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AI art "Nighttime streets (Tsubaki.3)"
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Nighttime streets (Tsubaki.3)

同じ内容なのに、リアルタッチになるのが3

#Dutch Angle#Moon#Short Hair#Outdoors#solo#brown hair#Riding#Jacket#Glowing#Night#Motorcycle#Full moon#Leather#Girl#City#Building#Lamppost#Black gloves#Leather Jacket
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小紋

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character: cyberpunk_(series), copyright: cyberpunk_(series) 1girl, solo, cyberpunk, (masterpiece:1.4), (best quality:1.4), from below, low-angle, foreshortening, medium shot, young woman, short hair, hair blowing back, wind, determined expression, focused gaze, leaning forward, riding, sport motorcycle, gloved hands, gripping handlebars, leather gloves, scuffed black leather jacket, high collar, zipped collar, dark denim, wet asphalt, elevated freeway, night, sprawling megacity, dark glass skyscrapers, magenta neon, cyan neon, neon edges, holographic billboard, glowing billboard, starless sky, hazy sky, deep blue-violet sky, full moon, smog, sodium-orange streetlamp, gauge cluster, green-white light, motion blur, speed lines, long exposure, light trails, red taillight streaks, reflections, damp road, neon-noir, cinematic lighting, A low-angle, foreshortened medium shot from below: the camera sits almost at the level of the front tire and looks up along the bike, so the front wheel and fairing swell huge in the lower foreground and her torso and chin stack above them, the freeway surface raking away to a vanishing point behind her shoulder. One lone young woman rides a sport motorcycle down the center of the elevated freeway at night, the only figure in the frame. She leans far forward over the tank, chest low, hips shifted back on the seat, both booted feet planted on the pegs; her gloved hands are locked around the handlebar grips, fingers curled and knuckles taut, the left glove's scuffed leather creased at the wrist, and her forearms take the weight. Her short hair is whipped back hard off her forehead by the wind, strands torn backward and sideways past her ear; her brows are drawn down and her jaw set, eyes fixed forward through the visor line of the wind, mouth a flat firm line -- determined, unblinking. She wears the scuffed black leather jacket, its surface dulled and scratched at the shoulder and elbow, the high collar zipped all the way up to her chin, and dark denim below. Behind and above her the megalopolis towers: dark glass skyscrapers packed shoulder to shoulder, their vertical edges traced in magenta and cyan neon, great holographic billboards hanging between them as glowing planes of cold light that spill color onto the road. The sky is a hazy, starless deep blue-violet, a blank flat gradient with no stars anywhere, and the full moon sits in it dulled and smeared by a thick band of smog, its edge soft and discolored. Sodium-orange streetlamps line the elevated freeway on both sides, their amber pools layering over the wet asphalt. The bike's gauge cluster throws a small green-white glow up onto her gloves and the underside of her chin. Over all of it, motion blur smears the road surface and the building edges into streaks, speed lines cut radially past her shoulders, and long-exposure red taillight trails stretch away down the lanes, mirrored as broken red streaks in the damp road where the asphalt holds the reflections between its seams. Palette: deep blue-violet night, magenta and cyan neon, sodium orange from the lamps, one green-white instrument glow, and red taillight streaks -- cold and electric throughout. Fast, electric, cold.
Show Parameters
Original Prompt
character: cyberpunk_(series), A low-angle, foreshortened medium shot from below captures a lone young woman riding a sport motorcycle on an elevated freeway at night. The girl has short hair whipped back by the wind and a determined expression, leaning forward with her gloved hands (gripping handlebars) locked around the grips. She is dressed in a scuffed black leather jacket with a high zipped collar and dark denim. The scene is set on a wet asphalt highway within a sprawling megacity. Towering dark glass skyscrapers with magenta and cyan neon edges and glowing holographic billboards flank the road. The sky is a hazy, starless deep blue-violet with a full moon obscured by smog. The atmosphere is a high-speed, neon-noir anime illustration. Lighting is a contrast of sodium-orange streetlamps, cyan and magenta holographic glows, and the green-white light of the bike's gauge cluster. (masterpiece:1.4), (best quality:1.4) visual effects include motion blur, speed lines, and long exposure light trails with red taillight streaks reflecting off the damp road, creating a fast, electric, and cold mood.
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, adult woman, long hair, snow-white hair, high ponytail, ponytail streaming behind, flowing hair, glossy black latex bodysuit, futuristic paneling, sculpted contours, metallic accents, thigh-high boots, black platform boots, heavy buckles, straps, reinforced armor on boots, riding, futuristic cyberpunk superbike, razor-sharp aerodynamic bodywork, black-chrome armor, glowing neon accents, spiked tires, massive tires, twin multi-barreled rotary guns on front fairings, electric-blue muzzle light, crimson muzzle light, leaning aggressively, high-speed turn, extreme speed, water spray, tire spray, rain-soaked streets, night, wet asphalt, pink reflections, violet reflections, cyan reflections, red reflections, holographic advertisements, towering skyscrapers, holographic billboards, drifting steam, atmospheric fog, distant flying vehicles, dystopian megacity, cinematic motion blur, intricate mechanical detail, realistic latex reflections, volumetric lighting, dynamic low-angle tracking shot, from below, foreshortening, dutch angle, eyes focused forward, fearless confidence, photorealistic, cinematic cyberpunk aesthetic, A dynamic low-angle tracking shot from below and slightly ahead of the machine, the camera crouched close to the wet asphalt so the bike's nose looms huge in the foreground and foreshortens back toward the rider, the whole frame tipped a few degrees into a dutch angle by the force of the turn. The single adult woman leans hard into a high-speed right-hand turn: her hips are shifted off the saddle to the inside, her right knee driven out and down toward the road, her left thigh clamped against the tank, both hands wrapped tight around the low clip-on bars with the throttling wrist rolled forward, her boot soles braced flat on the rear-set pegs, her chest folded low over the tank and her helmetless face tipped up just enough that her eyes stay fixed forward down the street, narrowed and unblinking, jaw set, lips slightly parted in a small fearless half-smile of pure confidence. Long snow-white hair is gathered high on the crown into a high flowing ponytail that whips out straight behind her shoulders, individual strands frayed and streaming sideways in the slipstream, never falling forward across her face. The glossy black latex bodysuit hugs her with sculpted contours across the ribs, waist and hips, its futuristic paneling breaking into hard geometric plates at the shoulders, sternum and thighs, and thin metallic accents -- brushed steel seams and small chrome fittings -- catching a hot rim of light along every raised edge, the latex laying down long, wet, realistic specular streaks that warp with each fold at waist and elbow. Thigh-high black platform boots climb her legs to mid-thigh, thick soles stacked high, and each boot is bound by a ladder of heavy buckles and straps cinched tight, reinforced armor plating capping shin and knee, the buckle metal flaring where the neon hits it. Beneath and around her the superbike is all razor-sharp aerodynamic bodywork in black-chrome armor, facet after facet sliding past one another, glowing neon accents tracing the panel gaps in a thin continuous line; massive spiked tires bite the road, the front wheel's spikes throwing a hard ring of spray. On either side of the front fairing the twin multi-barreled rotary guns hang forward, their clustered barrels spinning, each cluster lit from within by alternating electric-blue and crimson light that glows out along the barrels and stipples the underside of the fairing. Water sprays violently from both spiked tires in great sheeted arcs, backlit and torn into droplets, and the wet asphalt below reads as a dark mirror smeared with the reflections of pink, violet, cyan and red holographic advertisements that streak and shatter across every ripple. Behind her the rain-soaked city at night opens up: towering futuristic skyscrapers stacked in receding tiers, gigantic holographic billboards floating between them in magenta and cyan, drifting steam venting from grates and curling up through atmospheric fog, and far overhead small distant flying vehicles trailing lights through the haze of the dystopian megacity. Cinematic motion blur smears the street surface and the background towers into long horizontal streaks while the rider and the bike's leading edge stay razor-sharp. The only light sources are the city's own: neon signage and billboards throwing saturated pink-violet-cyan onto every wet surface, the guns' electric-blue and crimson glow washing the fairing and her forearms, and a cold overhead rim from the towers behind that edges her ponytail and shoulders in white. Everything low and behind is crushed into deep blue-black shadow; the light lives in reflections and in the spray. Volumetric light shafts cut through the fog and steam. Palette held to black, wet asphalt gray and the four neon hues -- pink, violet, cyan, red -- plus the blue-crimson of the gun barrels, nothing else. Hyper-realistic, ultra-detailed, 8K UHD, HDR, physically based rendering, ray-traced reflections, lifelike skin, photorealistic; cinematic cyberpunk aesthetic, electric and fearless.
dragonst

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