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AI artwork featuring #Mizumoto Yukari
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Mizumoto Yukari

#Mizumoto Yukari
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Delmonda

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1girl, solo, idol costume, puffed sleeves, ball-shaped sleeves, fitted waist, cinched waist, knee-length skirt, fluffy skirt, voluminous skirt, flared skirt, wide skirt, hands away from skirt, arms at sides, skirt hanging naturally, from below, full body, standing, weight on one leg, head tilt, looking to the side, light smile, ordinary high school student, long hair, brown hair, blunt bangs, brown eyes, white blouse, ribbon at collar, petticoat layers, mary janes, white socks The camera sits low and looks up at her, a full-body vertical frame with her shoes near the bottom edge and a strip of empty air above her head. She is a single ordinary high school girl, slim and small-waisted, standing on a plain dark stage floor that gives her nothing to lean on. Her weight rests on her left leg, the right knee slightly bent and the right toe turned inward; her hips therefore tilt a few degrees and the cinched waist sits just off the vertical, which is what makes the waistline read as pulled tight rather than drawn flat. Both arms hang clear of her body, a hand's width of air between each elbow and her ribs, forearms relaxed and slightly forward, hands open with the palms turned in toward her thighs — nothing touches the skirt, no finger pinches fabric, no arm brushes the hem, and the skirt hangs from the waistband entirely on its own. Each sleeve puffs into a full sphere at the shoulder, its fabric blown round and taut at the crown and gathered into a narrow band just above the elbow, the two spheres breaking the silhouette wide at the top. Below the snug waistband the skirt drops and then swells outward, a knee-length bell with real loft to it: layered fluffy fabric holds the volume out away from her legs all the way around, the hem floating a good hand's width clear of her thighs at the sides, the pleat-and-ruffle edges catching a soft ripple so the underside of the hem sits in shadow. Underneath, a pale petticoat edge shows as a thin fluffy line just inside the hem. Her head tilts toward her right shoulder, chin slightly down, and her eyes slide off to the left of frame, past the lens, with a faint closed-lip smile and one brow a touch higher than the other. Her long brown hair is caught in the same motion as her posture, a few strands swinging out to the left where her head turned, bangs parted over her forehead. The light comes from one high source in front and slightly left, cool white, striking the crowns of both sleeve spheres and the tops of her shoulders and running down the front of the blouse; it grazes the outward bulge of the skirt and dies under the hem, so the shadow pools there and on the floor directly beneath her, a soft compact pool with the shape of the flared skirt in it. Beyond that pool the darkness is complete — a seamless deep-charcoal void with no walls, no horizon and no props. The palette is held to three: the white and pale cream of blouse, sleeves and petticoat; a deep navy in the skirt and the ribbon; and her warm brown hair and eyes as the only other colour, all of it against the charcoal ground. Crisp cel-shaded edges, clean colour fills, no grain. Quiet, poised, a little dreamy.
Show Parameters
Original Prompt
袖口は球のように丸く膨らみ、腰はきゅっとした感じで、膝より上の丈のスカートはなるべくふんわりとボリューム感があるように膨らんで広がったアイドルみたいな衣装のごく普通の高校生。スカートは摘んでいない。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.09k

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AI artwork
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1girl, solo, idol costume, puffed sleeves, balloon sleeves, round ball-shaped sleeve cuffs, cinched waist, tight waist, above-knee skirt, very voluminous skirt, fluffy skirt, wide flared skirt, horizontally spreading skirt, free-falling skirt fabric, hands at sides, hands away from skirt, open hands, relaxed fingers, standing, weight on one leg, contrapposto, slight lean, head tilt, from below, cowboy shot, full skirt visible, soft studio light, plain pale background, looking to the side, light smile, closed mouth, blush, high school girl, long hair, brown hair, hair swaying, ribbon, sailor collar The camera sits low and looks up at her from about hip height, cowboy framing that keeps the whole wide skirt and both ball-round sleeve cuffs inside the frame. She is an ordinary high-school-age girl with long brown hair tied back by a single ribbon, a light dusting of blush across her cheeks, her eyes turned off to her left towards something outside the frame, a small closed-lip smile just forming. She stands in a loose contrapposto, weight sunk into her left leg with the right knee bent and the toe turned out, her torso leaning a touch back and her head tilted toward her raised shoulder, caught in the middle of a small settling shift rather than posed square to the lens. Her costume is the whole point. Both sleeves puff out into near-perfect spheres at the wrist, the fabric ballooning round and taut and gathering tight into a narrow cuff just above each hand, so each arm reads as a soft ball with a small wrist emerging beneath it. The bodice pulls in snug at the waist, cinched close and smooth, then breaks into a skirt that begins above the knee and blooms outward in a broad horizontal sweep, layer upon layer of light fluffy fabric belling wide to either side so its silhouette is far wider than her shoulders. Nothing pinches it: both hands hang relaxed and open at her sides, fingers loosely curled, held clear of the fabric, and the skirt falls free under its own weight, its hem rippling in a soft uneven wave where the air has moved it. The camera's low angle lets the underside of the flared hem show its depth and the shadow pooling inside the bell of the cloth. Behind her is a plain seamless pale cream sweep, completely empty, with no furniture and no horizon line. One large soft light sits high and slightly to camera-left, wrapping the tops of both balloon sleeves and the upper curve of the skirt in a gentle highlight while the folds beneath the flare and the underside of the hem sink into cool grey shadow; a faint soft shadow of the skirt falls on the floor to her right, its edge feathered by the light's size. The palette stays quiet and pastel — cream ground, soft blush pink and off-white in the costume, warm brown hair — with nothing else admitted except the muted blue of the ribbon. Crisp cel-shaded linework, flat clean colour with one soft shading step, gentle spring light.
Delmonda
AI artwork
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1girl, solo, high school girl, idol outfit, puff sleeves, round puffy sleeve cuffs, cinched waist, fitted waist, wide skirt, voluminous skirt, fluffy skirt, flared skirt, skirt spread out, pale pink satin, white lace trim, lace-trimmed cuffs, white thigh-high stockings, mary janes, long hair, brown hair, straight hair, brown eyes, from below, low angle, full body, standing on one leg, skirt held out, arms spread, outstretched arms, head tilt, looking down at viewer, light smile, one eye closed, dutch angle, wind, floating hair, floating skirt, white seamless background, The camera sits low and looks steeply up: a single high school girl fills the frame from the soles of her shiny black Mary Janes to the crown of her head, her body tilted a few degrees off vertical in a gentle dutch angle so the composition leans with her. She is caught mid-twirl on her right leg alone, left foot lifted and tucked behind the right calf, toes pointed; her hips are shifted back over the supporting heel and her chest is lifted, spine arched. Both arms are flung outward and slightly down, elbows soft, palms open and fingers spread, and each hand pinches a fold of skirt between thumb and forefinger so the fabric is pulled wide. The skirt answers her: pale pink satin, deep pleats releasing into a broad bell that flares past her hips and keeps spreading outward toward the hem, the whole volume lifted and bellying away from her body as though the air itself had gotten under it, uneven where her fingers pull it — one side climbing higher than the other. Above it the waist is drawn in tight and narrow, a crisp fitted band that makes the flare read as an explosion; above that the bodice closes high at the collarbone, and the sleeves end in round puffed cuffs that bulge like small balloons just above each elbow, gathered into the white lace that rings them. White lace also borders the hem, a scalloped edge flickering along the underside of the flare. White thigh-high stockings run from mid-thigh to the ankle, the elastic band pressing a shallow line into the skin, and the glossy Mary Janes catch a hard highlight across each toe. Her head tilts toward her raised shoulder, chin dipped, and she looks down the length of her own body straight at the lens, one eye squeezed shut and the other bright, mouth pulled into a small lopsided smile, a breath held at the top of the turn. Long straight brown hair swings out and up against the direction of the spin, ends lifted clear of her shoulders; the lace at the cuffs flutters too, and a single pleat at the skirt's edge lags a beat behind the rest — the one place the fabric has not yet caught up with her. Everything stands in a completely empty, seamless white studio field with no horizon, no floor line and no props; the light is an even, cool white wash from high in front, its only evidence the soft shadow her raised foot and the hem cast straight down onto the white beneath her, faint and barely there. The palette admits pale pink satin, white lace and stockings, glossy black shoes, warm brown hair and skin — nothing else. Detail is spent on the skirt's pleats and the puff of the cuffs, on the pinch of her fingers and the tilt of her face; the background stays blank. Buoyant, effortlessly bright.
Delmonda
AI artwork
Avatar image of Robin Beatty
1girl, long hair, brunette hair, bangs, red eyes, red ribbon, hair bows, fancy dress, buttoned dress, red dress, white sleeves, color-block dress, black socks, ankle socks, red shoes, black shoes, from above, looking up, tiptoes, head tilt, light smile, blush, white background, seamless studio sweep A high-angle view looking down at a girl who is balanced on tiptoes, leaning her head slightly to the side while looking up toward the lens with a soft, blushing light smile. She has long brunette hair with straight bangs, and small red ribbon bows are tied into her locks, dangling and falling down toward her shoulders. Her eyes are a balanced medium-red, neither too dark nor too light. She wears a fancy dress featuring a row of tiny buttons running down the center; the dress is a sharp color-block design where the bodice and sleeves are crisp white, transitioning abruptly to a deep red from the waist down. She wears short black ankle socks that stop just above her red shoes, which are accented with black. The figure stands against a seamless, empty off-white studio background. A soft, diffuse light from the upper left casts a gentle, blurred shadow beneath her feet. Effortlessly stylish.
Robin Beatty

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