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AI art "Hydrating" featuring #Granblue Fantasy
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Hydrating

#Granblue Fantasy
Avatar image of Dermot

Dermot

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A full body shot, eye-level illustration depicts a gorgeous woman in her 20s floating weightlessly in the center of a space station's observation cupola. She has a lean, athletic sprinter's build with muscular thighs and calves, fair freckled skin, and very long, wavy dusty-red hair that drifts like a cloud around her. She wears a matte white cropped flight suit top with rolled sleeves and an open collar, paired with very short grey ripstop cargo shorts featuring hazard-orange piping and a webbing belt. She is curled loosely in the air, knees drawn to her chest, sipping from a silver coffee pouch with her right hand while her left arm wraps around her shins; she gazes at the viewer with a lazy, inviting smile in her pale grey-green eyes. The cupola features seven aluminum-framed windows revealing the curved Earth and station trusses against a starless black vacuum. The scene is bathed in brilliant, unfiltered sunlight from above, creating a glowing rosy halo in her hair and high-key gradients on her skin, contrasted by a soft blue earthshine in the shadows. The atmosphere is serene and bold, rendered with clean linework and a luminous, cool-toned palette.
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Original Prompt
A full-body, eye-level illustration of a young woman in her 20s, a crew member off shift in the observation cupola of the station, the best seat in the solar system. The vibe is hard sci-fi, and the whole image feels bold, serene and openly sexy, a quiet moment above the whole world. She is lovely and gorgeous, with a sprinter's build: above average height, with average shoulders, a lean, clearly defined body, a narrow waist, firm hips, a round, muscular bottom and heavily muscled thighs, every line of her taut and quick, built for explosive bursts of speed, with long, powerful calves and a light, springy way of moving, and medium, shapely breasts. She has fair skin with a dusting of pale freckles across her nose and cheeks, an oval face with high cheekbones, a straight, slender nose and full, soft lips, and large, pale grey-green eyes with long, light lashes. Her expression is relaxed and inviting, a slow, lazy smile and a soft, warm look in her grey-green eyes. Her hair is very long, wavy hair: soft, even S-shaped waves from the crown all the way down, one unbroken length falling past her shoulders and waist, down to her knees, full and flowing, and its colour is a muted, dusty red, like faded brick and dried roses. She wears her flight suit cropped and reduced: a tiny cropped top cut from the upper half of a matte white flight suit, ending high on her ribs, with its short sleeves rolled to her shoulders, its stand-up collar open and its black zip pulled down to her breastbone. Low-slung cargo shorts of grey ripstop, cut very short, with flapped side pockets, hazard-orange reflective piping along the hems and a webbing belt with a black plastic buckle, sit low on her hips, so that her shoulders, her arms, the V of her chest, her whole toned midriff, her hips above the waistband and her long, heavily muscled legs are bare. She wears a round embroidered mission patch on her left shoulder showing a ringed station over a blue planet on the cropped sleeve, a pair of compact binoculars floating on a short tether from her belt and grey grip socks on her feet. Her makeup is soft: a rosy tinted balm, a little mascara on her pale lashes, a dewy finish and her freckles bare. Her short nails are filed square and painted a matte hazard orange, chipped a little at the tips from work. The setting is the observation cupola of a space station: a dome of seven thick windows framed in grey aluminium, a large round window at the centre and six trapezoid panes around it, each with a sliding metal shutter drawn back. Through them the whole curve of Earth fills the view below, blue oceans, swirls of white cloud and the brown of a desert coast, with the thin blue line of the atmosphere glowing at the horizon against the black of vacuum. Outside, the long white truss of the station's spine stretches away, lined with huge dark blue solar arrays and folded white heat radiators, and a cone-shaped crew capsule sits docked at a port. Inside the cupola, grey handholds ring the window frames, a laptop is fixed to a bracket beside a control panel for a robotic arm, and a floating pair of headphones drifts on its cable. In the foreground, softly out of focus, a grey window frame crosses the lower left corner, and a drifting packet of dried fruit floats at the lower right. She floats in the middle of the cupola with her body facing the viewer, curled loosely in the air with her knees drawn up to her chest and her left arm wrapped round her shins, her grip-socked feet crossed at the ankles. Her right hand holds a silver squeeze pouch of coffee to her lips, sipping through its straw, and her weightless body rotates very slowly. Her very long dusty-red hair floats up and out around her in a soft, drifting cloud of waves that fans wide against the windows, and she gives the viewer her slow, lazy smile over the pouch. The raw, unfiltered sunlight pouring through the cupola windows above her on the right is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in brilliant, clean white, lights each freckle, glows on her rosy lips, puts bright, sharp catchlights in her grey-green eyes and pours over her bare shoulders, the white cropped top, her midriff and her drawn-up legs. The much weaker soft blue earthshine rising from the planet below fills the shadows under her chin, her arms and her thighs with a cool, pale glow. The sunlight sheens the white ripstop, glints on the aluminium window frames, the silver coffee pouch and the binocular lenses, and turns her floating dusty-red waves into a glowing rosy halo. Her fair skin takes a soft, luminous sheen wherever the light reaches, with a clean glow along her shins and the curve of her midriff. Beyond the windows the black of space is deep and starless in the glare. Cool Softlight style: clean, crisp linework with soft, high-key gradient shading and glossy highlights, a cool, desaturated, frosty palette with a soft diffused and backlit glow rather than hard shadow, and a smooth, luminous finish with a gentle studio-portrait feel, the sunlight falling in clean, high-key gradients across white fabric and skin. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every rolled sleeve, collar and zip of the cropped white top, the flapped pockets and reflective piping of the short grey cargo shorts, the webbing belt and buckle, the mission patch, the tethered binoculars and silver coffee pouch, the grip socks, the seven windows and their aluminium frames, the curve of Earth with its oceans and clouds, the solar arrays and the docked capsule drawn sharply and precisely. The palette is cool and luminous: matte white and station grey, hazard orange, ocean blue and cloud white, the thin blue line of the atmosphere, dark solar-panel blue, the black of vacuum, fair, freckled skin and dusty-red hair.
Mode
standard
Size
1280 x 960

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.93k

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sharp cel shading, detailed lineart, very beautiful light, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", masterpiece, best quality, vibrant colors, intricate detailed lines, rim lightning, sharp eyes, intense look, dense eyelashes, glossy hair, detailed background, upper body, looking at viewer, light blush, light smile, bare shoulders, indoors, summer, night, sitting on floor, holding cup, drinking straw, oversized clothes, oversized shirt, shorts, barefoot, coffee, cup, window, blurry background, depth of field, bokeh, scenery
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