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AI art "Love this song"
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Love this song

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Dermot

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A full body shot, eye-level view of a stunning woman in her 30s, an intrepid aviatrix and archaeologist, lounging in her cabin aboard a 1930s paddle steamer. She is depicted with a lean, athletic sprinter's build, golden-tan skin with freckles, and sleek, shoulder-length black hair with a bottle-green sheen. Her amber eyes are heavy-lidded and she wears a sultry smile. She is dressed in ivory silk crepe lingerie with orchid-violet lace edges—a bandeau brassiere and high-waisted tap pants—and accessories including a gold serpent armlet on her left arm and a brass compass resting between her breasts. She reclines in a striped canvas hammock; her right leg dangles over the edge while her left hand holds a black vinyl record near her face. The teak-panelled cabin features brass fittings, a slowly turning ceiling fan, a gramophone, and a golden jaguar-headed idol on a shelf. Outside the open louvred shutters, a moonlit river and jungle silhouettes are visible. The scene is bathed in cool silvery moonlight and a dim amber glow from a brass lamp, rendered in a bold Silver Age Superhero Ink style with confident outlines and Ben-Day dots.
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A full-body, eye-level illustration of a woman in her 30s, an intrepid aviatrix and archaeologist of the 1930s, in her cabin aboard an old paddle steamer on the jungle river, the golden idol safe on her shelf and the expedition almost over. The vibe is 1930s pulp jungle expedition, and the whole image feels epic, sultry and openly seductive, moonlight, teak and ivory silk. She is lovely and gorgeous, with a sprinter's build: above average height, with average shoulders, a lean, clearly defined body, a narrow waist, firm hips, a round, muscular bottom and heavily muscled thighs, every line of her taut and quick, a woman who has outrun rolling boulders and river crocodiles alike, with long, powerful calves and a light, springy step, and large, full breasts. She has warm golden-tan skin with a sun-burnished glow and a light scatter of freckles across her nose, an oval face with high cheekbones, a straight, elegant nose and full, generous lips, and large, bright amber eyes under strong, dark brows, framed with thick, dark lashes. Her expression is sultry and contented, a slow, warm smile on her kissed rose lips and her amber eyes heavy-lidded and shining. Her hair is a sleek, straight shoulder-length cut: one smooth, glossy curtain of hair falling straight from a centre part to rest just on her shoulders, the ends neat and even, and its colour is a black with a bottle-green sheen: wherever the light catches it, the black glows with a deep, rich bottle-green shine, as on a raven's wing. She wears only a lingerie set of ivory silk crepe edged with orchid-violet lace: a soft bandeau brassiere on narrow silk straps that wraps her full breasts in smooth silk and shows their upper curves above a scalloped violet lace edge, and high-waisted tap pants of the same ivory silk, cut short and wide over her firm hips with violet lace at their hems. A gold armlet shaped as a coiled serpent with emerald eyes, taken from the ruins, circles her left upper arm, and the brass compass lies on its cord between her breasts, so that her shoulders, her arms, the upper curves of her breasts, her lean midriff, her thighs and her long, muscled legs are bare. Her makeup is moonlit: bare, dewy lids, a soft black mascara, a flush across her freckles and a rose lip worn soft. Her nails are short and practical, buffed to a natural shine, with the last chips of an orchid-violet polish left from her final night in port. The setting is her cabin aboard an old stern-wheel paddle steamer on the jungle river in the 1930s, packed with pulp-adventure detail: the walls are panelled in dark, oiled teak with brass fittings, and a hammock of striped canvas is strung across the cabin from two brass hooks, draped with a loose canopy of white mosquito netting. Tall louvred shutters stand folded wide open onto a narrow deck rail and the moonlit river, where the black shapes of giant trees, hanging lianas and drifting fireflies slide by. A brass ceiling fan turns slowly overhead, a portable gramophone with a brass horn sits on a teak sea chest with a stack of records, a washstand holds an enamel jug and basin and a shaving mirror, and her khaki shirt, shorts and gun belt hang from a peg by the door above her laced boots. On a teak shelf the Orchid Idol, a small golden figure of a jaguar-headed goddess with eyes of violet amethyst stands between a stack of field journals and a bottle of gin, and a ship's brass lamp turned low hangs on gimbals by the door. In the foreground, softly out of focus, the brass horn of the gramophone crosses the lower left corner, and her laced boots and a coil of rope sit at the lower right. She lies back in the striped canvas hammock with her body facing the viewer, propped half up against the gathered end so her shoulders and head are raised, the canvas curving around her hips. Her right leg is swung lazily over the edge of the hammock with her bare foot dangling, her left leg stretches along the canvas, and her left hand holds up a black gramophone record beside her face, about to put on her favourite song. The slow breeze of the ceiling fan stirs the mosquito netting and lifts the ends of her sleek black hair off her shoulders, and she smiles at the viewer with heavy-lidded, shining eyes. The cool, silvery light of the full moon pouring in through the open louvred shutters is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in clear, cool silver, glows on her rose lips, puts bright moonlit catchlights in her amber eyes and pours over her shoulders, the ivory silk bandeau, the upper curves of her breasts, her midriff and the long, muscled line of her legs. The much weaker amber glow of the ship's brass lamp turned low by the door lays a warm, soft rim along her left side, her raised arm and the edge of her hair. The moonlight lays a cool, liquid sheen across the silk crepe, catches the scallops of violet lace, glints on the serpent armlet, the compass and the record, and draws a deep bottle-green shine along her sleek black hair. Her golden-tan skin takes a soft, luminous sheen wherever the light reaches, with a gentle highlight along her collarbones, her shoulder and her thighs. The far corner of the cabin falls into deep, warm brown shadow. Silver Age Superhero Ink style: bold Western-comic inking with heavy, confident brush outlines and solid spot blacks, bold Ben-Day dots in the shading and the skies, bold primary colours laid down flat, and a classic comic-print texture throughout, with the warm, slightly off-register newsprint feel of a vintage adventure comic, the moonlight laid in flat, bold areas of cool silver-blue with heavy inked shadow and Ben-Day dot netting. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every scallop of violet lace on the ivory silk bandeau and tap pants, the gold serpent armlet, the brass compass, the gramophone record, the striped canvas hammock and its mosquito netting, the teak panelling and brass hooks, the open louvred shutters, the ceiling fan, the gramophone on its sea chest, the washstand, the khaki clothes and gun belt on their peg, the laced boots, the golden idol on its shelf and the moonlit river beyond drawn sharply and precisely. The palette is epic and bold: ivory silk, orchid violet, teak brown, moon silver, brass gold, river-mud brown, jungle green, golden-tan skin and green-sheened black hair.
Mode
standard
Size
960 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.83k

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