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Luiz Gabriel

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Luiz Gabriel

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character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Show Parameters
Original Prompt
Raiden shogun and her son looking on the shelf that is fulled with ropes and balkgag.
Mode
flash
Size
768 x 1280
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
lg
character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Luiz Gabriel
AI artwork
lg
character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Luiz Gabriel
#Genshin Impact#Scaramouche#Raiden Shogun
AI artwork
lg
character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Luiz Gabriel
#Genshin Impact#Raiden Shogun
AI artwork
カ
character: yasaka_kanako, copyright: touhou 2girls, 1boy, yasaka_kanako, short purple hair, red eyes, heart-shaped pupils, heart eyes, hair ornament, leaf hair ornament, long sleeves, red shirt, shimenawa, short skirt, sandals, tall mature woman, doting smile, open mouth, blush, deredere, carrying, holding child, hugging, hug, child, young boy, small boy, short brown hair, brown eyes, embarrassed, heavy blush, sweatdrop, pout, looking away, looking to the side, speech bubble, thought bubble, "ママ", "かわいい", cowboy shot, from side, three-quarter view, warm sunlight, cozy shrine courtyard, sunny, tender The shot is a cowboy-framing three-quarter view from the side, angled slightly from below so Kanako's height dominates the frame. She stands braced with her weight on her back right foot, right hip pushed out to counterbalance, the boy seated in the crook of her left forearm — his weight riding that forearm, his left arm hooked round the back of her neck, the flat of his small hand pressed between her shoulder blade and her shimenawa rope, his legs dangling in front of her apron hem with the toes of his sandals brushing. Her right hand comes up under his back, palm flat and fingers spread, steadying him. Her chin tips down toward him, short purple hair swinging forward at the cheek, and her red eyes are drawn as full heart shapes, glossy and tilted, lids lowered and mouth open in a soft adoring laugh as she thinks he is cute. The boy twists his face away to the far side, one shoulder hunched, cheeks burning dark red, a sweatdrop at his temple, brows drawn and lower lip pushed out in a pout, eyes glancing sideways away from her without quite reaching the viewer. A rounded speech bubble sits low beside the boy's mouth, tail pointing to his lips, and inside it the word "ママ" in plain rounded lettering sits level with the bubble, unslanted. Above and slightly behind Kanako's head floats a soft cloud-shaped thought bubble with three small trailing circles leading down toward her temple, and inside it "かわいい" in a slightly larger, wavy handwritten style. Kanako's red shirt, long sleeves and rope collar-strap read against warm sunlit wood; her shimenawa shifts with the tilt of her shoulders. The surroundings are a shrine courtyard at midday, pale stone paving and a red wooden pillar behind them, warm sunlight striking Kanako's left cheek and the boy's turned shoulder from the upper left while their joined bodies cast a soft compressed shadow onto the pillar base. Palette is warm red, warm skin, deep purple and pale stone, nothing else dominant. Tender, sunny.
カービィ
#Touhou Project#Yasaka Kanako

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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