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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1man, solo, male focus, portrait, close-up, from side, three-quarter view, head and shoulders, short black hair, black eyebrows, robotic eyes, prosthetic jaw, robotic jaw, mutilated face, no nose, missing nose, exposed nasal cavity, torn skin, flayed cheek, no lips, exposed teeth, clenched teeth, blood on face, bleeding, blood dripping from jaw, flesh peeking through wounds, scars, metal parts implanted in head, metal plates in skull, tubes implanted in face, hoses implanted in face, wires entering cheek, grey jet pilot suit, high collar, gore, linework, crosshatching, heavy shading, high contrast, A tight close-up portrait seen from the side in three-quarter view, the man's head turned so that his ruined left cheek faces the lens while the right side of his skull recedes into shadow: short black hair lies flat and sweat-damp against the scalp, black eyebrows drawn hard together over two robotic eyes -- smooth metal sockets seated in the orbital bone, irises rendered as dark glass lenses that catch one hard pinpoint of light. Where the nose should be there is nothing but a collapsed opening of mutilated skin, the bridge sheared away and the raw cavity rimmed with dried and wet blood; below it the lips are entirely gone, the gums and the whole row of clenched teeth laid bare and grinding together behind torn tissue, so the jaw's set is visible as pure muscle tension at the temples. A prosthetic jaw of matte gunmetal replaces the lower half of the face on the left side, bolted into the cheekbone, its seam cutting across flesh that has healed crooked around the metal, and the teeth show through the gap where the plating meets the exposed gum. Metal parts are implanted in the head -- flat plates screwed into the shaved temple, a ribbed socket at the brow -- and from them a bundle of tubes and hoses runs down into the face: two thick corrugated hoses entering the hollow of the missing nose, thinner wires stitched into the cheek and the corner of the jaw, each entry point crusted with blood and proud swollen flesh. Scars cross the forehead and the neck; along the right jawline a split in the skin shows wet red flesh peeking through the wound, and a slow line of blood runs from the cheek entry down over the metal jaw to hang, gathered, at the lowest point of the chin before it falls. He wears a grey jet pilot suit, its high collar buckled at the throat and its shoulder seam visible at the bottom edge of the frame, the fabric scuffed and dark where blood has soaked it. The single light source is a cold overhead lamp above and slightly behind the camera's left, striking the metal implants, the wet teeth and the blood so they glare white while the far side of the head and the depth of the nasal cavity go pure black; a hard cast shadow drops from the jaw onto the collar. Palette is restricted to the grey of the suit and plating, the black of hair and shadow, and the red of blood and exposed flesh, nothing else admitted, with the whole surface finished in fine ink linework over dense crosshatching and heavy shading that thickens in the sockets and the wounds. Brutal, surgical.
Siemens
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1boy, solo, gore, mutilated face, no nose, torn skin, no lips, prosthetic jaw, robotic jaw, robotic eyes, short black hair, black eyebrows, bleeding scars, green pilot suit, wires implanted in head, hoses implanted in head, metal parts implanted in head, blood on face, cyborg, portrait, close-up, from side, three-quarter view, head turned, looking at viewer, heavy shading, crosshatching, linework, detailed A tight close-up from slightly to his left, his head turned three-quarters toward the lens, chin lifted a fraction as if he has just raised it against the weight of the apparatus. He is a lone man in a green pilot suit, and the frame holds nothing but his head and the top of his collar: his short black hair is cropped close to the skull, lying flat and matted at the temples where blood has soaked in, and his black eyebrows sit unbroken above the machinery of his eyes. Both eyes are robotic -- paired optical units set into wet, inflamed sockets, dark glass lenses ringed by thin steel bezels, the left unit seated marginally deeper than the right, each iris-plate reflecting one small hard pin of light. Where a nose should be, the face is smooth: the skin drawn tight and glossy over the flat nasal bridge, no nostril, no flare, just an unbroken sealed plane with a hairline seam running up its centre. His mouth is a prosthetic jaw -- a machined lower mandible of brushed dark metal bolted at both hinges, its teeth a rank of square steel blocks, the gum line a raw red channel behind them, the whole assembly leaving the upper lip and cheeks torn open so the exposed muscle of the cheek shows slick and granular at either corner. Torn skin peels back from his cheekbones and forehead in curling flaps, the underside of each flap paler than the outside, edges tacky and darkening as they dry. Bundles of hoses enter his skull at the right temple and behind the left ear, ribbed black tubing sagging an inch before it disappears into a collar port at his neck, thin wires stitched through the scalp along his hairline and pulled taut where they dive into the brow; a flat metal plate is inset above his left brow with four countersunk screws, the skin puckered around it. Blood runs in three separate tracks -- one from the plate, one from the right hose port, one along the jaw hinge -- each track thickest at its source and thinning as surface tension gives out, beading at the chin. Old bleeding scars cross the temple and the corner of the cheek in raised pink lines. The lighting is a single hard key from his upper right, cold and slightly green: it catches the bezel edges, the wet teeth, the glossy no-nose plane, and the blood's high points, while the left side of his skull falls into near-total shadow and the hoses sink into blackness. Palette held to the green of the suit, the cold grey of steel, and the deep red of blood and torn tissue against a background of pure dark, nothing else admitted. Heavy shading laid down in dense crosshatched shadow masses, fine parallel linework modelling the metal and the exposed cheek, ink-dark contour lines closing every edge. Clinical, unflinching.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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