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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Lizzie

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Lizzie

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character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
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Original Prompt
maomao (kusuriya no hitorigoto), kusuriya no hitorigoto, 1girl, solo, long hair, looking at viewer, blue eyes, hair ornament, closed mouth, bare shoulders, full body, twintails, collarbone, flower, small breasts, green hair, hair flower, chinese clothes, bandages, camisole, hair rings, bandaged arm, multi-tied hair
Mode
flash
Size
1232 x 1632
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie
AI artwork
Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie
#The Apothecary Diaries#Maomao#PixAI Halloween 2026
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Avatar image of Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, solo, full body, looking at viewer, closed mouth, blue eyes, green hair, long hair, twintails, multi-tied hair, hair rings, hair flower, hair ornament, blunt bangs, chinese clothes, camisole, bare shoulders, collarbone, small breasts, bandages, bandaged arm, standing, contrapposto, hand on own arm, head tilt, from below, full-length shot, plain off-white studio ground, A single young woman stands alone on a seamless, completely empty off-white field, staged as a full-length figure study and seen from slightly below eye level, so the camera sits near her waist height and looks a little upward: her chin lifts just enough that her throat opens, and the floor reads as a soft flat gradient with no horizon line. She is turned a quarter away from square, weight settled on her right leg with her left knee relaxed and her left foot a little forward on the ball, hip pushed out slightly; the pose gives her a lazy, sideways asymmetry rather than a straight-on stance. Her long green hair falls well past her waist and is gathered into two tails that are tied at several points down their length with slim hair rings, each tie pinching the strand into a small successive bulge so the tails read as a chain of soft segments swinging a little behind her shoulders; blunt bangs cut straight across her brow. A flat cloth hair flower sits at the left side of her head above the ear, and a small hair ornament pins the right side. Her eyes are blue and level at the lens, calm and appraising, lips pressed shut in a flat closed line with the corners neither lifted nor pulled down; brows level, one a hair higher than the other. She wears Chinese-style clothes with a high crossed wrap collar that closes at the throat, and beneath and beside it the loose camisole layer is slipped off her shoulders, so both shoulders are bare from the slope down, the collarbones fully uncovered and catching the light in a thin bright line across the base of her neck. The fabric is soft and slightly matte, falling away from the bare skin, and the small swell of her chest barely lifts the loose front of the camisole. Her right forearm and the back of her right hand are wrapped in layered off-white bandages, the strip edges crossing diagonally and one loose end tucked in at the wrist; her other hand rests across that forearm, fingers curling lightly over the bandaged wrist, holding the arm close to her body. The wraps crease where the arm bends and lift slightly at the inner elbow. The lighting is one broad, soft studio source from the front left, high, so a gentle fall of shadow runs down the right side of her throat and under the loose fabric at her waist, and a short soft contact shadow pools at her feet on the seamless ground, spreading a little to the right; there is no second light and no defined background. The whole image is held to a restrained palette of pale off-white ground, muted green in the hair, the cooler blue of the eyes, and the warm cream of the bandage cloth and her skin. Her gaze stays steady on the viewer, and the stillness is quiet and a little sly.
Lizzie
AI artwork
c
artist: w_zhengz 1girl, solo, full body, standing, looking at viewer, gray-blue eyes, shiny eyes, long hair, dark green hair, flowing hair, hair spread out, pale skin, delicate face, soft anime features, gentle expression, light smile, closed mouth, white greek-style dress, short dress, elegant tunic style, loose draped fabric, silver crystal ornaments, intricate ornamentation on dress, silver gem necklace, silver shoulder decorations, silver arm bangle, bare legs, bare feet, contrapposto, hand on own hip, other arm relaxed at side, head tilt, backlit, morning light, rim light, light glowing through strands of hair, white background, pure white background, simple background, no background, oil painting feel, visible brush strokes, semi-thick paint, soft painted anime rendering, semi-realistic anime style, fine line art, cross-hatching texture, shiny gem details, watercolor and oil hybrid, no watermark, no signature, no text, nothing obscuring the figure, sexy, beautiful, refined A full-body vertical composition of one young woman standing alone against a flat, pure white seamless field — no floor line, no horizon, no cast ground, nothing but her. The camera sits slightly below her eye level and a touch farther back than arm's length, so the whole figure from crown to bare feet fits inside the frame with a margin of white all around; the slight upward angle lengthens her and gives her presence. She stands in a relaxed contrapposto: her weight rides on her left leg with the left hip pushed high and out, the right knee bent and the right foot set forward and slightly crossed inward, toes pointed. Her left hand rests flat on the crest of her left hip, fingers spread over the folded fabric; her right arm hangs loose with the wrist just brushing the outer thigh. Her shoulders drop away from her ears, her sternum is open, her chin dips a fraction and tilts a few degrees to her right, and her eyes — bright, glossy gray-blue with a hard pinpoint of light in each iris — look straight down the lens. Her expression is gentle: lids slightly lowered, a soft closed-lip smile, the corner of her mouth lifted a little higher on one side, one brow raised barely a millimetre. Her dress is a white Greek tunic, short enough to end at upper thigh, cut as a draped tube of fine fabric caught at both shoulders and cinched under the bust with a narrow cord, so the cloth falls in long soft diagonal folds that break and re-gather at her hip. The hem ripples out at her left side where her hand presses it. Intricate silver crystal ornaments trace the neckline and the shoulder seams in small clustered faceted settings, catching cold white highlights; a silver chain necklace sits in the hollow of her throat with a single teardrop gem resting on her sternum; silver shoulder decorations clasp each deltoid as a fine filigree crescent; a broad silver bangle slides down her right forearm toward the wrist, sitting a little loose. The fabric is loose and translucent at its thinnest fold, opaque where the folds double over. Her long dark green hair pours over both shoulders and down her back, the strands at her temples and the outer edge of the mass lit from behind by a low, warm morning source placed just off the upper right of the frame, so the light passes between the individual hairs and they glow a thin yellow-green at the edges while the mass itself stays a deep bottle green; the same backlight rims the top of her left shoulder, the crest of her hip and the outer edge of her left thigh, and lays a faint warm bloom across her pale skin on the lit side only, with the shadow side of her face and body kept cool and soft. Every silver ornament catches that one source as a hard spark. The white ground is a single flat value warm-tinted just barely toward cream where the morning light bleeds in from the right corner; there is no shadow cast on it, only a faint darkening of her own form against it. Rendering is semi-thick oil paint over fine line art: visible directional brush strokes in the hair and the fabric folds, cross-hatching built into the shadow edges of the skin, gems painted with sharp wet highlights rather than lines. Wisps of hair lift away from her shoulder as if in a slow current of air, and the dress hem floats a half-inch off her thigh on that same air. Calm and luminous.
cvieo

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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