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Lizzie

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character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Show Parameters
Original Prompt
maomao (kusuriya no hitorigoto), kusuriya no hitorigoto, 1girl, solo, long hair, looking at viewer, blue eyes, hair ornament, closed mouth, bare shoulders, full body, twintails, collarbone, flower, small breasts, green hair, hair flower, chinese clothes, bandages, camisole, hair rings, bandaged arm, multi-tied hair
Mode
flash
Size
1232 x 1632
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Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie
AI artwork
Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie
AI artwork
Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie

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