reading "書道教室で". Still, focused, quietly severe.
kカズヤ
k
character: silence_suzuka_(umamusume), copyright: umamusume, taimanin_(series)
from behind, over-the-shoulder composition, close-up, neck focus, view from behind the girl, petite, flat chest, kimono, glossy skin, shiny skin, sweat, sweat on skin, bead-like sweat droplets, very sweaty, highly detailed skin, photorealistic skin texture, long hair, orange hair, blunt bangs, horse ears, white hairband, aqua eyes, green eyes, high contrast lighting, taimanin style, dark shadows, bright washitsu, tatami floor, shoji screens, pouring tea, teapot, teacup, elderly men, kimono-clad elderly men, speech bubble, large title lettering, japanese text, looking down, head turned in profile, half-closed eyes, light smile, trembling grip,
The camera sits low and close behind the girl at neck level, framed over her right shoulder: the nape of her neck fills the left third of the frame, in sharp focus, and the bright washitsu room recedes to the right past her shoulder toward the seated elderly men. Her long orange hair is drawn strand by strand with photographic realism, each hair a distinct glossy filament; the blunt bangs and the white hairband are out of the frame above, and her horse ears are hidden in the top crop behind her head. She is petite and slight, shoulders narrow inside the kimono; the collar of the kimono is pulled snug at the nape and the fabric across her back is small and flat, no bust visible from this rear view. Her skin at the neck and nape is impossibly smooth, glossy and firm, and she is drenched in sweat — the skin is slick with a wet sheen, and dozens of bead-like sweat droplets stand proud on the surface of her neck and shoulders, each one round and glossy, repelling the skin, catching the light as tiny spheres rather than running.
She is caught mid-pour: her right arm reaches forward past her shoulder to tip the teapot, her fingers wrapped tight on the handle, and a thin stream of tea just fills the cup held by the nearest elderly man across the low table. Behind her shoulder, three elderly men sit in dark kimono around a low table — one leans forward with both hands cupped around his teacup, one holds his sleeve back with the other hand, one sits upright watching the pour; their faces are softly out of focus, rendered in the deep shadow of the room.
The washitsu is bright: paper shoji on the right wall glow with daylight, tatami mats stretch in rows across the floor, and a hanging scroll and a simple flower arrangement sit in the shadowed alcove behind the men. The light is a single hard source from the shoji windows on the right, whitish and cool, slashing across the girl's right shoulder, neck and the sweat beads, while the left side of the frame and the men sink into deep brown and black shadow — high-contrast, hard-edged light and dark, Taimanin-style rendering with crisp cel-shaded shadow shapes and glossy, lacquered highlights on the skin.
Her chin turns slightly in profile toward the tea; her eyes, half-closed, follow the stream into the cup rather than the camera, and a faint, self-satisfied smile sits at the corner of her mouth, as if she knows she is being watched from behind.
A speech bubble floats beside her shoulder, its tail pointing at her, with the line in large, smooth lettering: "お茶が入りましたよ💕". At the top of the frame, spanning the width in large bold title lettering, sits "老人会", the characters set squarely and clearly against the bright upper wall, the letters slightly uneven and hand-lettered in a heavy brush style.
Tight, intimate, and humid.
kカズヤ
k3
狐娘勉強中
kedaru3
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