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AI art "Art"
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Art

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Dermot

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A full body shot from a top-down perspective depicts a gorgeous woman in her 30s lying on her back atop a paint-spattered canvas drop cloth on the wooden floor of a Brooklyn artist loft. She has a tall, inverted-triangle build with broad shoulders, toned arms, and golden-tan skin. Her heart-shaped face features a beauty mark above her parted, berry-glossed lips, and her amber-brown eyes are half-closed with a wanton, dreamy expression. Her hair is a tousled, chin-length wavy bob, espresso-brown on top with deep Prussian-blue inner layers fanning out around her head. She wears minimal turpentine-amber silk triangles held by fine gold chains around her neck, ribs, and hips, with a second gold chain looping across her flat stomach. Prussian-blue paint smudges mark her ribs and thigh, and a lapis lazuli ring adorns her right forefinger. Her left arm is flung above her head, fingers trailing in a pool of spilled blue paint, while her right hand rests on her stomach. The environment is a cluttered loft at night; the drop cloth is pooled with Prussian blue, amber, and cadmium red paints, surrounded by twisted paint tubes, caked brushes, a palette knife, open charcoal sketchbooks, and a brass desk lamp. A grid of silver moonlight and the shadow of a water tower fall across her and the floor. The atmosphere is romantic and wanton, featuring soft, painterly textures, blended glowing shading, and a high-contrast palette of moonlit silver and deep jewel tones.
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A full-body, top-down illustration of a woman in her 30s, seen from directly above, a Brooklyn painter alone on the floor of her loft among her own colours after the last guest has gone. The vibe is Brooklyn artist loft, and the whole image feels romantic, moonlit and openly wanton, a body among brushstrokes. She is lovely and gorgeous, with an inverted-triangle build: tall, with very broad shoulders, a toned upper back and arms, a straight, average waist, narrow hips and slim thighs, her shoulders clearly wider than her hips, strong and easy from years of stretching and hauling canvases, and medium, shapely breasts. She has warm golden-tan skin with a soft, sunlit glow, a heart-shaped face with high cheekbones, a straight nose and full, soft lips, a tiny beauty mark above the corner of her mouth, and large, warm amber-brown eyes with thick dark lashes and soft, gently curved dark brows. Her expression is wanton and dreamy, her amber eyes half closed and smouldering and her full lips parted in a slow, breathless smile. Her hair is a tousled wavy bob: chin-length hair in loose, uneven beachy waves, piecey and a little messy, with soft movement and a lived-in, undone texture, and its colour is a dark espresso brown on the top and outer layer, while the inner layer of her hair is a deep Prussian blue that shows in bold flashes wherever the lengths part and move. She wears only a tiny set of turpentine-amber silk: two tiny triangles of silk on fine gold chains, the chains fastened round her neck and round her ribs, the little triangles too narrow to reach the outer edges of her breasts so that sideboob shows soft and full on both sides, and a matching tiny triangle of amber silk at the front of her hips on fine gold chains drawn high over her hip bones. A second fine gold body chain loops low across her hips and her flat stomach, and smudged handprints of Prussian-blue paint mark her ribs and the top of one thigh. Her broad shoulders, her toned arms, her collarbones, the curves of her breasts around the tiny triangles, her midriff, her hips and the full length of her slim legs and her feet are bare. She wears a chunky silver ring set with a square of deep-blue lapis on her right forefinger. Her makeup is moonlit and smudged: a shimmering bronze on her lids, a smudged black liner, a warm flush across her cheeks and a glossy, parted berry lip. Her short, rounded nails are bare and buffed to a soft shine, with a faint smudge of Prussian-blue paint along one cuticle. The setting is the paint-stained floor of her factory loft in Brooklyn, late at night, seen from straight above: a huge canvas drop cloth spread across the scarred wooden floorboards, spattered and pooled with years of paint in Prussian blue, turpentine amber, cadmium red and white. Around her lie the tools of her work: squeezed and twisted tubes of oil paint, a scatter of brushes with stiff, colour-caked bristles, a palette knife, crumpled rags and a jar of turpentine. An overturned can of Prussian-blue paint has spilled in a glossy pool near her outstretched hand, and blue handprints and fingerprints wander across the cloth where she has pressed her palms into the paint. A long rectangle of moonlight falls through the iron-framed factory windows across the floor in a grid of small panes, and the shadow of a wooden rooftop water tower lies inside it. Sketchbooks lie open around her with charcoal drawings of her own body, a stub of candle stands in a saucer, and a small brass desk lamp sits on the floorboards at the edge of the cloth. In the foreground, softly out of focus, a jar of brushes crosses the lower left corner, and a twisted tube of amber paint and a palette knife sit at the lower right. She lies on her back on the paint-spattered drop cloth with her body facing the viewer above her, her left arm flung up above her head into the pool of moonlight, her fingers trailing in the edge of the blue spill, and her right hand resting on her flat stomach just under the gold chain. Her right leg lies long on the cloth and her left knee is raised and falls slightly open, her bare foot planted on the paint-spattered canvas. Her wavy bob is fanned out and rumpled against the drop cloth around her head, the Prussian-blue inner layer spread open across the canvas like spilled paint, and she gazes straight up at the viewer through half-closed eyes with her breathless smile. The cool, silver moonlight falling through the factory windows in a long grid of panes is the dominant light: it falls across her forehead, her cheekbones and the bridge of her nose in clean, pale silver, glows on her glossy parted lips, puts bright, cool catchlights in her amber eyes and pours over her shoulders, the curves of her breasts, the tiny amber triangles, her midriff and her long legs. The much weaker warm glow of the small brass desk lamp on the floor lays a soft amber rim along her left side, her hip and the outer edge of her thigh. The moonlight gleams on the fine gold chains, sets the wet pool of blue paint shining like glass, catches the silk triangles in soft sheens and glints on the lapis. Her golden-tan skin takes a cool, pearly sheen wherever the light reaches, with a soft highlight along her collarbones, the curves of her breasts and the length of her raised thigh. The edges of the drop cloth fade out into deep blue shadow and dim floorboards. The thin black lines of the window grid's shadow fall across her body and the cloth in soft, slanted bars. Tender Brushstroke style: soft, slightly sketchy linework with visible painterly brush texture layered under and over the lines rather than fully cel-clean, blended, glowing shading with warm, diffused highlights instead of hard cel breaks, and a saturated but gentle palette punctuated by deep, jewel-toned accents, the moonlight laid on in cool, softly blended strokes warmed by glowing amber edges. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: every tiny amber silk triangle and fine gold chain, the low gold body chain, the blue handprints on her skin, the lapis ring, the paint-pooled drop cloth, the spilled can of Prussian blue, the twisted tubes and caked brushes, the open sketchbooks of charcoal studies, the brass desk lamp and the grid of moonlight with the water tower's shadow drawn sharply and precisely. The palette is a moonlit loft: Prussian blue, turpentine amber, moonlight silver, cadmium red flecks, canvas white, gold, golden-tan skin and espresso-brown hair with deep Prussian-blue flashes.
Mode
standard
Size
1280 x 960

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.95k

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character: belle_(zenless_zone_zero), copyright: zenless_zone_zero 1girl, solo, face close-up, from above, blue hair, short hair, green eyes, hair between eyes, crossed bangs, smile, tongue out, blush, seductive_smile, half-closed_eyes, heavy_breathing, sweat, paint on face, colorful paint, art classroom, looking at viewer A high-angle close-up shot looking down at the face of a girl with short blue hair and green eyes. She is tilted back, her chin lifted, with a wide, mischievous smile and her tongue fully extended. Her face serves as a human palette; distinct, thick swatches of vibrant oil paint in primary colors are smeared across her cheeks and forehead in precise, separated blocks. A paintbrush tip is pressed firmly against the center of her outstretched tongue, treating the muscle like a tool to mix and pick up a glob of wet pigment. The lighting is the bright, diffused overhead glow of an art classroom, casting soft shadows under her jaw and highlighting the wet, glossy texture of the paint on her skin. The palette consists of saturated reds, yellows, and blues against her pale skin, rendered as distinct swatches of paint. Effortlessly stylish.
つきさくら
#Zenless Zone Zero#Belle#PixAI Nasu

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