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takagi prisoner
Show Parameters
- Original Prompt
- Takagi-san, orange prison jumpsuit , Waist Chain, Blue Box Handcuff Cover, Handcuffs, Ankle cuffs in jail
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
Similar Images
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ga
takagi prisoner
gustavo ale
c
1girl, solo, prisoner, black hair, short hair, bob cut, straight hair, orange jumpsuit, prison clothes, collared jumpsuit, short sleeves, name tag, name tag on left chest, handcuffs, bound wrists, hands together, wrists chained together, prison transport chains, belly chains, belly chain linked to handcuffs by short chain, short chain from waist to wrists, ankle cuffs, handcuff-shaped ankle cuffs, ankle chain, chain between ankles, sandals, rubber sandals, arrested, prison, prison background, indoors, prison visit room, sitting, sitting on bench, shy, blushing, smile, happy, romantic, looking at viewer, head tilt, knees together, feet flat on floor, hands resting in lap, shoulders raised slightly, from above, cowboy shot, warm tungsten light, soft focus background
The camera looks down from a slightly high angle, close and tender, framing one girl from above the knees to the top of her head as she sits small and neat on a steel-framed visitation bench in the corner of a prison visit room. She is the only person in frame and the only body in the room. She has short straight black hair cut in a blunt bob that ends just under her jaw, the fringe parted a little off centre, and the hair falls forward on both sides of her face as she tilts her head up toward the lens; her ears are bare and no ornament sits in her hair. Her eyes are dark, wide and lifted to the viewer under lowered lids, her cheeks are flushed a deep warm pink that spreads from cheekbones to the tips of her ears, and her lips are pressed into a small closed happy smile that pushes her cheeks round; her eyebrows lift at the inner ends, uncertain and pleased at once. She wears a loose one-piece orange prison jumpsuit of a slightly stiff cotton twill, buttoned up to a turned collar that sits open and flat at her throat with nothing at the neck, the short sleeves ending mid-upper-arm and showing both bare forearms, the fabric creasing in soft horizontal folds across her drawn-together knees; a white rectangular fabric name tag is sewn flat onto the left chest of the jumpsuit, its printed numerals reading "0410" in black on the white patch, sitting square and legible just below her collarbone on the left side. Her wrists are held together in front of her belly in a pair of steel handcuffs, the cuff rings locked around each wrist, her fingers interlaced and resting on her thighs with the knuckles turned up; a chain of steel links runs around her waist as a belly chain, and one short taut chain drops from the front of that waist chain to the centre link of the handcuffs, so her bound hands are held close to her stomach and cannot rise. Matching handcuff-shaped steel cuffs ring each of her ankles above the bone, and a chain of about forty centimetres runs between them, lying in a shallow slack curve across the floor between her two flat-set rubber sandals, the sandals' straps over her bare feet and her toes turned slightly inward. Her weight rests on her right hip, her left knee leaning in against the right, her shoulders drawn up a fraction and her chin tipped down while her eyes stay up on the viewer, so the whole pose reads as a shy, pleased, blushing gladness at being looked at.
Behind her the visit room is quiet and institutional: a pale green painted concrete wall meeting a scuffed grey floor, the dark rectangular gap of a mesh-reinforced visiting window at the upper left with its grilled bars slightly out of focus, and a small fixed steel table edge at the far right, everything beyond her softened into transparency. One warm tungsten ceiling fixture above and slightly to her right is the only light source: it lays a warm highlight along the top of her black bob, the ridge of her nose and the white name patch, leaves the underside of her chin and the folds of the jumpsuit in orange-brown shadow, and lets the corners of the room go dim. The palette is the orange of the jumpsuit against institutional pale green, cold grey floor and dull steel, with her blush as the one warm pink accent. The chain between her ankles throws a thin linked shadow on the floor and the taut short chain to her wrists stays dead straight, marking exactly how little she can move. Tender, shyly radiant.
clust
玉川
1girl, masterpiece, full body, dirty clothing, action, in a jail, 1girl, solo,
full body, handcuffed both wrists, standing, barefoot, shackles on both ankles, an iron ball connected to the shackle with chain, sweat, handcuffs both hands, prison clothes, black and white striped shirt, black and white striped pants, half sleeve, v neck, short sleeve, messy hair, collarbone, closed mouth, looking down, leaning back on the wall, dynamic angle, tied arms with chain, hands on front, shy, looking away, ultra detailed, depressed, miko iino, blunt bangs, brown eyes, brown hair, hair tie, long hair, crying with eyes open
玉川
character: takamori_aiko, copyright: idolmaster
1girl, takamori_aiko, brown hair, long hair, ponytail, hair ornament, hair flower, brown eyes, yellow eyes, handcuffs, shackles, leg irons, collar, prisoner uniform, short sleeves, black and white stripes, striped top, panties only, bare legs, barefoot, standing, jail cell, iron bars, from below, full body, looking at viewer, uneasy expression, blush, closed mouth, arms at sides, wrists together in front, chains, metal collar, concrete floor, cold light
From a low angle just above the floor, the camera looks up through the foreground bars of a cell at a single standing girl, so the barred door edge crosses the bottom-left of the frame and the vertical bars step back in perspective toward the ceiling, framing her whole body against the far wall. She stands square to the bars but with weight sunk onto her right leg, left knee slightly bent and left hip dropped, shoulders drawn a little inward so the short-sleeved black and white horizontal-striped prisoner top hangs loose over her hips; the sleeve hems stop mid-upper-arm, the stripe bands widen slightly as the fabric curves over her chest. Her lower half is bare — only plain dark-grey panties and bare legs down to bare feet flat on the concrete — and a broad metal band circles her left ankle with a short chain running down to a second band just above it, the chain pooling and kinking on the floor in a shallow slack loop beside her right heel.
Her wrists are cuffed in front of her waist, two steel rings linked by a short chain that hangs in a taut inverted V, forearms angled down and inward, fingers loosely curled and touching each other, thumbs resting against the chain. She is collared: a wide riveted steel band sits low around her throat, a ring at its front, a chain dropping from it and lying across her collarbone before disappearing behind the cuff chain, so the two runs of metal nearly meet at the centre of her chest. Her chin dips toward the collar, eyes sliding up to the lens from under her brows, lips pressed closed with the lower one caught slightly, a faint flush high on her cheeks and a shallow gathered brow — not fear, but a small, braced unease. The ponytail is tied high at the back of her head with the flower ornament pinned at its base, and because her head tips down the tail falls forward over her right shoulder, its tip brushing the collar's edge; the long side locks hang free past her jaw. Her gaze is up and toward the viewer, held steady even as the chin stays lowered.
The cell is bare concrete: a low plank bunk along the right-hand wall behind her, a bucket on the floor in the far corner, a small barred window high in the back wall. Light comes only from that window, a hard cool shaft angling down from behind her left shoulder, so it catches the tops of the bars, the upper curve of the collar ring, the crown of her head and the leading edges of both thigh fronts, while her face is lit by the softer bounce off the pale far wall and the underside of her jaw and the crooks of her elbows fall into shadow. Behind her the cell recedes into brown-grey gloom; her shadow is thrown forward along the floor toward the camera, and the loose ankle chain casts a broken, link-shaped shadow of its own. Palette is restricted to charcoal, cold steel grey, concrete brown-grey and the white of the stripes, with her warm brown hair and the single small flower as the only saturated notes. The chain's lowest link is held just off the floor, so it reads exactly how much slack she has left. Cold, hushed unease.
橫山育人
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