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AI art "Fierfly: Jane (genderswap) - In her bunk"
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Fierfly: Jane (genderswap) - In her bunk

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Dermot

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A full-body shot from an eye-level angle depicts a (genderswap_(mtf):1.5) woman in her 30s reclining on a narrow bunk aboard the transport Serenity. She has an inverted-triangle build with broad shoulders and toned arms, light sun-browned skin, and chestnut brown mullet hair. She wears a bright orange, mustard yellow, and red striped knitted wool hat with earflaps and a pom-pom, and a minimal set of red cotton underwear with black elastic bands consisting of a sporty bralette and high-cut briefs. She lies back with her hands laced behind her head on a flat pillow, elbows spread wide, looking at the viewer with a wide, shameless grin and glinting blue-grey eyes; her left knee is drawn up while her right leg stretches long. The cabin is a cluttered bedroom-armoury with a wall of rifles and pistols, an army-green blanket, a bottle of beer, and a starry porthole. The lighting is a warm yellow glow from a work lamp contrasting with cool silver starlight, rendered in a clean-line Franco-Belgian ligne claire style with flat colors and precise, hyper-detailed linework.
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Original Prompt
A full-body, eye-level illustration of a woman in her 30s, a genderswapped Jayne Cobb, the hired gun and muscle of the transport Serenity, all brawn, bravado and an unexpected soft spot for her mother, off duty in her bunk with nothing on but her underwear and her mother's hat. The vibe is Out in the Black, a frontier space western of battered transports, dusty border moons, Browncoat grit and silk-and-lantern Core elegance, and the whole image feels funny, brash and boldly sexy, a big woman with zero shame. She is lovely and gorgeous, with an inverted-triangle build: tall, with very broad shoulders, a toned upper back and arms, a straight, average waist, narrow hips and slim thighs, her shoulders clearly wider than her hips, a big, swaggering, cocky way of standing, and large, full breasts. She has light, sun-browned skin, a bold, pretty face with strong cheekbones, a smooth, clean jaw softly rounded at the chin, a slightly crooked nose and a wide, smirking mouth with full lips, and narrowed blue-grey eyes under heavy brows. Her expression is bold and teasing, a wide, shameless grin on her full lips and her blue-grey eyes glinting with cocky mischief. Her hair is a mullet: the hair short and textured at the front and sides, with choppy bangs, and left long at the back so it falls in a shaggy tail down her neck to her shoulders, and its colour is a chestnut brown: a rich, warm, medium-dark brown with a reddish undertone, like a polished horse chestnut, glowing faintly red-brown where the light catches it. On her head she wears a hand-knitted wool hat in bright orange, mustard yellow and red stripes, with long earflaps ending in braided ties and a fat orange pom-pom on top, pulled down snug, the earflaps hanging beside her cheeks. Apart from the hat she wears only a little set of red cotton underwear trimmed in black: a sporty bralette of red cotton with a wide black elastic band beneath her large breasts and thin straps, the soft cotton stretched tight, and a tiny pair of matching high-cut briefs with a black waistband sitting low on her hips, so that her broad shoulders, her strong arms, her chest above the little bralette, her whole stomach and waist, her hips and her long legs are bare, her feet bare on the blanket. Her makeup is smudged and cheeky, a dark liner smeared at the outer corners, a flush across her cheeks and a berry lip. Her nails are short, square and unpolished. (genderswap_(mtf):1.5) The setting is her bunk aboard the transport Serenity, a small steel cabin that is part bedroom and part armoury. One whole wall is a rack of guns: rifles, shotguns, pistols and knives hung in neat rows on pegs, with Vera given pride of place in the centre on her own brackets. A narrow bed built against the curved wall is covered with a rumpled army-green blanket and a flat pillow, and a shelf above it holds a bottle of beer, a box of cartridges, a whetstone and a framed photograph of a stern old woman. Faded pin-up posters of handsome men are tacked to the bulkhead beside a calendar, a pair of iron dumbbells and a punching mitt lie on the deck, her combat boots are kicked off by the ladder, and a round porthole shows the starry black outside. A hand-knitted scarf in the same orange, yellow and red stripes as the hat hangs from a peg, folded with surprising care. In the foreground, softly out of focus, an iron dumbbell on the deck fills the lower left corner, and the bottle of beer on the shelf edge sits at the lower right. She lies back on her narrow bed with her body turned toward the viewer, both hands laced behind her head on the flat pillow so her elbows spread wide and her arms and chest lift. Her left knee is drawn up and bent, her foot flat on the blanket, and her right leg stretches long down the bed. The fat orange pom-pom of the hat sticks up against the pillow and the earflaps sprawl beside her face. She looks down her body at the viewer with glinting eyes and a wide, shameless grin, entirely pleased with herself. The warm, yellow glow of the small work lamp clamped to the shelf above the bed is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in strong, warm light, catches her grin, puts two warm catchlights in her blue-grey eyes and pours down over the bright striped hat, her spread arms, the stretched red bralette, her flat stomach, the little red briefs and the long bare line of her thighs. The much weaker cool silver starlight from the round porthole lays a faint pale edge along her far side and her raised knee. The lamplight gleams on the rows of oiled guns on the wall, Vera's brass scope and the beer bottle, and makes the orange and yellow wool of the hat glow. Her light, sun-browned skin takes a warm, ruddy, glowing sheen wherever the light reaches, brightest on her chest, her stomach and her thighs. The little cabin around her falls into warm, cluttered shadow. Franco-Belgian ligne claire style: clean-line Franco-Belgian comic art, crisp, even linework and flat, restrained colour throughout, every shape clearly outlined and every surface read at a glance, the lamplight laid down in crisp, even outlines and flat, restrained colour, the bright hat and the red set read cleanly at a glance. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every knitted stitch and stripe of the hat, its earflaps and fat pom-pom, the red cotton bralette and briefs and their black bands, the rumpled army-green blanket, the wall of rifles, shotguns, pistols and knives, Vera on her brackets, the beer bottle and photograph, the pin-up posters, the dumbbells, the striped scarf and the starry porthole drawn sharply and precisely. The palette is hat orange, mustard yellow and red, red cotton and black, army green and gunmetal, warm lamplight, starlight silver, light, sun-browned skin and chestnut hair.
Mode
standard
Size
1280 x 960

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.83k

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