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user-2076165059354022867
Show Parameters
- Original Prompt
- Yuji itadori in an abandoned building. His ankles are taped together by safety tape and so are his knees thighs shins and calves. His arms are taped behind his back. He’s tape gagged by safety tape and there’s some wrapped around his torso
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
Show morecharacter: itadori_yuuji, itadori_yuji
1girl, solo, itadori yuuji, short hair, pink hair, spiked hair, undercut, brown eyes, facial mark, hood down, black jacket, red hoodie, long sleeves, lying on side, from above, dutch angle, bound, arms behind back, tape binding, safety tape, ankles bound together, knees bound together, thighs bound together, shins bound together, calves bound together, tape around torso, tape gag, mouth covered, struggling, head tilted back, looking up, concrete floor, abandoned building interior, dust motes, hard side light, high contrast, palette of grey concrete, yellow hazard tape and pink hair, gritty atmosphere, tense,
The camera looks down from a high, tilted angle over a boy lying on his side on bare concrete inside an abandoned building, his body curving in a shallow arc with his head thrown back and his chin lifted, eyes rolled up and to the left toward a broken window out of frame. He has short spiky pink hair with darker shaved undercut at the nape, brown eyes, and a thin scar mark at the outer corner under one eye. He wears a black long-sleeved jacket over a red hoodie, the hood bunched flat behind his neck against the floor with the jacket's hem rucked up at his waist and one shoulder pulled askew by the strain of his arms. Both arms are wrenched behind his back, wrists buried under each other at the small of his back, shoulders drawn together so the jacket strains across his shoulder blades and his chest pushes forward; hazard-yellow safety tape crosses his torso in three overlapping bands, one across the chest over the upper arms and two wrapping the midriff, peeling slightly at the seam where the top band doubles back on itself. Yellow safety tape with its repeating printed pattern binds him at every joint: ankles pressed together and wrapped in a flat overlapping cuff, calves bound in a second band, shins in a third, knees cinched tight in a broad wrap that dimples the trousers, thighs locked in a wide band above the knee, and a strip of tape laid diagonally across his mouth in a gag with its torn end lifting at one corner. His trousers crease in deep folds at each wrap and the fabric bulges slightly where the tape bites. The concrete floor is grey, stained and cracked; pale dust is kicked up in a faint haze at his hip where his weight has just shifted, and the tape's torn edges cast thin hard shadows to the left. A single hard shaft of light from a shattered window at the right lays a bright band across his ankles and the side of his face, leaving the rest of the room in deep cool grey; the light source is a low sun off-frame right and nothing else illuminates the floor. The palette stays concrete grey, hazard yellow, red hoodie and pink hair. Tension held in stillness, gritty and claustrophobic.
user-2076165059354022867
mm
character: itadori_yuuji, itadori_yuji
1boy, solo, itadori_yuuji, short pink hair, undercut, spiked hair, brown eyes, facial mark, lying on back, lying in back seat of a car, reclined, cramped interior, arms behind back, bound arms, bound legs, bound together, tape bondage, caution tape, yellow and black tape, tape gag, gagged, mouth tape, torso tape, ankles tied, knees tied, thighs tied, shins tied, calves tied, hood down, red hoodie, black jacket, long sleeves, pants, sneakers, from above, high angle, looking up, looking at viewer, wide-eyed, strained expression, furrowed brow, sweatdrop, interior car, back seat, upholstery, window, daylight through window, single subject, restricted mobility
Shot from above, high inside the cabin, looking down over the top of the back seat into the cramped rear of an ordinary sedan: the pink-haired young man with a spiked short undercut and a narrow black marking under his eyes lies flat on his back along the seat cushion, shoulders wedged into the fold where the backrest meets the cushion, his hood down and bunched behind his neck so his head rests on the red hoodie's collar. A long strip of yellow and black caution tape crosses his mouth, its printed warning band running from cheek to cheek and pressed flat into the corners of his lips, catching the light along its crease. His arms are pulled behind his back, out of sight beneath his hips, and the sleeves of the black jacket are stretched taut across his shoulders where the tape pins them; loops of yellow-black tape wrap around his torso over the hoodie and jacket, cinching the fabric into folds that pull across his chest. Down the length of the seat his legs lie together, sneakers toe-up at the far end against the door panel, with a band of tape hugging his ankles, another cinched tight around his shins, another around his calves, one across his knees pressing the kneecaps together, and one around his thighs compressing the fabric of his pants into horizontal wrinkles, every band printed with the same black-on-yellow caution lettering and slightly overlapping where the wrap doubled back.
His chin tips up against the seat back so he can look toward the lens, eyes wide and one brow pulled, a strained set to his jaw under the gag and a sheen of sweat at his temple; his nostrils flare with a short breath. Daylight comes from the side window in a single hard shaft, striping the yellow tape with real light and leaving the far half of his torso in the dark of the cabin; the window glass throws a faint soft reflection across the seat leather beside him, and his bound legs press a shallow dent into the cushion. Muted interior palette -- worn grey-beige upholstery, cold black shadows, the red hoodie's sleeve, and the yellow warning bands as the brightest thing in frame, their black print the only other high-contrast note. Tense, claustrophobic.
Matty Murray
character: itadori_yuuji, itadori_yuji
1boy, solo, muscular, muscular male, short pink hair, spiked hair, black undercut, brown eyes, facial mark, red hoodie, black jacket over it, long sleeves pushed up, black pants, bare forearms, bound, web bondage, spider web, massive spider web, cave, web strands across arms, webbing wrapped around torso, webbing around upper arms, wrists bound behind back, ankles tied together, knees bound, high thighs bound, thick webbing bands, cleave gag, web gag over mouth, gagged, strained expression, furrowed brow, gritted teeth behind gag, sweat, tensed biceps, veins on arms, arched back, head tilted back, looking up, from below, low angle, wide shot, foreshortening, dark cave, single light shaft from above, dust motes, cool blue-grey palette, pink hair accent, web glistening, taut strands, strained webbing
The camera looks steeply up from the cave floor: a short-haired, spiked pink-haired young man with a black undercut, brown eyes and a facial mark hangs suspended in the middle of an enormous spider web that fills the cavern's vault, the radial anchor lines running out past him into the dark. He is powerfully built, shoulders and chest broad under a red hoodie worn beneath a black jacket, both sleeves shoved up above the elbows so the bare, corded forearms show; the fabric strains at the chest as his back arches. His arms are pinned to his sides and dragged behind him, lashed to the web by thick band after band of pale webbing that crosses his biceps, wraps his torso twice beneath the ribs, and pins his wrists together at the small of his back. Below, his ankles are cinched tight against each other in a single wound cuff of webbing, and separate rope-thick strands loop his knees and bite into his high thighs, pulling his legs slightly apart and back so his weight sags into the web's give. A broad swath of webbing is drawn hard across his mouth as a cleave gag, pressing his lips flat and dimpling his cheeks, its ends knotted off toward his jaw. His chin is lifted, head tipped back, eyes angled up the shaft of light; his brow is crumpled and he is breathing hard through his nose, sweat beading at his temples and rolling down his neck into his collar. One light source only: a narrow shaft from a crack in the cave roof far above, striking the crown of his head, the tops of his shoulders and the upward faces of the web strands, leaving his jaw, chest and the underside of the strands in cool darkness. Individual web fibers catch the light and glow silver-white while the surrounding rock stays deep blue-grey, and his pink hair is the one warm accent. Every strand that bears his weight is visibly stretched thin and lengthened, the ones at his ankles and knees drawn to taut needles. Tense, claustrophobic.
user-2076044684624996002
mm
character: bakugou_katsuki
1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir
Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash.
The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray
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