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AI artwork featuring #Genshin Impact and #Raiden Shogun
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Raiden Shogun, Genshin Impact

#Genshin Impact#Raiden Shogun
lg

Luiz Gabriel

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character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Show Parameters
Original Prompt
Raiden shogun and her son looking on the shelf that is fulled with ropes and balkgag.
Mode
flash
Size
768 x 1280
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.99k

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AI artwork
lg
character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Luiz Gabriel
AI artwork
lg
character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Luiz Gabriel
#Genshin Impact#Scaramouche#Raiden Shogun
AI artwork
lg
character: raiden_shogun 2girls, from behind, from below, over-shoulder composition, two subjects only, standing side by side, both looking at shelf, shelf, wooden shelf, coiled ropes, bundles of thick hemp rope, hanging ropes, ball gag, single ball gag on shelf, leather straps, ball gag resting on wood, japanese clothes, purple kimono, sash, bridal gauntlets, purple hair, long hair, braid, single braid, blunt bangs, hair ornament, purple eyes, mole under eye, long swept hair, petite child, small child, short navy kimono, looking down, dark wooden shelf, dim storeroom, warm single lantern light, dust in the air, wooden floor, plaster wall, deep shadow at frame edges The camera stands low behind and slightly to the left of the pair, looking up and past them at the shelf: two figures seen from the back three-quarter in close over-shoulder framing, the small child in front and lower, the tall woman just behind his right shoulder, so their heads overlap the shelf's middle board without hiding it. On the wall-mounted dark wooden shelf, three tiers of coiled and hanging thick hemp ropes fill the boards — fat coils stacked on the top board, loose hanks looped over the shelf's front edge and dangling in heavy U-curves, thinner cords knotted in bundles on the middle board — and one black leather ball gag rests squarely on the middle board at the right, its straps folded back along the wood, its glossy rubber ball catching a hard specular highlight. The woman's long purple hair, gathered into one heavy braid that falls down her back, is drawn forward over her left shoulder; her blunt bangs and the ornament at the side of her head catch the light from the left; her purple eyes are angled up and right toward the ball gag, and the mole beneath her right eye sits just at the edge of the light. Her right hand hangs loose at her side, left hand lifted so her fingertips brush the dangling rope on the left edge of the shelf; her purple kimono and sash ride with her slight lean, the hem hanging straight, the bridal gauntlets dark against the sleeve. The child stands in front of her, no higher than her chest, shoulders squared to the shelf, head tipped back on his neck to look up at the topmost coil; his short black hair lifts at the crown, both hands clasped at his chest with the knuckles of one thumb pressed white, his small navy kimono wrinkled at the belt from the reach of his stance. Dust motes drift in the beam of a single paper lantern hung off-frame at left, so the lantern's light falls on the left sides of the shelf boards, the left face of every coil, and the left of both figures' shoulders, while their right sides and the wall behind fall into a soft, deep shadow and the lantern throws a short soft shadow of the coiled ropes onto the plaster. The palette is hemp beige, dark walnut, indigo, and a muted purple, with the black leather of the gag and the cold glint on its ball as the only hard note; the floorboards in the lower foreground are simplified and slightly out of focus. Quiet, uneasy.
Luiz Gabriel

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