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takagi prisoner
Show Parameters
- Original Prompt
- Takagi-san, orange prison jumpsuit , Waist Chain, Blue Box Handcuff Cover, Handcuffs, Ankle cuffs in jail
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
Similar Images
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ga
takagi prisoner
gustavo ale
c
1girl, solo, prisoner, black hair, short hair, bob cut, straight hair, orange jumpsuit, prison clothes, collared jumpsuit, short sleeves, name tag, name tag on left chest, handcuffs, bound wrists, hands together, wrists chained together, prison transport chains, belly chains, belly chain linked to handcuffs by short chain, short chain from waist to wrists, ankle cuffs, handcuff-shaped ankle cuffs, ankle chain, chain between ankles, sandals, rubber sandals, arrested, prison, prison background, indoors, prison visit room, sitting, sitting on bench, shy, blushing, smile, happy, romantic, looking at viewer, head tilt, knees together, feet flat on floor, hands resting in lap, shoulders raised slightly, from above, cowboy shot, warm tungsten light, soft focus background
The camera looks down from a slightly high angle, close and tender, framing one girl from above the knees to the top of her head as she sits small and neat on a steel-framed visitation bench in the corner of a prison visit room. She is the only person in frame and the only body in the room. She has short straight black hair cut in a blunt bob that ends just under her jaw, the fringe parted a little off centre, and the hair falls forward on both sides of her face as she tilts her head up toward the lens; her ears are bare and no ornament sits in her hair. Her eyes are dark, wide and lifted to the viewer under lowered lids, her cheeks are flushed a deep warm pink that spreads from cheekbones to the tips of her ears, and her lips are pressed into a small closed happy smile that pushes her cheeks round; her eyebrows lift at the inner ends, uncertain and pleased at once. She wears a loose one-piece orange prison jumpsuit of a slightly stiff cotton twill, buttoned up to a turned collar that sits open and flat at her throat with nothing at the neck, the short sleeves ending mid-upper-arm and showing both bare forearms, the fabric creasing in soft horizontal folds across her drawn-together knees; a white rectangular fabric name tag is sewn flat onto the left chest of the jumpsuit, its printed numerals reading "0410" in black on the white patch, sitting square and legible just below her collarbone on the left side. Her wrists are held together in front of her belly in a pair of steel handcuffs, the cuff rings locked around each wrist, her fingers interlaced and resting on her thighs with the knuckles turned up; a chain of steel links runs around her waist as a belly chain, and one short taut chain drops from the front of that waist chain to the centre link of the handcuffs, so her bound hands are held close to her stomach and cannot rise. Matching handcuff-shaped steel cuffs ring each of her ankles above the bone, and a chain of about forty centimetres runs between them, lying in a shallow slack curve across the floor between her two flat-set rubber sandals, the sandals' straps over her bare feet and her toes turned slightly inward. Her weight rests on her right hip, her left knee leaning in against the right, her shoulders drawn up a fraction and her chin tipped down while her eyes stay up on the viewer, so the whole pose reads as a shy, pleased, blushing gladness at being looked at.
Behind her the visit room is quiet and institutional: a pale green painted concrete wall meeting a scuffed grey floor, the dark rectangular gap of a mesh-reinforced visiting window at the upper left with its grilled bars slightly out of focus, and a small fixed steel table edge at the far right, everything beyond her softened into transparency. One warm tungsten ceiling fixture above and slightly to her right is the only light source: it lays a warm highlight along the top of her black bob, the ridge of her nose and the white name patch, leaves the underside of her chin and the folds of the jumpsuit in orange-brown shadow, and lets the corners of the room go dim. The palette is the orange of the jumpsuit against institutional pale green, cold grey floor and dull steel, with her blush as the one warm pink accent. The chain between her ankles throws a thin linked shadow on the floor and the taut short chain to her wrists stays dead straight, marking exactly how little she can move. Tender, shyly radiant.
clust
玉川
1girl, masterpiece, full body, dirty clothing, action, in a jail, 1girl, solo,
full body, handcuffed both wrists, standing, barefoot, shackles on both ankles, an iron ball connected to the shackle with chain, sweat, handcuffs both hands, prison clothes, black and white striped shirt, black and white striped pants, half sleeve, v neck, short sleeve, messy hair, collarbone, closed mouth, looking down, leaning back on the wall, dynamic angle, tied arms with chain, hands on front, shy, looking away, ultra detailed, depressed, miko iino, blunt bangs, brown eyes, brown hair, hair tie, long hair, crying with eyes open
玉川
character: tenkubashi_tomoka, copyright: idolmaster
1girl, solo, tenkubashi_tomoka, brown hair, long hair, sidelocks, single hair bun, hair bun, hair bow, hairband, cowlick, brown eyes, handcuffs, wrists cuffed in front, leg shackles, ankle cuffs, chained ankles, collar, metal collar, short sleeves, black-and-white striped shirt, prisoner uniform, striped prison top, bare legs, panties, white underwear, barefoot, standing, standing on one leg, tiptoes, leaning forward, looking at viewer, head tilt, one eye closed, lopsided grin, blush, arms held out slightly, chain taut, prison cell, iron bars, stone wall, straw bedding, high window, from below, wide shot, dutch angle,
The camera sits low and tilted: seen from below at a slight dutch angle, a single girl stands inside a stone prison cell, the barred door rising behind her and the ceiling shadowing the top of the frame. She is caught mid-shift on the balls of one bare foot, the other heel lifted and turned inward, her hips canted so the standing leg carries all her weight; her shoulders lean a little forward toward the lens while her cuffed wrists hang low in front of her hips, both hands slack, the short chain between the cuffs dipping under its own weight. A metal collar circles her throat, sitting just above the collarless neckline of a short-sleeved black-and-white horizontally striped prison shirt that hangs to her upper thighs; below its hem she wears only plain white briefs, her legs bare, her feet bare on the cold stone. Slim shackle bands close around both ankles, a short chain strung between them, sagging in a shallow curve that pulls taut where her lifted heel draws it up. Her long brown hair has slipped loose of its single high bun, sidelocks and a stray cowlick hanging against her jaw and one lock stuck to her cheek; the bun tips slightly off-centre on top of her head, the hair bow pinned at its base. Her head tilts toward her raised shoulder, one eye squeezed shut and the other open and angled up under her brow straight at the viewer, a lopsided grin pulling one corner of her mouth, colour high across her cheeks. One high narrow window in the left wall of the cell admits a single cold shaft of daylight that rakes down across the right side of the frame; it strikes the rim of the collar, the top of the shackle bands and the upturned side of her face, throwing long bar-shadows across the stone floor and a second grid of shadow up the back wall, while the corner behind her, the straw pallet and the iron door fall into flat dim shadow. Palette: cold grey-green stone and iron, the hard black-and-white of the stripes, the warm brown of her hair and a single flush of pink on her cheeks and the bow. The dust in the light beam only brightens where the shaft passes. Small, defiant, and a little mischievous.
橫山育人
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