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AI art "Gyarus watching a horror movie" featuring #Uma Musume Pretty Derby, #Gold City, #Tosen Jordan, #Daitaku Helios and #Mejiro Palmer
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Gyarus watching a horror movie

Daitaku Helios, Mejiro Palmer, Tosen Jordan, and Gold City frightened from a horror movie

#Uma Musume Pretty Derby#Gold City#Tosen Jordan#Daitaku Helios#Mejiro Palmer
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character: daitaku_helios_(umamusume), mejiro_palmer_(umamusume), tosen_jordan_(umamusume), gold_city_(umamusume), copyright: umamusume 4 girls, four subjects, horse girls, horse ears, horse tail, on couch, sitting on couch, watching horror movie, frightened, scared, startled recoil, huddled together, leaning away, wide-eyed, open mouth, gritted teeth, looking at object, looking at tv, in dark room, tv light, from above, dutch angle, cowboy shot, long hair, multicolored hair, streaked hair, side ponytail, hairclip, brown hair, blue hair, hair between eyes, blue eyes, blonde hair, bow, twintails, ponytail, purple eyes, crouching, knees up, arms up, hands over ears, clutching cushion, gripping armrest, cowboy shot, dark interior, sofa, coffee table, television screen glow, letterboxed horror film on screen, dim room From a high angled shot tilted a little off level, looking down over the back of a wide dark-grey fabric couch at four horse girls packed shoulder to shoulder, seen across the length of the room as one frightened huddle. The room is a small living room at night: the couch occupies the lower two thirds of the frame, a low coffee table with a half-finished bowl of popcorn sits in the near foreground below them, and the only light comes from a television set facing the couch out of frame at the bottom -- so the girls are lit from the front and below, a cold flickering blue-white glow raking up their faces, throwing their shadows back onto the couch fabric and the wall behind them; beyond the reach of that glow the room falls into near-total darkness, with the vague shapes of a shelf and a curtain just readable. Far left, the girl with short brown hair striped with a vivid blue streak, a side ponytail swung forward over her shoulder, a small hairclip at her temple, hair falling between her eyes: she has pulled her knees up onto the cushion and shrunk back into the couch corner, both hands clamped over her horse ears, her horse tail bristling out to the side, eyes squeezed almost shut, mouth open in a wail, body twisted away from the screen. Beside her, pressed hip to hip, the long brown-haired girl with a pale blonde streak through her ponytail, a white open jacket over a yellow shirt and green skirt, thin gloves on both hands: she has slid down so her shoulders meet the cushion back, one gloved hand fisted in the fabric of the couch, the other flung out to grab the forearm of the girl next to her, her horse ears pinned flat back along her head and her tail curled tight around her own hip, chin tucked down, eyes wide and fixed on the screen, teeth clenched. Third from the left, the long brown-haired girl in twin tails, hair loose and swinging forward as she recoils, a floral print dress slipping off one shoulder with a bracelet on her bare wrist and a small ornament at one ear: she is half-turned away from the television with one knee drawn up across the cushion, both hands shoved up in front of her face with fingers spread, peeking between them, her horse ears swivelled back and her horse tail wrapped around her thigh, one eye shut and one eye cracked open at the screen. Far right, the blonde with long hair and a blue bow, sitting in a black open jacket over a bandeau and denim shorts: she has seized a cushion and hauled it up in front of her chest, hugging it under her chin with both arms, sunk low into the seat so her bare knees come up over the cushion edge, her horse tail flicking stiffly out along the armrest, eyes wide and glossy, mouth open, staring fixedly at the screen. All four lean and flinch in the same direction away from the television, their shoulders overlapping in a single line of contact, and all four gazes converge on the same off-frame screen; the fabric of the couch compresses under their weight with the cushion seam pushed out of shape between them. Palette limited to the couch's dark grey, the cold cyan-white of the screen light, and each girl's own hair and clothing colours catching that light at their edges. Anti-convergence: nothing symmetric, no one facing the camera. Tense, comic-sweet.
Show Parameters
Original Prompt
daitaku helios (umamusume), mejiro palmer (umamusume), tosen jordan (umamusume), gold city (umamusume), on a couch, watching a horror movie, frightened
Mode
flash
Size
1408 x 1408
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character: kitasan_black_(umamusume), el_condor_pasa_(umamusume), daiwa_scarlet_(umamusume), copyright: umamusume 3 women, 3girls, daiwa scarlet \(umamusume\), el condor pasa \(umamusume\), kitasan black \(umamusume\), large breasts, thick thighs, round bottom, long hair, twintails, hair intakes, bow, horse ears, animal ears, red eyes, brown hair, hair between eyes, very long hair, domino mask, eye mask, long hair, ponytail, blue eyes, horse tail, tail, black hair, multicolored hair, streaked hair, short hair, white hair, ahoge, hair ornament, cream long-sleeved polo shirt, collared shirt, athletic shorts, barefoot, bare feet, soles, teary eyes, tears, crying, wet eyes, trembling, nervous, anxious, worried, hugging, sitting on sofa, couch, indoor, living room, warm lighting, tea cup, holding cup, offering tea, casual clothes, homewear, comforting, consolation, from side, cowboy shot, natural pose, detailed eyes, detailed hands, high quality, masterpiece, 4k, eye-level three-quarter view, A warm domestic living room at night, seen in a three-quarter eye-level shot that holds all three women at once in a shallow spatial arc: a deep-cushioned cream sofa fills the midground, a low wooden coffee table sits in front at knee height, a floor lamp glows at the left edge of frame, and behind the sofa a plain wall carries a softly fuzzy warm interior. On the sofa two of them sit together while the third approaches from the right. Daiwa Scarlet sits sunk into the left seat of the sofa, her long brown twintails spilling over the cushion back, her red eyes brimming and glossy with two tears breaking loose and running down each cheek; her cream long-sleeved polo crumples at the shoulders where she has drawn them inward, her bare feet press into the cushion edge with toes curled, her athletic shorts ridden up at one thigh, and her whole heavy frame leans leftward into the other woman with both arms wrapped around her, hands grabbing fistfuls of the other's homewear at the shoulder blade -- clutching rather than resting, her chin near the other's collar, breathing shallow, mouth trembling open, eyebrows drawn high and pinched. Her thick thighs press together, and her round bottom has compressed a visible dent into the sofa cushion beneath her hip. El Condor Pasa sits beside her in the right seat, turned inward toward Daiwa Scarlet, her long brown ponytail falling forward over one shoulder as she leans down and around; her blue eyes sit just above the white domino mask covering the upper half of her face, and the visible lower half is tight with worry, lips pressed thin. She wears soft casual homewear -- a loose knit cardigan over a plain top and soft loungewear trousers -- and her right arm comes around Daiwa Scarlet's back, her palm flat and firm between her shoulder blades, rubbing a slow small circle; her left hand cups the back of the other's head, fingers threaded gently into the brown twintails. She is looking down at Daiwa Scarlet's face, her own brow furrowed, her shoulders slightly hunched with the effort of staying calm. Beneath the fabric, her own shoulders are tense; one of her horse ears is flicked back toward the crying woman while the other stays alert. Her tail lies curled along the sofa arm behind her. Kitasan Black approaches from the right, caught mid-crouch as she leans forward over the sofa arm, weight on her front foot and back heel lifting; her short black-and-white streaked hair with its little ahoge swings forward, red eyes wide and worried, hair ornament catching the lamplight. Dressed in a soft oversized casual hoodie and relaxed shorts, she holds a ceramic teacup in both hands out toward Daiwa Scarlet, arms extended, offering it; the tea steams in a thin curl. Her mouth is slightly open as if about to speak, her brows raised and drawn together, gaze fixed on Daiwa Scarlet's wet face. Her horse ears stand at half-mast. Between her fingers and the cup's rim, her grip is careful, thumbs braced against the sides of the cup. Her tail hangs low behind her knees. The only light is the floor lamp at frame left plus a soft warm spill from an unseen doorway at right; the lamp throws a golden side-light across Daiwa Scarlet's tear-streaked cheek and the fogged surface of the tea, and the shadow side of the sofa falls into deep warm brown. The steam rising from the cup bends slightly toward El Condor Pasa's lowered face. Palette confined to cream, warm brown, and muted homewear tones with the tea's amber as the one bright accent. Tender, quiet.
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